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Politics

Felicity Colman

Felicity Colman is Director of Research Programmes at Kingston University, London, UK. Author affiliation details are correct at time of print publication.

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Deleuze and Cinema : The Film Concepts

Berg, 2011

Book chapter

...Under the terms of a philosophy of difference, Deleuze’s approach to film teaches us that every screen text is political. In the logic of this system, movement-images reveal the falsity of narrative ‘truth’ and time-images hold...

Introduction: Nation, Film, Child

Stephanie Hemelryk Donald

,

Stephanie Hemelryk Donald is Professor of Comparative Film and Culture at University of New South Wales, Australia. Author affiliation details are correct at time of print publication.

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Emma Wilson

Emma Wilson is Professor of French Literature and the Visual Arts at Corpus Christi College, Cambridge, UK. Author affiliation details are correct at time of print publication.

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Sarah Wright

Sarah Wright is Reader in Hispanic Studies at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

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Childhood and Nation in Contemporary World Cinema : Borders and Encounters

Bloomsbury Academic, 2017

Book chapter

...The proposition underlying this book is not only that each of its three organizing concepts – the child, the nation and cinema – can sometimes illuminate unexpected aspects of the other two, but above all that the three taken in conjuncture...

Dialectic Film Montage

Nitzan Ben-Shaul

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

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Film : The Key Concepts

Berg, 2007

Book chapter

...Introduction The concept of dialectic film montage has been used by formalists and cognitivists as a peculiar film device, whose dialectic or rather asymmetrical or contradictory film transitions enhance the viewers’ attention...

Gesture, Time, Movement

Janet Harbord

Janet Harbord is Professor of Film Studies at Queen Mary, University of London, UK. She is the author of several books on film and philosophies of the moving image, including Chris Marker: La Jetée (2009), The Evolution of Film (2006) and Film Cultures (2002). She is the recipient of grants from the AHRC, EPSRC and the Leverhulme Trust. Author affiliation details are correct at time of print publication.

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

...Across the corpus of Giorgio Agamben’s work lie scattered a number of speculative propositions on what may be said to define or characterize the species of the human. One of the most forceful of these speculations occurs in the introduction...
...‘At the origin of this film is another’, explains the French filmmaker Nicolas Philibert at the outset of his 2007 documentary Retour en Normandie (Back to Normandy). Translations from the French are my own. That filmic...

Digital Darkness in the Philippines

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book chapter

...As made clear in Khavn de la Cruz’s documentary, Philippine New Wave: This is Not a Film Movement (Philippines, 2010), a large number of contemporary Philippine film-makers work regularly with digital technology. Among those featured...

Football stories

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...Andrés Wood's Chilean portmanteau, Football Stories (1997)At the start of the Brazilian film O ano em que meus pais saíram de férias (The Year My Parents Went on Vacation, 2006), a young boy is playing a makeshift form of Subbuteo in his...

Pasolini Reloaded

Pier Paolo Pasolini, Framed and Unframed : A Thinker for the Twenty-First Century

Bloomsbury Academic, 2019

Book chapter

...Dico a N.: “Voglio fare l’impresa, scrivere del Pigneto senza nominare Pasolini,” poiché Pasolini, come ho già scritto altrove, a Roma è come il prezzemolo; lo trovi dappertutto, figuriamoci al Pigneto. [I say to N, “I...

Peruvian tales

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...Peru does not have as powerful a film tradition as some of its neighbours, and its current industry is a small one. However, two directors, Josué Méndez and Claudia Llosa, have recently burst onto the Latin American film scene with films...

Latin American iconoclast: Lucrecia Martel

Demetrios Matheou

Demetrios Matheou is a London-based journalist and writer. He worked as a newspaper reporter, then an architectural journalist, before starting to watch movies for a living. He is the film critic for the Sunday Herald in Scotland, and also writes for the Independent on Sunday, Guardian, Observer and Sight & Sound. Demetrios contributed the eponymous entry of Faber's Ten Bad Dates with De Niro. Author affiliation details are correct at time of print publication.

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The Faber Book of New South American Cinema

Faber & Faber, 2010

Book chapter

...With La ciénaga (The Swamp, 2001) and La niña santa (The Holy Girl, 2004), Lucrecia Martel established herself as the most distinctive director of the New Argentine Cinema of the late nineties and early 2000s. Indeed, if one were to piece...