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Roger Crittenden: After a distinguished career at the BBC, where he gained a special award for sustained excellence as a film editor, he was recruited to the new National Film and Television School as Head of Editing and later became Director of the MA programme. While with the NFTS, he taught in Moscow, Mexico City, Manila, Copenhagen, Singapore, Brisbane Australia, and in Cuba. In 2014 he was given the first ever CILECT International Teaching Award for his outstanding contribution to media pedagogy. More recently, he was appointed Adjunct Professor of Film at Griffith University in Brisbane, Australia. Roger is the author of two books on editing, as well as a book on Truffaut’s Day For Night for the British Film Institute's Film Classic Series. Author affiliation details are correct at time of print publication.

Toija Cinque is a Senior Lecturer, Course Chair and Course Discipline Adviser in the School of Communication and Creative Arts at Deakin University, Australia. Cinque’s most recent book is Communication, New Media and Everyday Life, 2011. She edits the journal New Scholar: An International Journal of the Humanities, Creative Arts and Social Sciences. Author affiliation details are correct at time of print publication.

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

Will Brooker is Professor of Film and Cultural Studies at Kingston University and editor of Cinema Journal. He is the author of several books on popular culture, including Batman Unmasked and Hunting the Dark Knight. Author affiliation details are correct at time of print publication.

Kevin J. Hunt

Writes: Celebrity Studies, Hollywood Cinema, British Cinema, British Film Institute Author affiliation details are correct at time of print publication.

Jessica Gildersleeve is senior lecturer in English literature at the University of Southern Queensland and the author of Elizabeth Bowen and the Writing of Trauma: The Ethics of Survival (2014). Author affiliation details are correct at time of print publication.

Nicolas Roeg has a career in film that has stretched across 50 years. he began as a cameramn working with directors of the calibre of Francois Truffaut and David Lean. Turning to directing, he has produced works of profound originality such as Perormance, Walkabout, Don't Look Now, The Man Who Fell to Earth, Bad Timing, Eureka, and, most recently, Puffball. Author affiliation details are correct at time of print publication.

Nicolas Roeg has a career in film that has stretched across 50 years. he began as a cameramn working with directors of the calibre of Francois Truffaut and David Lean. Turning to directing, he has produced works of profound originality such as Perormance, Walkabout, Don't Look Now, The Man Who Fell to Earth, Bad Timing, Eureka, and, most recently, Puffball. Author affiliation details are correct at time of print publication.