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Will Brooker is Professor of Film and Cultural Studies at Kingston University and editor of Cinema Journal. He is the author of several books on popular culture, including Batman Unmasked and Hunting the Dark Knight. Author affiliation details are correct at time of print publication.

Roger Crittenden: After a distinguished career at the BBC, where he gained a special award for sustained excellence as a film editor, he was recruited to the new National Film and Television School as Head of Editing and later became Director of the MA programme. While with the NFTS, he taught in Moscow, Mexico City, Manila, Copenhagen, Singapore, Brisbane Australia, and in Cuba. In 2014 he was given the first ever CILECT International Teaching Award for his outstanding contribution to media pedagogy. More recently, he was appointed Adjunct Professor of Film at Griffith University in Brisbane, Australia. Roger is the author of two books on editing, as well as a book on Truffaut’s Day For Night for the British Film Institute's Film Classic Series. Author affiliation details are correct at time of print publication.

Toija Cinque is a Senior Lecturer, Course Chair and Course Discipline Adviser in the School of Communication and Creative Arts at Deakin University, Australia. Cinque’s most recent book is Communication, New Media and Everyday Life, 2011. She edits the journal New Scholar: An International Journal of the Humanities, Creative Arts and Social Sciences. Author affiliation details are correct at time of print publication.

Kevin J. Hunt

Writes: Celebrity Studies, Hollywood Cinema, British Cinema, British Film Institute Author affiliation details are correct at time of print publication.

Nicolas Roeg has a career in film that has stretched across 50 years. he began as a cameramn working with directors of the calibre of Francois Truffaut and David Lean. Turning to directing, he has produced works of profound originality such as Perormance, Walkabout, Don't Look Now, The Man Who Fell to Earth, Bad Timing, Eureka, and, most recently, Puffball. Author affiliation details are correct at time of print publication.

Nicolas Roeg has a career in film that has stretched across 50 years. he began as a cameramn working with directors of the calibre of Francois Truffaut and David Lean. Turning to directing, he has produced works of profound originality such as Perormance, Walkabout, Don't Look Now, The Man Who Fell to Earth, Bad Timing, Eureka, and, most recently, Puffball. Author affiliation details are correct at time of print publication.

Nicolas Roeg has a career in film that has stretched across 50 years. he began as a cameramn working with directors of the calibre of Francois Truffaut and David Lean. Turning to directing, he has produced works of profound originality such as Perormance, Walkabout, Don't Look Now, The Man Who Fell to Earth, Bad Timing, Eureka, and, most recently, Puffball. Author affiliation details are correct at time of print publication.

Amy Raphael was born in London in 1967. She has worked on The Face, NME, Elle and Esquire and now freelances for the Guardian, the Observer and The Times. Her first book, Never Mind the Bollocks: Women Rewrite Rock, was published by Virago in 1995. She conducted the conversations and edited Mike Leigh on Mike Leigh, which was published by Faber in 2008. She has also contributed to the The Rolling Stone Book of Women in Rock and Perfect Pitch, a series of books about football. Author affiliation details are correct at time of print publication.