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Nuit et brouillard (Night and Fog)

Jim Hillier

Jim Hillier, who died in 2014, was Visiting Lecturer in the Department of Film and Television Studies at the University of Reading, UK. He was a pioneer of film education in the UK. His publications include, as co-author, 100 Documentary Films and 100 Film Noirs in the BFI Screen Guides series (2008); American Independent Cinema (2001), The Film Studies Dictionary (2000) and Howard Hawks: American Artist (1996). Author affiliation details are correct at time of print publication.

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100 Documentary Films : BFI Screen Guides

British Film Institute, 2009

Book

...Nuit et brouillard, one of the earliest films about the Holocaust, has become a yardstick by which other documentaries on the subject – even Shoah (1985) – have been judged. The organisers of a 1954 exhibition by the Comité de l’Histoire de...

Diverging Trajectories

Christina Gerhardt

Christina Gerhardt is Associate Professor of German at University of Hawai’i at Manoa, USA. Author affiliation details are correct at time of print publication.

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Screening the Red Army Faction : Historical and Cultural Memory

Bloomsbury Academic, 2018

Book

...This chapter was generously funded by an appointment as visiting scholar at Harvard University’s Minda de Ginzburg Center for European Studies (2008) and at Columbia University (2008–10). Previous versions of this chapter were presented...

Colour and Suffering

Paul Coates

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

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Cinema and Colour : The Saturated Image

British Film Institute, 2010

Book

...The gold of your hair MargaretheThe ash of your hair Sulamith. (Paul Celan) A Matter of Life and Death Sometimes, shockingly, the properties of film technology – its powers and inadequacies – can make the difference between life...

Holocaust Documentaries IV: The Poetic Documentary

Aaron Kerner

Aaron Kerner is an Associate Professor in the Cinema Department at San Francisco State University. Author affiliation details are correct at time of print publication.

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Film and the Holocaust : New Perspectives on Dramas, Documentaries, and Experimental Films

Continuum, 2011

Book

...Introduction Incongruity and radical juxtaposition are trademarks of the poetic documentary. At the core, then, of the poetic Holocaust documentary are comparative strategies to measure temporal differences, generational differences...