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Conclusion

Barry Jordan

Barry Jordan is Professor of European Cinema and Culture at De Montfort University, Leicester. Author affiliation details are correct at time of print publication.

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Mark Allinson

Mark Allinson is Professor of Spanish, University of Leicester. Author affiliation details are correct at time of print publication.

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Spanish Cinema: A Student's Guide

Bloomsbury Academic, 2010

Book chapter

...In Tesis (1996), Alejandro Amenábar's debut feature, Professor Castro announces to a Film Studies class that a colleague, the asthmatic Professor Figueroa (thesis supervisor of female lead, Angela, played by Ana Torrent), has had a heart...

Cannes, 2008

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...Ten years after Central Station triumphed at the Berlin Film Festival, the 2008 Cannes festival was heralded as one in which the South Americans were showing in force. It was no longer the case that a lone Brazilian of an international...

Digital Acinema from Afrance

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book chapter

...I did not remember much of the plot of Alain Gomis’s L’Afrance (France/Senegal, 2001) after seeing it for the first time at the Ritzy cinema in Brixton, London, in November 2013. I knew that the film is about a Senegalese man, El Hadj Diop...

Malaysia: Melodramatic Drive, Rural Discord, Urban Heartaches

Contemporary Asian Cinema : Popular Culture in a Global Frame

Berg, 2006

Book chapter

...As we have just seen in the previous chapter, Malaysia’s cinematic history intertwines and overlaps with that of Singapore. Malaysia as we know it today is comprised of states in Peninsular Malaysia and on the island of Borneo across...

Whisky and wattage in Uruguay

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...‘There is not much of a film industry in my country,’ admits Uruguayan Manuel Nieto Zas, while counting the working directors in his head. ‘There are ten. And between us we make one and a half films a year.’It’s always been like...

1950–70: Defining a Genre

Keith M Johnston

Keith M. Johnston is Lecturer in Film and Television Studies at the University of East Anglia and author of Coming Soon: Film Trailers and the Selling of Hollywood Technology. Author affiliation details are correct at time of print publication.

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Science Fiction Film : A Critical Introduction

Berg, 2011

Book chapter

...Hollywood’s science-fiction output in the 1950s reflected the tensions, conflicts, and debates playing out in the broader American political landscape … accurately assessing the fears and desires of Cold War America.Academic work...

After Pinochet: Andrés Wood’s Machuca

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...In 1973 the Chilean president Salvador Allende, the first avowed Marxist to win a free election, was overthrown in a violent coup by the CIA-backed General Augusto Pinochet. Pinochet oversaw one of the most murderous and repressive...

Letter from Buenos Aires

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...Buenos Aires, April 2007You’ve got to credit the Argentines: they don’t muck about. While almost every film festival in the world, whatever its pretensions, gets sucked into the celebrity circuit, in Buenos Aires there’s only one thing...

Theorizing Asian Cinema(s)

Contemporary Asian Cinema : Popular Culture in a Global Frame

Berg, 2006

Book chapter

...As illustrated in the introduction to this book, the characters of Hock in Forever Fever and Sameer and Pooja in Dil Chahta Hai represent moments and positions of spectatorial identification with the screen image. Identification occurs...

Hopeless Bleak Despair, or How I Learned to Stop Worrying and Love The Mist

Post-9/11 Horror in American Cinema

Continuum, 2012

Book chapter

...I never knew what everybody meant by endless, hopeless bleak despair Until one day when I found out …They Might Be GiantsNumerous nihilistic horror films were made before 9/11 featuring bleak endings with the death of many or all the main...