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Gillian McIver is filmmaker and Lecturer in Film at the SAE Institute, London, UK. She has curated art exhibitions, and worked as a filmmaker in Russia and Germany, as well as Canada, and remains based in London. Her artist films have been screened internationally on every continent, and she also works as a producer and director. She has been Visiting Lecturer at many institutions, and has taught at Roehampton University, UK. Author affiliation details are correct at time of print publication.

Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

Roger Luckhurst is Professor of Modern Literature at Birkbeck College, University of London, UK. His many books include The Trauma Question (2008), The Mummy’s Curse (2012), and ‘Zombies: A Cultural History’ (2015). He is the author of ‘The Shining’ in the BFI Film Classics series (2013). Author affiliation details are correct at time of print publication.

C. Jason Smith is Assistant Professor of English at LaGuardia Community College-CUNY. Author affiliation details are correct at time of print publication.

A native of Chile, Ximena Gallardo-C. graduated with a Ph.D. in English from Louisiana State University. She lives in New York. Author affiliation details are correct at time of print publication.

SCOTT BUKATMAN is a cultural theorist and Professor of Film and Media Studies at Stanford University, USA. His books include Terminal Identity: The Virtual Subject in Postmodern Science Fiction, ‘Blade Runner’ in the BFI Film Classics series, and a collection of essays, Matters of Gravity: Special Effects and Supermen in the 20th Century. Bukatman has been published in abundant journals and anthologies, including October, Critical Inquiry, Camera Obscura, and Science Fiction Studies. Author affiliation details are correct at time of print publication.