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William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

Christina Gerhardt is Associate Professor of German at University of Hawai’i at Manoa, USA. Author affiliation details are correct at time of print publication.

Christina Gerhardt is Associate Professor of German at University of Hawai’i at Manoa, USA. Author affiliation details are correct at time of print publication.

Christina Gerhardt is Associate Professor of German at University of Hawai’i at Manoa, USA. Author affiliation details are correct at time of print publication.

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Roger Crittenden: After a distinguished career at the BBC, where he gained a special award for sustained excellence as a film editor, he was recruited to the new National Film and Television School as Head of Editing and later became Director of the MA programme. While with the NFTS, he taught in Moscow, Mexico City, Manila, Copenhagen, Singapore, Brisbane Australia, and in Cuba. In 2014 he was given the first ever CILECT International Teaching Award for his outstanding contribution to media pedagogy. More recently, he was appointed Adjunct Professor of Film at Griffith University in Brisbane, Australia. Roger is the author of two books on editing, as well as a book on Truffaut’s Day For Night for the British Film Institute's Film Classic Series. Author affiliation details are correct at time of print publication.

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

Werner Herzog is a German screenwriter, film director, author, actor, and opera director. Author affiliation details are correct at time of print publication.