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  • Nolan, Christopher
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...Beach at Malo les Bains – Continuous The longest, widest beach he’s ever seen, sunlight dazzling off the water, endless dark fences snaking across the sand and out into the water. Tommy squints – not fences, lines of men, hundreds...

Notes Toward a Hypertextual Theory of Narrative

New Screen Media : Cinema/Art/Narrative

British Film Institute, 2002

Book

...One of the effects of the development of cyberculture is a kind of retro-technological imagining, in which our media histories are remapped from the new vantage points of the digital domain. So, for instance, experimental literatures from...

‘Now … where was I?’ Assembling Memento

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book

...The edit Dody Dorn first encountered Chris Nolan in an elevator, on the way up to her meeting with him. She had met Memento’s newly appointed production designer Patti Podesta before, though never worked with her, and when the position...
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...Black. The Gentle Sound of Wind in Corn A row of books. From spaces between them, dust falls. Interstellar Elderly Female Voice V.O. Sure. Dad was a farmer. Bright Corn Stalks Fill The Frame, Swaying in the Breeze Elderly Female...

‘Do you have a pen?’ The Origin of the Film

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book

...Memento Mori So we end at the beginning; the seed of an idea is always the hardest to trace, artists of any sort often reluctant to pinpoint their source of inspiration. Like many films, Memento ‘is based upon’ a literary source...

‘I have to believe in the world outside my own mind.’. Releasing Memento

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book

...The US release On 24 March 2000, the unthinkable happened: Memento was passed over. The Friday before Oscar weekend, three screenings were arranged in Los Angeles for distributors. Memento’s producers, Jennifer and Suzanne Todd, the sister...

‘Nice shot, Leibovitz!’ The Production

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book

...The casting Time to take another step back in Memento’s production. The casting process began in earnest from an early stage. ‘It’s such a fascinating part of making movies,’ says Jennifer Todd. ‘How you come so close to making...

‘It’s beer o’clock. And I’m buying.’. The Critical Response

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book

...The Making of MementoFade In:INT. Derelict House – Day [Colour Sequence]A Polaroid photograph, clasped between finger and thumb, showing a crude, crime-scene flash picture of a man’s body lying on a decaying wooden floor, a bloody mess...

‘Just get these clothes on.’ Dressing Memento

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book

...The production design Greg Araki’s 1999 romantic comedy Splendor marked a move away from the bleak Generation-X films, like The Living End and The Doom Generation, which he had made his name with. Set around a contemporary love-triangle...

Thematic Approaches

Eric R. Williams

Eric R. Williams has written professionally for American Movie Classics, Workshop Productions, Universal Studios, Grateful Films, and Fox Interactive. His screenplays have been workshopped at the Film Independent Producers Lab in Los Angeles, and have won three prestigious awards: Best New Work from the Writers Guild of America, Award for Individual Excellence in Screenwriting from the Ohio Arts Council, and an Emmy Award for Interactive Media. Eric is the author of the Routledge Focus book The Screenwriters Taxonomy. He is also an award-winning educator and the inaugural director of the MFA in Communication Media Arts program at Ohio University where he teaches screenwriting and virtual reality production. Eric earned his undergraduate degree from Northwestern University in Chicago, and his MFA from Columbia University in New York City. You can learn more by visiting his website: www.WilliamsOnStory.com. Author affiliation details are correct at time of print publication.

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Screen Adaptation: Beyond the Basics : Techniques for Adapting Books, Comics, and Real-Life Stories into Screenplays

Focal Press, 2018

Book

... Thematic Approaches In 200–9, I had the pleasure of mentoring Michael Kortlander through his Honors tutorial thesis entitled Introducing the Literary Film: A Study of “Non- Recurring Phenomenon”—Unconventional Screenplays That Should...