Loading
Loading
Log In

Results

  • Orlando Close
Sort By:  1-10 of 74 (8 pages)
Results per page:
         

Embodiment (the actor’s work)

Sally Potter

Sally Potter is the award-winning writer/director of The Goldiggers, Orlando, The Tango Lesson, The Man Who Cried, Yes, Rage, and Ginger and Rosa. Author affiliation details are correct at time of print publication.

Search for publications

Naked Cinema : Working with Actors

Faber & Faber, 2014

Book chapter

...Actors are what most people ‘see’ in a film. Audiences don’t look at the camera-work, the sets, the lighting, the design, the structure of the story – any of the multiple cinematic choices that the writer, the director and his or her team...

Rehearsals (why, not how)

Sally Potter

Sally Potter is the award-winning writer/director of The Goldiggers, Orlando, The Tango Lesson, The Man Who Cried, Yes, Rage, and Ginger and Rosa. Author affiliation details are correct at time of print publication.

Search for publications

Naked Cinema : Working with Actors

Faber & Faber, 2014

Book chapter

...In film-making a formal rehearsal period is a luxury (unlike theatre, where it is thought of as an absolute necessity). In some cases the first time you work with an actor may be on the set. And some directors may favour this way...

Performing being a director (your work goes public)

Sally Potter

Sally Potter is the award-winning writer/director of The Goldiggers, Orlando, The Tango Lesson, The Man Who Cried, Yes, Rage, and Ginger and Rosa. Author affiliation details are correct at time of print publication.

Search for publications

Naked Cinema : Working with Actors

Faber & Faber, 2014

Book chapter

...A lot of directors – even quite experienced ones – are secretly afraid of how they will appear to the crew and to the actors. They walk onto the set anxious that their own performance – that of being a director – is not going to be up...

Afterword

Sally Potter

Sally Potter is the award-winning writer/director of The Goldiggers, Orlando, The Tango Lesson, The Man Who Cried, Yes, Rage, and Ginger and Rosa. Author affiliation details are correct at time of print publication.

Search for publications

Naked Cinema : Working with Actors

Faber & Faber, 2014

Book chapter

...Talking with the actors I have worked with on such different films felt like bringing them together into one space, a space flooded with the strong working memories that lead to a very particular form of mutual affection. I relished...

Temporary insanity (intensity on set)

Sally Potter

Sally Potter is the award-winning writer/director of The Goldiggers, Orlando, The Tango Lesson, The Man Who Cried, Yes, Rage, and Ginger and Rosa. Author affiliation details are correct at time of print publication.

Search for publications

Naked Cinema : Working with Actors

Faber & Faber, 2014

Book chapter

...Everyone knows that actors sometimes ‘fall in love’ with one another while working on a film. As with the intoxicating experience of ‘falling in love’ in so-called ‘real life’, people suddenly recognise one another’s beauty, intelligence...

Thinking ahead to the edit (the part and the whole)

Sally Potter

Sally Potter is the award-winning writer/director of The Goldiggers, Orlando, The Tango Lesson, The Man Who Cried, Yes, Rage, and Ginger and Rosa. Author affiliation details are correct at time of print publication.

Search for publications

Naked Cinema : Working with Actors

Faber & Faber, 2014

Book chapter

...Everything you manage to capture during the shoot, often formless and rambling in its raw state, becomes simply material once you reach the cutting room. And all the decisions you made whilst shooting suddenly become painfully clear. You...

Riz Ahmed

Sally Potter

Sally Potter is the award-winning writer/director of The Goldiggers, Orlando, The Tango Lesson, The Man Who Cried, Yes, Rage, and Ginger and Rosa. Author affiliation details are correct at time of print publication.

Search for publications

Naked Cinema : Working with Actors

Faber & Faber, 2014

Book chapter

...When Riz Ahmed auditioned for the role of Vijay in Rage I was struck by his wit, quickfire intelligence and huge, expressive eyes. When we came to shoot he brought a heart-breaking quality of vulnerability to the role, that of a young man...

Alice Englert

Sally Potter

Sally Potter is the award-winning writer/director of The Goldiggers, Orlando, The Tango Lesson, The Man Who Cried, Yes, Rage, and Ginger and Rosa. Author affiliation details are correct at time of print publication.

Search for publications

Naked Cinema : Working with Actors

Faber & Faber, 2014

Book chapter

...I first met Alice when she was about four years old. I was sitting talking with her mother, Jane Campion, under the shade of an umbrella in the gardens of a hotel in the heat of late summer at the Venice Film Festival. Alice was dancing...

Annette Bening

Sally Potter

Sally Potter is the award-winning writer/director of The Goldiggers, Orlando, The Tango Lesson, The Man Who Cried, Yes, Rage, and Ginger and Rosa. Author affiliation details are correct at time of print publication.

Search for publications

Naked Cinema : Working with Actors

Faber & Faber, 2014

Book chapter

...Annette’s reputation precedes her as an intelligent, principled woman whose acting choices reflect an ability to work with integrity on a broad cinematic canvas. She is widely admired by her peers as well as by the general public. When we...

Julie Christie

Sally Potter

Sally Potter is the award-winning writer/director of The Goldiggers, Orlando, The Tango Lesson, The Man Who Cried, Yes, Rage, and Ginger and Rosa. Author affiliation details are correct at time of print publication.

Search for publications

Naked Cinema : Working with Actors

Faber & Faber, 2014

Book chapter

...I first saw Julie Christie when she was filming a night scene for Billy Liar (1963) on Hampstead Heath. I must have been about twelve or thirteen at the time and was entranced by what I saw. It wasn’t just the towering white film lights...