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Introduction: What is Non-Cinema?

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book chapter

...For Jonathan Beller, cinema is co-extensive with capital. Jonathan Beller, The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle (Lebanon, NH: Dartmouth College Press, 2006). In an era when the measure...

Terrorism and the Cold War

Christina Gerhardt

Christina Gerhardt is Associate Professor of German at University of Hawai’i at Manoa, USA. Author affiliation details are correct at time of print publication.

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Screening the Red Army Faction : Historical and Cultural Memory

Bloomsbury Academic, 2018

Book chapter

...Research for this chapter was supported by an appointment as a postdoctoral fellow at the Berlin Program for Advanced German and European Studies at the Freie Universität Berlin (2006–2007) and as a summer fellow at the Zentrum für...

German Cinema

The Cinema Book

British Film Institute, 2007

Book chapter

...Introduction Tim Bergfelder Unlike other national cinemas, which developed in the context of relatively continuous and stable political systems, Germany witnessed fundamental changes to its identity during the 20th century. This has...

Diverging Trajectories

Christina Gerhardt

Christina Gerhardt is Associate Professor of German at University of Hawai’i at Manoa, USA. Author affiliation details are correct at time of print publication.

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Screening the Red Army Faction : Historical and Cultural Memory

Bloomsbury Academic, 2018

Book chapter

...This chapter was generously funded by an appointment as visiting scholar at Harvard University’s Minda de Ginzburg Center for European Studies (2008) and at Columbia University (2008–10). Previous versions of this chapter were presented...

How Violence Comes about and to What It Can Lead

Christina Gerhardt

Christina Gerhardt is Associate Professor of German at University of Hawai’i at Manoa, USA. Author affiliation details are correct at time of print publication.

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Screening the Red Army Faction : Historical and Cultural Memory

Bloomsbury Academic, 2018

Book chapter

...This chapter was generously funded by grants from the DAAD (June–July 2006); the Berlin Program for Advanced German and European Studies at the Freie Universität Berlin (2006–2007); and the Fulbright Commission (2007–2008), which funded...

Control, Creative Constraints and Self-Contradiction

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University, USA. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema that began with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema - Face to Face with Hollywood (2005) and was given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

...The author: impossible and indispensable There are many reasons why the concept of the auteur, as it applies to the film director, should not be carried over into the twenty-first century. First of all, because it has...

For (not about) Ingmar Bergman

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

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On Film

Faber and Faber Limited, 2001

Book chapter

...It seems to me presumptuous to try to write or say anything about Ingmar Bergman, and any account is an impertinence: these films stand alone like great beacons in film history. There is nothing one would welcome so much as their liberation...

Réunion – blanche neige

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

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On Film

Faber and Faber Limited, 2001

Book chapter

...Jean-Paul Belmondo switches off the bedside lamp. Marion and Louis are lying in the dark room. The camera is in the dark. It’s doing what your eyes do if you suddenly step out of the light into a dark room: they slowly adapt themselves...

Thinking about Germany

Werner Herzog

Werner Herzog is a German screenwriter, film director, author, actor, and opera director. Author affiliation details are correct at time of print publication.

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Werner Herzog : A Guide for the Perplexed

Faber & Faber, 2014

Book chapter

...SACHRANG, 15 JUNE 1982From the Mount of Olives chapel, just by the customs post, went the path through beautiful, tall, damp forest towards Sachrang, which I rapidly lost sight of as I climbed up via Mitterleiten. A construction machine...

Blasphemy and Mirages

Werner Herzog

Werner Herzog is a German screenwriter, film director, author, actor, and opera director. Author affiliation details are correct at time of print publication.

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Werner Herzog : A Guide for the Perplexed

Faber & Faber, 2014

Book chapter

...You benefited from the film-subsidy system in West Germany.I belonged to a generation of post-war Germans many of whom were attempting to express themselves in new ways cinematically, which isn’t surprising when you think of West German...