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  • New German Cinema
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Introduction: What is Non-Cinema?

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book

...For Jonathan Beller, cinema is co-extensive with capital. Jonathan Beller, The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle (Lebanon, NH: Dartmouth College Press, 2006). In an era when the measure...

Multitrack and Transcultural Narratives in Wim Wenders’s Works

Simone Malaguti

Simone Malaguti

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Wim Wenders : Making Films that Matter

Bloomsbury Academic, 2020

Book

...“Ah, if I could be all the people in all the places.” “Triumphal Ode” by Álvaro de Campos (Fernando Pessoa’s heteronym) quoted in Lisbon Story (1994).“Triumphal Ode” by Álvaro de Campos (Fernando Pessoa’s heteronym) quoted in Lisbon Story...

Terrorism and the Cold War

Christina Gerhardt

Christina Gerhardt is Associate Professor of German at University of Hawai’i at Manoa, USA. Author affiliation details are correct at time of print publication.

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Screening the Red Army Faction : Historical and Cultural Memory

Bloomsbury Academic, 2018

Book

...Research for this chapter was supported by an appointment as a postdoctoral fellow at the Berlin Program for Advanced German and European Studies at the Freie Universität Berlin (2006–2007) and as a summer fellow at the Zentrum für...

Introduction: New Perspectives on Wim Wenders as Filmmaker and Visual Artist

Olivier Delers

Olivier Delers is Associate Professor of French and Chair of the Department of Languages, Literatures, and Cultures at the University of Richmond, USA. He is the author of The Other Rise of the Novel in Eighteenth-Century French Fiction (2015). Author affiliation details are correct at time of print publication.

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and

Martin Sulzer-Reichel

Martin Sulzer-Reichel is Director of Arabic at the University of Richmond, USA. He is the author of A Change in Perception: The Arab Reception of Emperor Frederick II and Other Protagonists of the Crusades from the 13th Century Until Today (2015). Author affiliation details are correct at time of print publication.

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Wim Wenders : Making Films that Matter

Bloomsbury Academic, 2020

Book

...In a career that spans more than forty-five years, Wim Wenders is still busy adding to his extensive body of work: in the past two years alone, he has released two full-length feature films, exhibited his large-scale landscape photography...

German Cinema

The Cinema Book

British Film Institute, 2007

Book

...Introduction Tim Bergfelder Unlike other national cinemas, which developed in the context of relatively continuous and stable political systems, Germany witnessed fundamental changes to its identity during the 20th century. This has...

The Personal is Political: Angst essen Seele auf (Fear Eats The Soul, 1974)

Maggie Hoffgen

Maggie Hoffgen is an educator in German language and culture with an MA in film studies. She divides her time between supervising Goethe-Institut courses at Manchester University's Language Centre and working as a freelance film lecturer. Author affiliation details are correct at time of print publication.

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Studying German Cinema

Auteur, 2009

Book

...The focus film of this chapter is an early contribution to the discussion around immigration in West Germany, at a time when the issue was not being addressed by politicians or society. Officially Germany was not regarded as a country...

A Political Fairy Tale: Die Blechtrommel (The Tin Drum, 1979)

Maggie Hoffgen

Maggie Hoffgen is an educator in German language and culture with an MA in film studies. She divides her time between supervising Goethe-Institut courses at Manchester University's Language Centre and working as a freelance film lecturer. Author affiliation details are correct at time of print publication.

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Studying German Cinema

Auteur, 2009

Book

...Volker Schlöndorff ’s Die Blechtrommel completes our selection of key films of New German Cinema in the strictest sense, as the era of film-making in Germany between 1970 and 1982. Schlöndorff may not be quite such a renowned name...

How Violence Comes about and to What It Can Lead

Christina Gerhardt

Christina Gerhardt is Associate Professor of German at University of Hawai’i at Manoa, USA. Author affiliation details are correct at time of print publication.

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Screening the Red Army Faction : Historical and Cultural Memory

Bloomsbury Academic, 2018

Book

...This chapter was generously funded by grants from the DAAD (June–July 2006); the Berlin Program for Advanced German and European Studies at the Freie Universität Berlin (2006–2007); and the Fulbright Commission (2007–2008), which funded...

Nekromantik

Xavier Mendik

Xavier Mendik is Professor of Cult Cinema Studies within Birmingham School of Media at Birmingham City University, UK, from where he runs the Cine-Excess International Film Festival. He is editor of Shocking Cinema of the Seventies (2002) and co-editor of Alternative Europe (2004) and Underground USA (2002). Author affiliation details are correct at time of print publication.

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100 Cult Films : BFI Screen Guides

British Film Institute, 2011

Book

...DIRECTOR Jörg ButtgereitPRODUCER Manfred JelinskiWRITER Jörg Buttgereit, Franz RodenkirchenCINEMATOGRAPHY Uwe BohrerEDITING Jörg Buttgereit, Manfred JelinskiORIGINAL MUSIC Herman Kopp, Bernd Daktari Lorenz, John Boy WaltonPRINCIPAL CAST...

For (not about) Ingmar Bergman

Wim Wenders

Wim Wenders is the distinguished director of Paris, Texas and Wings of Desire, as well as The American Friend. For Faber he has published three volumes of essays, which have been collected together into one volume, titled On Film. He has also written My Time with Antonioni, which chronicles his experience working with Antonioni on Beyond the Clouds. Author affiliation details are correct at time of print publication.

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On Film

Faber and Faber Limited, 2001

Book

...It seems to me presumptuous to try to write or say anything about Ingmar Bergman, and any account is an impertinence: these films stand alone like great beacons in film history. There is nothing one would welcome so much as their liberation...