Loading
Loading

Results

  • Postmodernism
Sort By:  1-10 of 77 (8 pages)
Results per page:
         

Modernism/postmodernism and origin/intertextual play in adaptation theory

Gordon E. Slethaug

Gordon E. Slethaug is a professor at the University of Waterloo, Canada, where he teaches English Language and Literature and researches contemporary American literature and film, globalization and communications, and international education. He is also honorary professor in Arts at the University of Hong Kong, China, and has recently been visiting professor of English Studies at the University of Southern Denmark. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation Theory and Criticism : Postmodern Literature and Cinema in the USA

Bloomsbury Academic, 2014

Book

...Modernism: High culture, poetic genius, and influence In “Tradition and the Individual Talent,” T. S. Eliot set out to discover what creates a literary mind and a community of critics. He found the answer in what he called the “historical...

Textual Play

Robert Edgar

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

Search for publications
and

John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation for Screenwriters

Bloomsbury Academic, 2019

Book

...Much critical consideration has been given to the ‘playful’ nature of contemporary texts. This is critical playfulness, not to be confused with a lighter or meaningless from of play. The form and theories of the postmodern are well...

Theorizing the Drift

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

Search for publications

The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book

...Adaptation For Jean-Baptiste Lamarck, an evolutionary theorist writing in the early 1800s, the term connoted positive change, an ability to physiologically adjust in response to the demands of one’s environment, and to then pass along...

Drifting On

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

Search for publications

The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book

...In a wide-ranging examination of adaptation and appropriation throughout the arts, Julie Sanders observes that too often the relationship between a source text and an adapted text is “viewed as linear and reductive; the appropriation...

Inventing Nat Turner

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

Search for publications

The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book

...Robert Stam has opined that because of the collaborative nature of filmmaking, one can conceive of individual cinematic texts as “hybrid constructions” in which the words, images, and ideas of multiple contributors combine to form...

A Dark-Adapting Eye

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

Search for publications

The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book

...In the preceding chapters, I sought to trouble the traditional modes and methods of adaptation studies proper, with its overriding concern for plot and character, by beginning to articulate a new critical orientation: one attuned...

Dialectic Film Montage

Nitzan Ben-Shaul

Nitzan Ben-Shaul is Associate Professor at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts. Author affiliation details are correct at time of print publication.

Search for publications

Film : The Key Concepts

Berg, 2007

Book

...Introduction The concept of dialectic film montage has been used by formalists and cognitivists as a peculiar film device, whose dialectic or rather asymmetrical or contradictory film transitions enhance the viewers’ attention...

An Epidemic of Seeing

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

Search for publications

The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book

...In Don DeLillo’s first novel, Americana, protagonist David Bell announces his desire to make a work of art that is “part dream, part fiction, part movies,” a work haunted by the “ghosts and shadows” of filmmakers like Robert Bresson, Miklós...

Making the Old Words New

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

Search for publications

The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book

...The impact of cinema on the literary style of John Dos Passos was profound. As Gretchen Foster observes, Dos Passos “responded to . . . new ways of telling a story which filmmakers were developing in the early twentieth century” more...

Saving Private Reels: Archival Practices and Digital Memories (Formerly Known as Home Movies) in the Digital Age

Susan Aasman

Susan Aasman is Associate Professor of History at the University of Groningen, the Netherlands. As a media historian and active researcher, she has written extensively about the history of amateur media and the history of documentary filmmaking. Since 2012, she has served as the chief editor for the Dutch Journal for Media History. Author affiliation details are correct at time of print publication.

Search for publications

Amateur Filmmaking : The Home Movie, the Archive, the Web

Bloomsbury Academic, 2014

Book

...From its invention in the nineteenth century, film fulfilled the wish to record and preserve historical time. Cinema seemed to provide the perfect instrument for making a record of fleeting moments, of time itself. This “archival desire”—as...