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Politics

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book chapter

...Under the terms of a philosophy of difference, Deleuze’s approach to film teaches us that every screen text is political. In the logic of this system, movement-images reveal the falsity of narrative ‘truth’ and time-images hold...

Dialectic Film Montage

Nitzan Ben-Shaul

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

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Film : The Key Concepts

Berg, 2007

Book chapter

...Introduction The concept of dialectic film montage has been used by formalists and cognitivists as a peculiar film device, whose dialectic or rather asymmetrical or contradictory film transitions enhance the viewers’ attention...

Cannes, 2008

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...Ten years after Central Station triumphed at the Berlin Film Festival, the 2008 Cannes festival was heralded as one in which the South Americans were showing in force. It was no longer the case that a lone Brazilian of an international...

The Social Construction of Generations in a Media Society: The Case of Postwar West Germany

Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...This article asks how “generations” are created through media discourses and public debates and what modern generational history can learn from theoretical and methodological approaches of media studies.Recent scholarship on generational...

For an Ethics of the Cinema

Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

...Translated by John V. Garner and Colin Williamson Type In his “Notes sur les Tableaux parisiens de Baudelaire,” drafted in French during the last years of his exile in Paris, Walter Benjamin evokes a “nightmare” familiar to anyone who...

The Loss of the Separated World: On Pasolini’s Communism

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...“We’re all in danger,” in In Danger: A Pasolini Anthology , ed. Jack Hirschman (San Francisco, CA: City Lights Books, 2010), 235. Translations are mine unless otherwise noted. In cases where a good English...

Film-of-Life

Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

...From Plato’s anxieties concerning the simulacra’s disruption of the distinction between original and copy, to Lacan’s implicit critique of the imaginary as the site of doubling and deadly violence, Western metaphysics attests...

Gesture, Time, Movement

Janet Harbord

Janet Harbord is Professor of Film Studies at Queen Mary, University of London, UK. She is the author of several books on film and philosophies of the moving image, including Chris Marker: La Jetée (2009), The Evolution of Film (2006) and Film Cultures (2002). She is the recipient of grants from the AHRC, EPSRC and the Leverhulme Trust. Author affiliation details are correct at time of print publication.

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

...Across the corpus of Giorgio Agamben’s work lie scattered a number of speculative propositions on what may be said to define or characterize the species of the human. One of the most forceful of these speculations occurs in the introduction...

Whisky and wattage in Uruguay

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...‘There is not much of a film industry in my country,’ admits Uruguayan Manuel Nieto Zas, while counting the working directors in his head. ‘There are ten. And between us we make one and a half films a year.’It’s always been like...
...‘At the origin of this film is another’, explains the French filmmaker Nicolas Philibert at the outset of his 2007 documentary Retour en Normandie (Back to Normandy). Translations from the French are my own. That filmic...