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Introduction, or, Should I Save the Cat and Send the Hero on His Journey?

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

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The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

...Rich and seemingly boundless as the creative arts seem to be, each is filtered through the narrow biological channels of human cognition.Edward O. Wilson, The Social Conquest of Earth (New York: W. W. Norton, 2012), p. 268.Edward O. Wilson,...

The Structure Question, or, How Many Acts Does It Take to Sell a Script?

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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and

Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

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The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

...It’s not wise to violate rules until you know how to observe them.T. S. Eliot, “The Art of Poetry No. 1,” The Paris Review 21 (Spring– Summer 1959).—T. S. EliotT. S. Eliot, “The Art of Poetry No. 1,” The Paris Review 21 (Spring– Summer...

The Science of Conflict, or, What’s Wrong with Watching Two Hours of People Just Getting Along and Helping Each Other?

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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and

Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

Search for publications

The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

...It seems that when it comes to writing drama, everyone is talking about conflict. “The perfect hero is the one who offers the most conflict in the situation” (Blake Snyder);Blake Snyder, Save the Cat (Studio City, CA: Michael Wiese...

The Science of Shared Attention, or, If I Write a Screenplay in Which a Tree Falls in the Forest, and the Reader Falls Asleep Halfway Through, Have I Written a Screenplay?

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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and

Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

Search for publications

The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

...Your screenplay or film may have stunning visuals, smart dialogue, and fascinating, multilayered characters, but if for some reason your reader or viewer tunes out, whatever brilliance displayed therein is for naught. Ultimately, the reader...

The Science of Contrast, or, Why Did the Big Huge Spaceship Follow the Little Tiny Spaceship in the Opening of Star Wars?

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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and

Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

Search for publications

The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

...Way back in the 1860s, German playwright and theorist Gustav Freytag (1816–1895) told aspiring playwrights that a “variation in mood and modest contrasts in color are as necessary to the drama as it is that in a painting.”Gustav Freytag...

The Science of Information Flow, or, I Say Schema, You Say Schemata: Top-Down versus Bottom-Up

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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and

Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

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The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

...Suppose you are walking along a road and you encounter a large, snarling dog? Your natural reaction might well be to drop your belongings and climb the nearest tree to get out of the dog’s reach. Suppose you do so—and shortly afterward...

The Science of Connecting to the Main Character, or, Why Do I Worry That a Meth Dealer Might Get Caught?

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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and

Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

Search for publications

The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

...There has been plenty of advice dispensed over the years about creating a good main character for a screenplay. David Howard, in The Tools of Screenwriting, says, “A good protagonist arouses a strong emotional response from the audience...

The Science of Imagination: Temporal Lobes, How to Think Creatively, Stages of Mind, or, Your Dope-Fueled Imaginings

Paul Joseph Gulino

Paul Gulino is Associate Professor of Screenwriting at Chapman University, USA. Author affiliation details are correct at time of print publication.

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and

Connie Shears

Connie Shears is Associate Professor in the Psychology Department at Chapman University, USA. Author affiliation details are correct at time of print publication.

Search for publications

The Science of Screenwriting : The Neuroscience Behind Storytelling Strategies

Bloomsbury Academic, 2018

Book chapter

...Scientists, everyone knows, are analytical, precise, and use their left brain; creative types are free-spirited, disorganized, and use their right brain. Scientists observe the physical world; screenwriters explore the ephemeral world...

A Dark-Adapting Eye

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

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The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book chapter

...In the preceding chapters, I sought to trouble the traditional modes and methods of adaptation studies proper, with its overriding concern for plot and character, by beginning to articulate a new critical orientation: one attuned...

Considering Description: Tropes, Tunes, and Moving Pictures

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...The world of description Visual, musical and verbal tropes arrayed in a simple but nuanced architecture are expressed through shifts of key that buttress the structural complexity. The palette is harmonious and dissonant by turns: colors...