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Assessment of Theory

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Carroll’s theories command considerable attention within the cognitivist paradigm and have influenced numerous scholars working under it. But those who subscribe to other approaches have been far less enthusiastic about his work...

Introduction: Deleuze’s Cinematographic Consciousness

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book

...Gilles Deleuze (1925–1995) was the first philosopher to write a two-volume account of cinema. Deleuze creates a very specific open system of thinking about how and what the screen medium does. This book, Deleuze and Cinema: The Film...

Introduction

Anna Kornbluh

Anna Kornbluh is Associate Professor of English at the University of Illinois, Chicago, US. She is the author of Realizing Capital (2013), and her articles on Marxist aesthetics have appeared in Mediations, Novel, the LARB, Understanding Film: Marxist Perspectives, Lacan & Contemporary Cinema, and the Bloomsbury Companion to Marx. Author affiliation details are correct at time of print publication.

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Marxist Film Theory and Fight Club

Bloomsbury Academic, 2019

Book

...Marxism is . . . fill in the blank from where you sit. Because a sentence like that can only be finished from a particular point of view. College students in the United States in 2018 would have one answer, Labour Party officials in Britain...

Introduction

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Currently a distinguished professor at the CUNY Graduate Center, Noël Carroll is one of the most widely cited philosophers of art. Over more than 40 years, he has written widely on popular art, mass art, narration, art evaluation, humour...

Philosophy of Art

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...Carroll’s initial focus on film has shifted over the years to a more ambitious philosophy of art in general. In fact, his most cited work – The Philosophy of Horror – is an investigation of the genre across the arts rather than a monograph...

Film as Film and the Personal

The Thought of Stanley Cavell and Cinema : Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Bloomsbury Academic, 2020

Book

...STANLEY CAVELL HADN’T READ A WORD of Victor Perkins’ writings when he wrote The World Viewed, nor had Perkins read any of Cavell’s writings when he wrote Film as Film. Victor Perkins, Film as Film: Understanding and Judging Movies (New...

Interpretation and Filmmaking

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...As the introduction already made clear, Carroll is not somebody encroaching from a different discipline but a film scholar in his own right. He started writing film interpretations as a journalist covering the New York avant-garde scene...

Analytic and Cognitivist Debates

Mario Slugan

Mario Slugan is a postdoctoral associate fellow in the Department of Film and Television Studies and the Department of German Studies at the University of Warwick, UK researching film philosophy and film history. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and the managing editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. Author affiliation details are correct at time of print publication.

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Noël Carroll and Film : A Philosophy of Art and Popular Culture

Bloomsbury Academic, 2019

Book

...As well as debating researchers working in the continental tradition, Carroll has also engaged in exchanges with film scholars indebted to cognitivism and philosophers subscribing to the analytic school. Given that the participants...

On Film in Reality: Cavellian Reflections on Skepticism, Belief, and Documentary

The Thought of Stanley Cavell and Cinema : Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Bloomsbury Academic, 2020

Book

...Wittgenstein’s remark to a student; italics in original. Quoted in Discussions of Wittgenstein, ed. Rush Rhees (London: Routledge and Kegan Paul, 1970), 43.I don’t try to make you believe something you don’t believe, but to do something you...

Introduction

David LaRocca

David LaRocca edited Stanley Cavell’s Emerson’s Transcendental Etudes, and later edited The Philosophy of Charlie Kaufman (2019), The Philosophy of War Films (2014), and The Philosophy of Documentary Film: Image, Sound, Fiction, Truth (2017), and is the author or editor of another handful of volumes. He has taught philosophy and cinema, and held visiting research and teaching positions at Vanderbilt University, Harvard University, Ithaca College, State University of New York at Cortland, Binghamton University, and Cornell University. More details at davidlarocca.org. Author affiliation details are correct at time of print publication.

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The Thought of Stanley Cavell and Cinema : Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Bloomsbury Academic, 2020

Book

...NEARLY A HALF-CENTURY HAS ELAPSED since Stanley Cavell published his seminal work of film theory, The World Viewed: Reflections on the Ontology of Film (1971), a book that was as much an intervention into the prevailing landscape of thought...