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Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

Janna Houwen is an Assistant Professor at the Department of Film and Literary Studies, Leiden University, The Netherlands. Author affiliation details are correct at time of print publication.

Joela Jacobs

Dr Lee Broughton is a Visiting Lecturer in Film and Cultural Studies at the University of Leeds’ School of Media and Communication, UK. Broughton is the author of The Euro-Western: Reframing Gender, Race and the ‘Other’ in Film (2016) and the editor of Critical Perspectives on the Western: From A Fistful of Dollars to Django Unchained (2016) and in many edited collections and academic journals. Author affiliation details are correct at time of print publication.

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was Catch Us If You Can in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

Barbara Plotz is Associate Lecturer at London College of Communication and she also teaches in the Department of Film Studies at King’s College London, UK. She is a film scholar working at the intersection of film and cultural studies, with a focus on representation, gender, the body, and genre – specifically horror cinema. Author affiliation details are correct at time of print publication.

Jeffrey Richards is Professor of Cultural History, Lancaster University. His many publications in cinema & its history include The Age of the Dream Palace: Cinema & Society in Britain, 1930-39, Best of British: Cinema and Society, 1930-1970, the British Film Guide to A Night to Remember (all I.B. Tauris), and Mass Observation at the Movies. He is the General Editor of Tauris’ Cinema and Society Series. Author affiliation details are correct at time of print publication.

Barbara Plotz is Associate Lecturer at London College of Communication and she also teaches in the Department of Film Studies at King’s College London, UK. She is a film scholar working at the intersection of film and cultural studies, with a focus on representation, gender, the body, and genre – specifically horror cinema. Author affiliation details are correct at time of print publication.