...Yuan Compound - Day
Security men and porters are loading wagons for a convoy. As they work, we see across the lake a lone horseman entering the village. One of the men recognizes him.
Master Li is here!...
...Mercury Shoe Corporate Helicopter – Day
Drew Baylor is twenty-seven. He sits rigidly upright, a man facing his destiny, even though he’s seated backwards. He’s the only passenger in this company helicopter whistling over...
...A NIGHT IN THE LIFE
Credit sequence: New York by night. John LeTour nestles in back of a blue car-service sedan, face reflected in the window. Neon mixes with steam, street people with tourists, young dates: each with a different agenda...
...Starliner Towers Apartment Complex ‒ Morning
Starliner Towers is seen in LS through the windshield of a moving car. The car approaches the complex and stops near the main doors of the West Tower.
Out of the car climb Kresimir and Benda...
...BEDROOM IN THE STENTORIAN HOTEL, NEW YORK. EVENING
It’s just over a hundred years ago; and the occupant of the pretty white-and-gold room, with sea-green panels and a rose-coloured carpet, stands, in her elaborate and decorous underwear...
...Opening Credits on Black
We hear some beautiful harp music. We hear a man’s voice and the credits continue.
It was all a dream …
… no it wasn’t. I couldn’t resist. Harp music and voice-over...
...Day. Elevated Subway Train
Against the backdrop of the Manhattan skyline, we see an elevated sub way train heading toward Brooklyn.
After a moment, we begin to hear voices. An animated discussion is taking place inside the Brooklyn Cigar...
...Monologue By Narrator
Now that we have some insight into the concept of experiential space, we may consider interaction among the experiential space continua of a highly unique group of individuals. In general, the study of the varying...
...Cocktail Lounge ‒ Night
We only see his face, speaking through the shadows.
He brushes his index finger lightly across his lips as he speaks. He knows: his lips are his most sexual organ.
You know who I...
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