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Thelma & Louise (1991)

Mark Axelrod

Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

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Constructing Dialogue : Screenwriting From Citizen Kane to Midnight in Paris

Bloomsbury Academic, 2014

Book

...Screenplay by Callie KhouriPerhaps it’s something in the Hollywood drinking water. In his book, Ridley Scott: Interviews edited by Laurence Knapp and Andrea Kulas (2005), there’s a 1991 interview conducted by Maitland McDonagh for Film...

Introduction

Matthew Flisfeder

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

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Postmodern Theory and Blade Runner

Bloomsbury Academic, 2017

Book

...The term “postmodernism” expresses something quite peculiar about, but also something that is rather particular to the financial stage of capitalism. In a sense, finance helps to obliterate the future. Finance forces us into an experience...

Conclusion: How can we use art History in Filmmaking?

Gillian McIver

Gillian McIver is filmmaker and Lecturer in Film at the SAE Institute, London, UK. She has curated art exhibitions, and worked as a filmmaker in Russia and Germany, as well as Canada, and remains based in London. Her artist films have been screened internationally on every continent, and she also works as a producer and director. She has been Visiting Lecturer at many institutions, and has taught at Roehampton University, UK. Author affiliation details are correct at time of print publication.

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Art History for Filmmakers : The Art of Visual Storytelling

Fairchild Books, 2016

Book

...Whether we realize it or not, there is a relationship between the long history of art and what filmmakers do. Of course, no film is simply the product of its director; a film happens when the director puts together his or her vision of how...

Blade Runner

Barry Keith Grant

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

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100 Science Fiction Films : BFI Screen Guides

British Film Institute, 2013

Book

...DIRECTOR Ridley ScottPRODUCER Michael DeeleySCREENPLAY Hampton Fancher, David Webb Peoples, based on the novel Do Androids Dream of Electric Sheep? (1968) by Philip K. DickDIRECTOR OF PHOTOGRAPHY Jordan CronenwethEDITOR Terry RawlingsMUSIC...

Studying Gladiator

Sandy Irvine

Sandy Irvine Sandy Irvine teaches Film and Media Studies at the City of Sunderland College. He is currently researching the various adaptations of War of the Worlds and is also studying the representation of military history in film. He has written extensively on ecological issues, including a book, A Green Manifesto, which he co-authored in 1988. Author affiliation details are correct at time of print publication.

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Auteur, 2005

Focused Study

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...Gladiator was one of the great commercial successes of the early twenty-first century, a fascinating example of how an old genre can be resuscitated for a new generation. The film's story is not complex yet the ways in which it is told says...

Blade Runner

Ernest Mathijs

Ernest Mathijs is Associate Professor of Film Studies at the University of British Columbia, Canada. He is the author of The Cinema of David Cronenberg (2008), co-author of Cult Cinema (2011) and co-editor of The Cult Film Reader (2008). Author affiliation details are correct at time of print publication.

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100 Cult Films : BFI Screen Guides

British Film Institute, 2011

Book

...© Blade Runner PartnershipDIRECTOR Ridley ScottPRODUCER Michael DeeleyWRITER Hampton Fancher, David Webb Peoples (book: Philip K. Dick)CINEMATOGRAPHY Jordan CronenwethSPECIAL EFFECTS SUPERVISOR Douglas TrumbullEDITING Marsha...

Thelma & Louise

Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

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100 Road Movies : BFI Screen Guides

British Film Institute, 2007

Book

...Originally viewed as offering a radical revision of the traditionally male road movie in its feminist skew and progressive sexual politics, the undeniably influential Thelma & Louise is a more complex proposition. ‘Ostensibly presenting...

Alien

Barry Keith Grant

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

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100 Science Fiction Films : BFI Screen Guides

British Film Institute, 2013

Book

...DIRECTOR Ridley ScottPRODUCER Gordon Carroll, David Giler, Walter HillSCREENPLAY Dan O’BannonDIRECTOR OF PHOTOGRAPHY Derek VanlintEDITOR Terry RawlingsMUSIC Jerry GoldsmithPRODUCTION DESIGN Michael SeymourMAIN CAST Sigourney Weaver, Tom...

Postmodernism and Blade Runner

Matthew Flisfeder

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

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Postmodern Theory and Blade Runner

Bloomsbury Academic, 2017

Book

...Mapping the historical logic of Blade Runner Blade Runner is a film that, depending upon the manner in which it is addressed, can be claimed by various critical perspectives and theoretical approaches. Perhaps it is this very fact...

Postmodernism and postmodern theory

Matthew Flisfeder

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

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Postmodern Theory and Blade Runner

Bloomsbury Academic, 2017

Book

...Toward a theory of the postmodern My approach to postmodernism involves first providing a historical sketch of its emergence, and especially its relationship to modernism. Since, in my view, postmodernism is on the one hand the product...