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Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

Mary Wood is Reader in European Cinema at Birkbeck College, University of London, UK. Author affiliation details are correct at time of print publication.

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.

Kaya Davies Hayon is an Assistant Professor in French and Francophone Studies in the Department of Modern Languages at the University of Nottingham, UK. Author affiliation details are correct at time of print publication.

Yannis Tzioumakis is Senior Lecturer in Communication and Media at the University of Liverpool, UK. He is the author of four books, most recently of American Independent Cinema: An Introduction, 2nd edition (Routledge, 2017) and co-editor of four collections of essays, most recently of The Routledge Companion to Cinema and Politics (2017). Author affiliation details are correct at time of print publication.

Gillian McIver is filmmaker and Lecturer in Film at the SAE Institute, London, UK. She has curated art exhibitions, and worked as a filmmaker in Russia and Germany, as well as Canada, and remains based in London. Her artist films have been screened internationally on every continent, and she also works as a producer and director. She has been Visiting Lecturer at many institutions, and has taught at Roehampton University, UK. Author affiliation details are correct at time of print publication.

Kim Wilkins is a sessional scholar at the University of Sydney, Australia, where she teaches English Literature and Film Studies. She has published work on indie cinema, dialogue, Wes Anderson, and television. Author affiliation details are correct at time of print publication.

Thomas Austin is Reader in Media & Film at the University of Sussex, UK. He is the author of Hollywood, Hype and Audiences: Selling and Watching Popular Film in the 1990s (2002) and Watching the World: Screen Documentary and Audiences (2007); and co-editor of Contemporary Hollywood Stardom (2003) and Rethinking Documentary: New Perspectives, New Practices (2008). Author affiliation details are correct at time of print publication.

Kay Dickinson is Associate Professor of Film Studies at Concordia University, Canada. She is the author of Off Key: When Film and Music Won't Work Together (2008); the editor of Movie Music (2002), Teen TV (BFI, 2003), and The Arab Avant-Garde: Music, Politics and Modernity (2013). In addition, she has worked as an education officer on the Ramallah International Film Festival and as an advisor on the Shashat Women's Film Festival (Bethlehem, Nablus and Ramallah). Author affiliation details are correct at time of print publication.

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.