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Mark Axelrod is a Full Professor of English & Comparative Literature, and Director of the John Fowles Center for Creative Writing, at Chapman University, USA. Author affiliation details are correct at time of print publication.

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

Gillian McIver is filmmaker and Lecturer in Film at the SAE Institute, London, UK. She has curated art exhibitions, and worked as a filmmaker in Russia and Germany, as well as Canada, and remains based in London. Her artist films have been screened internationally on every continent, and she also works as a producer and director. She has been Visiting Lecturer at many institutions, and has taught at Roehampton University, UK. Author affiliation details are correct at time of print publication.

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

Sandy Irvine Sandy Irvine teaches Film and Media Studies at the City of Sunderland College. He is currently researching the various adaptations of War of the Worlds and is also studying the representation of military history in film. He has written extensively on ecological issues, including a book, A Green Manifesto, which he co-authored in 1988. Author affiliation details are correct at time of print publication.

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Canada. He is author of Film Genre (2007) and Voyages of Discovery (1992) and co-author of The Film Studies Dictionary (2001) and 100 Documentary Films (2009). Author affiliation details are correct at time of print publication.

Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Žižek’s Theory of Film (2012) and co-editor of Žižek and Media Studies: A Reader (2014). Author affiliation details are correct at time of print publication.