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Holocaust Documentaries II: Testimonials

Aaron Kerner

Aaron Kerner is an Associate Professor in the Cinema Department at San Francisco State University. Author affiliation details are correct at time of print publication.

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Film and the Holocaust : New Perspectives on Dramas, Documentaries, and Experimental Films

Continuum, 2011

Book chapter

...Introduction: the Art of Testimony The previous chapter discussed some of the general cultural assumptions about the documentary genre, and specifically that the documentary form is burdened with a presumptive fidelity to objectivity...

Montage and the Dark Margin of the Archive

Trond Lundemo

Trond Lundemo

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

...The witness The testimony, and its forensic value in juridical processes as well as its validity in historiography, depends on its human agent, the witness, and his or her personal memories of an event in history. These memories must...

Remnants of Palestine, or, Archaeology after Auschwitz

Henrik Gustafsson

Henrik Gustafsson is a postdoctoral fellow at the Department of Culture and Literature, University of Tromsø, Norway and a member of the Nomadikon Centre of Visual Culture. He is the author of Out of Site: Landscape and Cultural Reflexivity in New Hollywood Cinema, 1969-1974 (2008) and the editor (together with Asbjørn Grønstad) of Ethics and Images of Pain (2012). Author affiliation details are correct at time of print publication.

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

...I feel like an occupied country. Change lies between the images. Pilgrimage and profanation In the early summer of 1963 Pier Paolo Pasolini retraced the itinerary of Christ along the border of Israel and Jordan, scouting locations...

Shoah

Sue Vice

Sue Vice is a Lecturer in the Dept of English Literature at the University of Sheffield. Author affiliation details are correct at time of print publication.

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British Film Institute, 2011

BFI Film Classics

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...Claude Lanzmann’s epic 1985 film ‘Shoah’ tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Sue...