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Introduction: Deleuze’s Cinematographic Consciousness

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book

...Gilles Deleuze (1925–1995) was the first philosopher to write a two-volume account of cinema. Deleuze creates a very specific open system of thinking about how and what the screen medium does. This book, Deleuze and Cinema: The Film...

Of Exactitude in Science

Sam Rohdie

  Author affiliation details are correct at time of print publication.

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Promised Lands : Cinema, Geography, Modernism

British Film Institute, 2001

Book

...From Jorge Luis Borges:In that Empire, the craft of Cartography attained such Perfection that the Map of a Single province covered the space of an entire City, and the Map of the Empire itself an entire Province. In the course of Time...

Introduction

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Currently a distinguished professor at the CUNY Graduate Center, Noël Carroll is one of the most widely cited philosophers of art. Over more than 40 years, he has written widely on popular art, mass art, narration, art evaluation, humour...

Introduction

Anna Kornbluh

Anna Kornbluh is Associate Professor of English at the University of Illinois, Chicago, US. She is the author of Realizing Capital (2013), and her articles on Marxist aesthetics have appeared in Mediations, Novel, the LARB, Understanding Film: Marxist Perspectives, Lacan & Contemporary Cinema, and the Bloomsbury Companion to Marx. Author affiliation details are correct at time of print publication.

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Marxist Film Theory and Fight Club

Bloomsbury Academic, 2019

Book

...Marxism is . . . fill in the blank from where you sit. Because a sentence like that can only be finished from a particular point of view. College students in the United States in 2018 would have one answer, Labour Party officials in Britain...

Conclusion

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Throughout this monograph, I have argued that Carroll’s work has a lot to offer to those interested in film, not only because of its clarity of expression and the strict adherence to the norms of logical reasoning, but also because...

Institutional Context

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Noël Carroll is one of the main proponents of cognitivism in film studies and the most important scholar in the field applying analytic philosophy to his work. This chapter will argue that it is precisely these theoretical...

Film Theory

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Carroll distinguishes between film theory, on the one hand, and interpretation and evaluation, on the other. For him interpretation articulates the relationship between various thematic, formal or functional aspects of an artwork or a group...

Philosophy of Art

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Carroll’s initial focus on film has shifted over the years to a more ambitious philosophy of art in general. In fact, his most cited work – The Philosophy of Horror – is an investigation of the genre across the arts rather than a monograph...

Film as Film and the Personal

The Thought of Stanley Cavell and Cinema : Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Bloomsbury Academic, 2020

Book

...STANLEY CAVELL HADN’T READ A WORD of Victor Perkins’ writings when he wrote The World Viewed, nor had Perkins read any of Cavell’s writings when he wrote Film as Film. Victor Perkins, Film as Film: Understanding and Judging Movies (New...

Interpretation and Filmmaking

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...As the introduction already made clear, Carroll is not somebody encroaching from a different discipline but a film scholar in his own right. He started writing film interpretations as a journalist covering the New York avant-garde scene...