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Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. He is the author of Film Theory: Rational Reconstructions (2012), Directed by Steven Spielberg (2006), and The Cognitive Semiotics of Film (2000). Author affiliation details are correct at time of print publication.

James Kendrick is an Associate Professor of Film and Digital Media at Baylor University, USA. He is the author of Hollywood Bloodshed: Violence in 1980s American Cinema (2009) and Film Violence: History, Ideology, Genre (2009), as well as numerous book chapters and journal articles. He is also the film and video critic for QNetwork.com. Author affiliation details are correct at time of print publication.

Eleftheria Thanouli is Assistant Professor in Film Theory at the Film Department at Aristotle University of Thessaloniki. She received her Ph.D. from the University of Amsterdam in 2005. She is the author of Post-Classical Cinema: An International Poetics of Film Narration (2009). Author affiliation details are correct at time of print publication.

Randy Laist is Associate Professor of English at Goodwin College, US. He is the author of Technology and Postmodern Subjectivity in Don DeLillo’s Novels and the editor of Plants and Literature: Essays in Critical Plant Studies and Looking for Lost: Critical Essays on the Enigmatic Series. Author affiliation details are correct at time of print publication.

James Kendrick is an Associate Professor of Film and Digital Media at Baylor University, USA. He is the author of Hollywood Bloodshed: Violence in 1980s American Cinema (2009) and Film Violence: History, Ideology, Genre (2009), as well as numerous book chapters and journal articles. He is also the film and video critic for QNetwork.com. Author affiliation details are correct at time of print publication.

Tino Balio is Emeritus Professor of Communication Arts at the University of Wisconsin-Madison.The 2001 recipient of the inaugural Academy Film Scholar Grant from the Academy of Motion Picture Arts and Sciences, Balio has written widely on the historical development of Hollywoodand the American film industry. He is the author of a two-volume history of United Artists, Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939 (1996), and The Foreign Film Renaissance on American Screens, 1946–1973 (2010). Author affiliation details are correct at time of print publication.

Tino Balio is Emeritus Professor of Communication Arts at the University of Wisconsin-Madison.The 2001 recipient of the inaugural Academy Film Scholar Grant from the Academy of Motion Picture Arts and Sciences, Balio has written widely on the historical development of Hollywoodand the American film industry. He is the author of a two-volume history of United Artists, Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939 (1996), and The Foreign Film Renaissance on American Screens, 1946–1973 (2010). Author affiliation details are correct at time of print publication.

Roy Perkins

Martin Stollery