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Murray Pomerance is an independent scholar living in Toronto, Canada. He is the editor of the "Techniques of the Moving Image" series and the Horizons of Cinema series, and co-editor, with Lester D. Friedman and Adrienne L. McLean respectively, of the Screen Decades and Star Decades series. Pomerance has written, edited and co-edited several books, including Cinema, If You Please (2018), Moment of Action (2016), Alfred Hitchcock's America (2013), The Horse who Drank the Sky: Film Experience beyond Narrative and Theory (2008), and two BFI Classics on Marnie (2014) and The Man Who Knew Too Much (2016). Author affiliation details are correct at time of print publication.

Tom Brown is Senior Lecturer in Film at King's College London, UK. He is co-editor, with James Bennett, of Film and Television After DVD (2008). Author affiliation details are correct at time of print publication.

Kevin Donnelly is Reader in Film at the University of Southampton, UK. He is the author of Magical Musical Tour: Rock and Pop in Film Soundtracks (Bloomsbury, 2015), Occult Aesthetics: Sound and Image Synchronization (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (British Film Institute, 2005) and Pop Music in British Cinema (British Film Institute, 2001); and editor of Film Music: Critical Approaches (2001), co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012) and co-editor (with Will Gibbons and Neil Lerner) of Music in Video Games: Studying Play (2014). Author affiliation details are correct at time of print publication.

Kevin Donnelly is Reader in Film at the University of Southampton, UK. He is the author of Magical Musical Tour: Rock and Pop in Film Soundtracks (Bloomsbury, 2015), Occult Aesthetics: Sound and Image Synchronization (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (British Film Institute, 2005) and Pop Music in British Cinema (British Film Institute, 2001); and editor of Film Music: Critical Approaches (2001), co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012) and co-editor (with Will Gibbons and Neil Lerner) of Music in Video Games: Studying Play (2014). Author affiliation details are correct at time of print publication.

Kevin Donnelly is Reader in Film at the University of Southampton, UK. He is the author of Magical Musical Tour: Rock and Pop in Film Soundtracks (Bloomsbury, 2015), Occult Aesthetics: Sound and Image Synchronization (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (British Film Institute, 2005) and Pop Music in British Cinema (British Film Institute, 2001); and editor of Film Music: Critical Approaches (2001), co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012) and co-editor (with Will Gibbons and Neil Lerner) of Music in Video Games: Studying Play (2014). Author affiliation details are correct at time of print publication.

Sébastien Layerle

Samantha Colling is Lecturer in Film and Media at Manchester School of Art and Research Degrees Development Tutor in the Arts and Humanities Graduate School, Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

Rick Altman is a professor of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa, USA. His many books include ‘Film/Genre’ (BFI 1999) and ‘Silent Film Sound’ (2007). Author affiliation details are correct at time of print publication.

Tiffany Naiman

Jonathan Owen