Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.
...The last year of the Occupation weighed heavily on the French film industry. On the one hand power cuts and the scarcity of materials made film-making increasingly difficult, while on the other air bombardment and raids by the German...
Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.
...Le Figaro littéraire, 7 November 1967If I was an architect and I had to build a palace to the cinema, I would put at its entrance a statue of Duvivier.To understand Renoir’s comment it helps to imagine what his palace of the cinema would...
Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.
...As an industry, the French cinema of the 1930s led an against-the-odds existence of continuous crises. After the collapse of Gaumont in 1934, a government report reached the conclusion that film production in France was deplorably...
Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.
...When journalist and press agent Georges Cravenne founded the Académie des Arts et Techniques du Cinéma in 1974, he hoped to emulate Hollywood’s Academy of Motion Picture Arts and Sciences, which provided an obvious model for what would...
Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.
...In France, every time an attempt is made to organise, to adopt systems, the individual rebels and slips in between the gears of the mechanism. One result of this is that crooks easily get the upper hand, but another is the formation...
Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.
...The French cinema during the 1970s was able to boast an impressive variety of film-making talent. But although the films they made garnered much respectful praise, absent was the visceral excitement that films like Hiroshima mon amour...
Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.
...One of the disparaging terms that is often attributed to Truffaut, but which he never actually used, is cinéma de Papa. His chief argument was for a cinema of personal expression. Many of the film-makers he most admired - whether Jean...
Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.
...When Et Dieu créa la femme opened in France at the end of 1956, to a mostly hostile reception from the critics, François Truffaut offered a passionate defence of a film that he hailed as belonging to the new generation:I thank Vadim...
Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.
...Upon his arrival in New York in early 1941, Jean Gabin was asked to describe the state of the French industry he had left behind. He replied that the studios had been badly damaged, production had ground to a halt and actors were conducting...
Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.
...The audience that even the most popular French film-makers enjoyed in Britain and America was a limited one. It lay chiefly in the network of art-house cinemas that had come into being during the 1920s and 1930s. In Britain, the founding...
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