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Considering Description: Tropes, Tunes, and Moving Pictures

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...The world of description Visual, musical and verbal tropes arrayed in a simple but nuanced architecture are expressed through shifts of key that buttress the structural complexity. The palette is harmonious and dissonant by turns: colors...

Dynamic and Syntactic Universals

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...Nonverbal universals So far we’ve looked at meaning fairly superficially, beginning with narrative language; making comparisons, first with general image making, specifically painting and photography, then looking more widely...

Introduction: Two Pictures of a Rose in the Dark

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...Two pictures of a rose in the dark. One is quite black, for the rose is invisible. The other is painted in full detail and surrounded by black.There are philosophers of a certain stripe who are close to being artists, and artists whose...

Inventing Nat Turner

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

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The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book chapter

...Robert Stam has opined that because of the collaborative nature of filmmaking, one can conceive of individual cinematic texts as “hybrid constructions” in which the words, images, and ideas of multiple contributors combine to form...

The Moving Target

Daniel Barnett

Daniel Barnett has taught at multiple universities and art schools (SUNY Binghamton, Mass College of Art, UMASS, Boston, School of the Art Institute of Chicago & San Francisco Art Institute, USA) and a professional filmmaker (Executive Producer, bePictures) for over 45 years. His films have been shown all over the world. Author affiliation details are correct at time of print publication.

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Movement as Meaning in Experimental Cinema : The Musical Poetry of Motion Pictures Revisited

Bloomsbury Academic, 2017

Book chapter

...It is axiomatic in linguistics that any human being can learn any language in the world. Digital ubiquity—the memosphere and the mediasphere So far we’ve been discussing the past, attempting to secure perspectives that would allow us...

A Dark-Adapting Eye

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

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The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book chapter

...In the preceding chapters, I sought to trouble the traditional modes and methods of adaptation studies proper, with its overriding concern for plot and character, by beginning to articulate a new critical orientation: one attuned...

An Epidemic of Seeing

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

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The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book chapter

...In Don DeLillo’s first novel, Americana, protagonist David Bell announces his desire to make a work of art that is “part dream, part fiction, part movies,” a work haunted by the “ghosts and shadows” of filmmakers like Robert Bresson, Miklós...

Making the Old Words New

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

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The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book chapter

...The impact of cinema on the literary style of John Dos Passos was profound. As Gretchen Foster observes, Dos Passos “responded to . . . new ways of telling a story which filmmakers were developing in the early twentieth century” more...

Theorizing the Drift

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

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The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book chapter

...Adaptation For Jean-Baptiste Lamarck, an evolutionary theorist writing in the early 1800s, the term connoted positive change, an ability to physiologically adjust in response to the demands of one’s environment, and to then pass along...

Drifting On

John Hodgkins

John Hodgkins received his M.A. in Cinema Studies from New York University, and his Ph.D. in English from the University of Rhode Island, where he has taught courses in contemporary literature as well as film history, theory and criticism. His articles have appeared in such publications as Adaptation, Film and History, and the Journal of Popular Film and Television, among others. He currently teaches English and film at York College and Manhattan Marymount College in New York City. Author affiliation details are correct at time of print publication.

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The Drift : Affect, Adaptation, and New Perspectives on Fidelity

Bloomsbury Academic, 2013

Book chapter

...In a wide-ranging examination of adaptation and appropriation throughout the arts, Julie Sanders observes that too often the relationship between a source text and an adapted text is “viewed as linear and reductive; the appropriation...