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Recording Begins in Mid-Sentence

Steven Soderbergh

Steven Soderbergh won the prestigious Palme d'or at the Cannes Film Festival for his first full-length film, sex, lies and videotape in 1989, thus inaugurating a decade of American Independent cinema. He won a Best Director Oscar in 2000 for Traffic. His recent films include Haywire and Contagion. Author affiliation details are correct at time of print publication.

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Getting Away With It : Or: The Further Adventures of the Luckiest Bastard You Ever Saw

Faber & Faber, 2011

Book chapter

...The ‘author’ is in the habit of assuming the reader shares his exact experiences, interests, and knowledge. We will try to minimize the irritation this would induce in real life (if you shared a meal or a plane trip with the author...

Introduction

Steven Soderbergh

Steven Soderbergh won the prestigious Palme d'or at the Cannes Film Festival for his first full-length film, sex, lies and videotape in 1989, thus inaugurating a decade of American Independent cinema. He won a Best Director Oscar in 2000 for Traffic. His recent films include Haywire and Contagion. Author affiliation details are correct at time of print publication.

Search for publications

Getting Away With It : Or: The Further Adventures of the Luckiest Bastard You Ever Saw

Faber & Faber, 2011

Book chapter

...Faber and Faber books are selected from premium manuscripts gathered from around the world and carefully blended to achieve robust flavor by our team of verbally abused editors. Using the latest anti-skip technology, our books are made...

Introduction, Part Three

Steven Soderbergh

Steven Soderbergh won the prestigious Palme d'or at the Cannes Film Festival for his first full-length film, sex, lies and videotape in 1989, thus inaugurating a decade of American Independent cinema. He won a Best Director Oscar in 2000 for Traffic. His recent films include Haywire and Contagion. Author affiliation details are correct at time of print publication.

Search for publications

Getting Away With It : Or: The Further Adventures of the Luckiest Bastard You Ever Saw

Faber & Faber, 2011

Book chapter

...Brief, desultory discussion of forthcoming manuscript’s inception, purpose and potential audience. Self-deprecating remark. Amusing anecdote with slightly serious undertone. Awesome display of ego disguised as humility; joke about same....

Introduction, Part Two

Steven Soderbergh

Steven Soderbergh won the prestigious Palme d'or at the Cannes Film Festival for his first full-length film, sex, lies and videotape in 1989, thus inaugurating a decade of American Independent cinema. He won a Best Director Oscar in 2000 for Traffic. His recent films include Haywire and Contagion. Author affiliation details are correct at time of print publication.

Search for publications

Getting Away With It : Or: The Further Adventures of the Luckiest Bastard You Ever Saw

Faber & Faber, 2011

Book chapter

...Can’t get there until 9.30. Start without me....

Reservoir Dogs and the Class of ’92

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Sundance Kids : How the Mavericks Took Over Hollywood

Faber & Faber, 2010

Book chapter

...4 ‘Let’s go to work’: Steve Buscemi and Harvey Keitel in Reservoir  Dogs.There’s always a class of Sundance people, who come out every year. I’m still very close to the filmmakers I was with back then. Quentin has this theory that he...

‘It’s All Downhill from Here’: How Steven Soderbergh Paves the Way for the Next Generation

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Sundance Kids : How the Mavericks Took Over Hollywood

Faber & Faber, 2010

Book chapter

...2 Andie MacDowell as Ann in sex, lies, and videotape. 1 Ext. Highway – Day GRAHAM DALTON, twenty-nine, drives his ’69 Cutlass while smoking a cigarette. One could describe his appearance as punk/arty, but neither would do him justice. He...

‘Trespassing on Hallowed Ground’: Kafka and King of the Hill

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

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The Sundance Kids : How the Mavericks Took Over Hollywood

Faber & Faber, 2010

Book chapter

...6 Jesse Bradford as Aaron in King of the Hill.I write by myself, for myself.‘It was like being manager of The Doors in 1967,’Terry Minsky, Rolling Stone, ‘Hot Phenom’, 18 May 1989. noted Pat Dollard, Soderbergh’s agent, in the aftermath...

Genre II: School Days – Election, Rushmore and Apt Pupil

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

Search for publications

The Sundance Kids : How the Mavericks Took Over Hollywood

Faber & Faber, 2010

Book chapter

...29 Jason Schwartzman as Max Fischer in Rushmore.Alexander Payne once met Robert Evans, the legendary producer of The Godfather and Chinatown (1974). Payne recalls the meeting: ‘I asked him what he thought of movies these days. He said...

Genre I: Crime Does Pay – The Underneath, The Usual Suspects and Se7en

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

Search for publications

The Sundance Kids : How the Mavericks Took Over Hollywood

Faber & Faber, 2010

Book chapter

...16 The Usual Suspects: ‘Five Criminals. One Line Up. No Coincidence.’In the 1990s, noir’s retro edge has paradoxically given it postmodern chic. ‘Noir’ is not only the name of a cycle of historical crime movies, it is also a come...

Annus Mirabilis: How 1999 Became the Year of the Sundance Kids

James Mottram

James Mottram is a film journalist and critic who has written The Making of Memento and The Sundance Kids: How The Mavericks Took Back Hollywood. Author affiliation details are correct at time of print publication.

Search for publications

The Sundance Kids : How the Mavericks Took Over Hollywood

Faber & Faber, 2010

Book chapter

...36 David O. Russell gets ready to shoot.You could, if you like, call it a matter of chance. But as the narrator says in P. T. Anderson’s Magnolia: ‘This is not just “something that happened”.’ Like an alignment of the planets, timed...