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  • Nolan, Christopher
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Dunkirk (2017)

Directed by

Christopher Nolan

Written by

Christopher Nolan

Screenplay

Image
...Beach at Malo les Bains – Continuous The longest, widest beach he’s ever seen, sunlight dazzling off the water, endless dark fences snaking across the sand and out into the water. Tommy squints – not fences, lines of men, hundreds...

Notes Toward a Hypertextual Theory of Narrative

Jon Dovey

Jon Dovey

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New Screen Media : Cinema/Art/Narrative

British Film Institute, 2002

Book chapter

...One of the effects of the development of cyberculture is a kind of retro-technological imagining, in which our media histories are remapped from the new vantage points of the digital domain. So, for instance, experimental literatures from...

‘Now … where was I?’ Assembling Memento

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book chapter

...The edit Dody Dorn first encountered Chris Nolan in an elevator, on the way up to her meeting with him. She had met Memento’s newly appointed production designer Patti Podesta before, though never worked with her, and when the position...

Interstellar (2014)

Directed by

Christopher Nolan

Written by

Christopher Nolan

and

Jonathan Nolan

Screenplay

Image
...Black. The Gentle Sound of Wind in Corn A row of books. From spaces between them, dust falls. Interstellar Elderly Female Voice V.O. Sure. Dad was a farmer. Bright Corn Stalks Fill The Frame, Swaying in the Breeze Elderly Female...

‘It’s beer o’clock. And I’m buying.’. The Critical Response

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book chapter

...The Making of MementoFade In:INT. Derelict House – Day [Colour Sequence]A Polaroid photograph, clasped between finger and thumb, showing a crude, crime-scene flash picture of a man’s body lying on a decaying wooden floor, a bloody mess...

‘Just get these clothes on.’ Dressing Memento

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book chapter

...The production design Greg Araki’s 1999 romantic comedy Splendor marked a move away from the bleak Generation-X films, like The Living End and The Doom Generation, which he had made his name with. Set around a contemporary love-triangle...

‘Do you have a pen?’ The Origin of the Film

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book chapter

...Memento Mori So we end at the beginning; the seed of an idea is always the hardest to trace, artists of any sort often reluctant to pinpoint their source of inspiration. Like many films, Memento ‘is based upon’ a literary source...

‘I have to believe in the world outside my own mind.’. Releasing Memento

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book chapter

...The US release On 24 March 2000, the unthinkable happened: Memento was passed over. The Friday before Oscar weekend, three screenings were arranged in Los Angeles for distributors. Memento’s producers, Jennifer and Suzanne Todd, the sister...

‘Nice shot, Leibovitz!’ The Production

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Making of Memento

Faber & Faber, 2011

Book chapter

...The casting Time to take another step back in Memento’s production. The casting process began in earnest from an early stage. ‘It’s such a fascinating part of making movies,’ says Jennifer Todd. ‘How you come so close to making...

Post-feminism: Hélène Cixous

Edward L. Tomarken

Edward Tomarken is the author of six books including Genre and Ethics: The Education of an Eighteenth-century Literary Critic and Johnson, “Rasselas,” and the Choice of Criticism. He is an emeritus professor of English at Miami University, Ohio. Author affiliation details are correct at time of print publication.

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Filmspeak : How to Understand Literary Theory by Watching Movies

Bloomsbury Academic, 2012

Book chapter

...Summary: The chapter begins by explaining that Cixous was chosen because in addition to her critical works her creative writings are an integral part of her influential feminist position. The main innovative element of Cixous’s theory...