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  • Oh Brother, Where Art Thou?
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Robert Edgar

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

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Adaptation for Screenwriters

Bloomsbury Academic, 2019

Book

...8a) Working between texts This chapter examines appropriation both as a form of adaptation and as a form in its own right. Appropriation might be loosely described as the taking of a core feature or aspect of a text and then reusing...

Flexible Stardom: Independence/Hollywood

Paul McDonald

Paul McDonald is Professor of Cultural and Creative Industries and Vice Dean (People & Planning) for Arts in the Faculty of Arts & Humanities at King’s College London, UK. He is the author of The Star System: Hollywood’s Production of Popular Identities (2000); Hollywood Stardom (2013) and Video and DVD Industries (BFI 2007). His co-edited volumes include, with Janet Wasko, The Contemporary Hollywood Film Industry (2008) and with Emily Carman, Eric Hoyt and Philip Drake, Hollywood and the Law (BFI 2015). He is the co-editor, with Michael Curtin, of the BFI series International Screen Industries. Author affiliation details are correct at time of print publication.

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George Clooney

British Film Institute, 2019

Book

...Clooney’s stardom intersects with the broad range of production contexts characterizing the industrial landscape of contemporary American film and television. As discussed in Chapter 1, during the 1980s Clooney worked on feature films made...

Introduction: Clooney And Modern Hollywood

Paul McDonald

Paul McDonald is Professor of Cultural and Creative Industries and Vice Dean (People & Planning) for Arts in the Faculty of Arts & Humanities at King’s College London, UK. He is the author of The Star System: Hollywood’s Production of Popular Identities (2000); Hollywood Stardom (2013) and Video and DVD Industries (BFI 2007). His co-edited volumes include, with Janet Wasko, The Contemporary Hollywood Film Industry (2008) and with Emily Carman, Eric Hoyt and Philip Drake, Hollywood and the Law (BFI 2015). He is the co-editor, with Michael Curtin, of the BFI series International Screen Industries. Author affiliation details are correct at time of print publication.

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George Clooney

British Film Institute, 2019

Book

...George Clooney is a distinct figure in modern Hollywood. After his film career took off in the mid-1990s, Clooney went on to star in a run of movies where he presented something quite different from his leading-man peers. By 2000, one...

Cross-Media Stardom: Television/Film

Paul McDonald

Paul McDonald is Professor of Cultural and Creative Industries and Vice Dean (People & Planning) for Arts in the Faculty of Arts & Humanities at King’s College London, UK. He is the author of The Star System: Hollywood’s Production of Popular Identities (2000); Hollywood Stardom (2013) and Video and DVD Industries (BFI 2007). His co-edited volumes include, with Janet Wasko, The Contemporary Hollywood Film Industry (2008) and with Emily Carman, Eric Hoyt and Philip Drake, Hollywood and the Law (BFI 2015). He is the co-editor, with Michael Curtin, of the BFI series International Screen Industries. Author affiliation details are correct at time of print publication.

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George Clooney

British Film Institute, 2019

Book

...At the start of his acting career, Clooney spent over a decade juxtaposing television and film assignments, working regularly in both media but achieving no success in either. This career phase came to an end when Clooney worked...

Performing Stardom: Actor/Star

Paul McDonald

Paul McDonald is Professor of Cultural and Creative Industries and Vice Dean (People & Planning) for Arts in the Faculty of Arts & Humanities at King’s College London, UK. He is the author of The Star System: Hollywood’s Production of Popular Identities (2000); Hollywood Stardom (2013) and Video and DVD Industries (BFI 2007). His co-edited volumes include, with Janet Wasko, The Contemporary Hollywood Film Industry (2008) and with Emily Carman, Eric Hoyt and Philip Drake, Hollywood and the Law (BFI 2015). He is the co-editor, with Michael Curtin, of the BFI series International Screen Industries. Author affiliation details are correct at time of print publication.

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George Clooney

British Film Institute, 2019

Book

...Like all film actors, Clooney’s professional function on-screen is to represent characters using his body and voice, and yet Clooney is not like other actors, for he belongs to that small elite who are actor-stars. Clooney’s acting portrays...