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Preproduction

Filmmaking : Direct Your Movie from Script to Screen Using Proven Hollywood Techniques

Focal Press, 2011

Book

... Preproduction 49 INTRODUCTION Once a script is finished and greenlit, which means it’s ready to be made, the project moves into a phase called preproduction. Preproduction is the process of breaking down the finished script and preparing...

Applying to Film School: Program-Specific Research

Jason B. Kohl

Jason B. Kohl is an Austrian/American filmmaker, author and teacher from Michigan. His short films have played SXSW, Los Angeles, Locarno, BFI London and been finalists for the Student Academy Awards. Jason is currently financing his first feature film, with production planned for 2016. He’s a former Fulbright and DAAD Artist Scholar with an MFA in Directing from UCLA Film School. This book is a resource he wished he had in applying to film schools and beginning a career as a young filmmaker. Author affiliation details are correct at time of print publication.

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Film School : A Practical Guide to an Impractical Decision

Focal Press, 2016

Book

... Applying to Film School: Program- (AND SEVENTEEN VERY GOOD ONES) Th e American fi lm industry is centered in Los Angeles and New York, which also host nearly all of the elite American fi lm schools. Understand that fi lm schools...

Applying to Film School: General Research

Jason B. Kohl

Jason B. Kohl is an Austrian/American filmmaker, author and teacher from Michigan. His short films have played SXSW, Los Angeles, Locarno, BFI London and been finalists for the Student Academy Awards. Jason is currently financing his first feature film, with production planned for 2016. He’s a former Fulbright and DAAD Artist Scholar with an MFA in Directing from UCLA Film School. This book is a resource he wished he had in applying to film schools and beginning a career as a young filmmaker. Author affiliation details are correct at time of print publication.

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Film School : A Practical Guide to an Impractical Decision

Focal Press, 2016

Book

... Applying to Film School: General vidual goals as a fi lmmaker. Th e US fi lm industry divides itself between New York and Los Angeles. Los Angeles is the undisputed center of the fi lm industry, but if you look closely, a lot...

Practicalities: The Design Process

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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Production Design for Screen : Visual Storytelling in Film and Television

Bloomsbury Visual Arts, 2017

Book

...The Production Team includes clear lines of communication within and between different departments essential to the smooth running of a production.The production designer (PD) is head of the Art Department and it is their responsibility...

Conclusion

Will Kitchen

Will Kitchen is completing his PhD at the University of Southampton, UK. He sits on the editorial board of the journal Romance, Revolution and Reform and has been published in the journal Emergence. In 2015 he was awarded the University of Southampton Vice-Chancellors Award for Film Studies. Author affiliation details are correct at time of print publication.

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Romanticism and Film : Franz Liszt and Audio-Visual Explanation

Bloomsbury Academic, 2020

Book

...Summary of research interests, objectives and methods Throughout this book, we have explored various connections between Romanticism and film by taking Franz Liszt as a guiding motif – that quintessential Romantic composer whose aesthetic...

The Challenge of Archiving Commercials

Films That Sell : Moving Pictures and Advertising

British Film Institute, 2016

Book

...Recognition of commercials in collection policies of audiovisual archives is a rather recent phenomenon. From being considered an encumbrance in the past, collections of commercials are now turning into assets. Heritage institutions...

Brain Trusts, Test Screenings and Outreach

Maxine Trump

Maxine Trump got her start in radio and television, working for seven years in development and commissioning for BBC Comedy in the UK. She emigrated to the US in 2003 to become a director of television commercials and has received both Gold and Silver BDA awards for her work. She went on to direct short documentaries and TV shows for various networks including TNT, the Sundance Channel and Discovery. Author affiliation details are correct at time of print publication.

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The Documentary Filmmaker's Roadmap : A Practical Guide to Planning, Production and Distribution

Routledge, 2019

Book

... Brain Trusts, Test Screenings and Outreach It is a good idea, a very good idea, to hold test screenings before you com- plete your film to make sure the film works on a number of structural levels for your audience. These screenings can...

Only entertainment?: Memories inside and outside the cinema

Daniela Treveri Gennari

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Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

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Catherine O’Rawe

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Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

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Danielle Hipkins

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Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

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Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

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and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

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Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

...In Richard Dyer’s (1992) book Only Entertainment, the emphasis on the primacy of pleasure sets the cinema experience apart from other forms of art. ‘Entertainment’ is a synonym for pleasure but equally for concepts as capacious...

Conclusion

Andrew McWhirter

Dr Andrew McWhirter is a lecturer in Media Studies and Programme Leader of the BA/Hons Media and Communications degree in the department of Social Sciences, Media and Journalism at the University of Glasgow. Previously McWhirter worked in advertising as a copyrighter and as a freelance journalist covering international film festivals and writing articles for Glasgow-based DC Publishing, The Glasgow Film Theatre and London-based Tribune Magazine. He completed his PhD exploring contemporary film criticism and the digital media landscape at the University of Glasgow where he also achieved his MLitt in Film Journalism. He is currently working on pre-production plans for a documentary film project about media representations of forensic science. Author affiliation details are correct at time of print publication.

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Film Criticism and Digital Cultures : Journalism, Social Media and The Democratisation of Opinion

I.B.Tauris, 2016

Book

...With faster and more powerful devices, and innovative applications as constant standard, it is difficult to stay abreast of digital cultures. If you can believe it, even Twitter turned ten in 2016! The originality and importance...

Polish Your Pitch and Marketing Materials

Heather Hale

Heather Hale is a film and TV director, producer and screenwriter of original programming, including the indie comedy Rolling Romance (2018), the thriller Absolute Killers (2011), the Lifetime Original Movie The Courage to Love (2000), as well as several award-winning syndicated series and two Emmy-winning PBS series. She was the Independent Film and Television Alliance’s Industry Liaison for the 2013 American Film Market as well as the Vice President of Event Programming for the National Association of Television Program Executives, where she helped design and launch the TV Producers’ Boot Camp. She often serves as NATPE’s official pitch prep consultant, preparing producers to pitch to financiers and distribution executives. Heather speaks and consults around the world, customizing retreats and workshops and is always writing, producing, directing and raising funds for film and television projects. Author affiliation details are correct at time of print publication.

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How to Work the Film & TV Markets : A Guide for Content Creators

Routledge, 2018

Book

... Marketing Materials GREAT TITLE You never get a second chance to make a first impression. W hat’s in a name? Well, everything. Your title is literally the first words actors, investors, sales agents, distributors and audiences...