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  • Soderbergh, Steven
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Narrative and Anti-Narrative: The Case of the Two Stevens

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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and

Jeff Rush

Jeff Rush is an associate professor at Temple University's Department of Film & Media Arts. He has served as director of the MFA program and as Department Chair in Film & Media Arts. He received an MFA in Screenwriting and Directing from the American Film Institute and an MFA in Fiction Writing from the University of Iowa's Writer's Workshop. In addition to teaching, Jeff has worked as a freelance screenwriter and has published numerous articles and books. Author affiliation details are correct at time of print publication.

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Alternative Scriptwriting : Beyond the Hollywood Formula

Focal Press, 2013

Book

... N arrative and Anti- Narrative: The Case of the Two Stevens In this chapter, we look at the work of two important fi lm storytellers, Steven Spielberg and Steven Soderbergh. They represent two extreme impulses. Spielberg’s impulse...

Post-Script: The ‘Counter-Realism’ Code of Institutional Constraint

Martin Sohn-Rethel

Martin Sohn-Rethel taught film and media studies at Varndean College, Brighton, from 1990 to 2013. Author affiliation details are correct at time of print publication.

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Real to Reel : A New Approach to Understanding Realism in Film and TV Fiction

Auteur, 2015

Book

...The major institutions of the film industry enshrined by Hollywood work to maximise profit and minimise risk as well as exert a pervasive cultural hegemony. Not a very generous-minded verdict – they also serve huge global audiences...

sex, lies and videotape

Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

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100 American Independent Films : BFI Screen Guides

British Film Institute, 2009

Book

...sex, lies and videotape ranks among the most auspicious feature debuts in contemporary cinema. Few debuts since Hopper’s Easy Rider (1969) have had so lasting an effect on the American production landscape in generating a clamour...

Festing in Style

Dan Mirvish

Dan Mirvish is a director, screenwriter, producer, inventor and author. Mentored by Robert Altman on his first film, Omaha (the movie), Dan co-founded the Slamdance Film Festival. Dan's film Open House forced the Academy Awards® to rewrite their rules, and he also co-wrote the critically-acclaimed novel I Am Martin Eisenstadt. His award-winning film Between Us played in 23 festivals and sold to 144 countries. Dan’s latest film is Bernard and Huey, written by the legendary Jules Feiffer. He’s also written for Filmmaker Magazine, Indiewire and The Huffington Post. Dan has a master’s degree in film from USC and has guest lectured at UCLA, NYU, USC, CalArts and many other film schools. Once labelled a "cheerful subversive" by The New York Times, Mirvish was named one of Variety's Top 50 Creatives to Watch. Author affiliation details are correct at time of print publication.

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The Cheerful Subversive’s Guide to Independent Filmmaking

Routledge, 2017

Book

... Toronto, Toschmonto: Time for a Festival Plan “B” Once you have finished your film (or at least, one version of your film), you will most likely want to start submitting it to the big A-list film festivals (Cannes, Berlin, Toronto...
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...Highway -- Day 1 GRAHAM DALTON, twenty-nine, drives his ’69 Cutlass while smoking a cigarette. One could describe his appearance as punk/arty, but neither would do him justice. He is a man of obvious intelligence, and his face is amiable...

Introduction, Part Three

Steven Soderbergh

Steven Soderbergh won the prestigious Palme d'or at the Cannes Film Festival for his first full-length film, sex, lies and videotape in 1989, thus inaugurating a decade of American Independent cinema. He won a Best Director Oscar in 2000 for Traffic. His recent films include Haywire and Contagion. Author affiliation details are correct at time of print publication.

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Getting Away With It : Or: The Further Adventures of the Luckiest Bastard You Ever Saw

Faber & Faber, 2011

Book

...Brief, desultory discussion of forthcoming manuscript’s inception, purpose and potential audience. Self-deprecating remark. Amusing anecdote with slightly serious undertone. Awesome display of ego disguised as humility; joke about same...

Recording Begins in Mid-Sentence

Steven Soderbergh

Steven Soderbergh won the prestigious Palme d'or at the Cannes Film Festival for his first full-length film, sex, lies and videotape in 1989, thus inaugurating a decade of American Independent cinema. He won a Best Director Oscar in 2000 for Traffic. His recent films include Haywire and Contagion. Author affiliation details are correct at time of print publication.

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Getting Away With It : Or: The Further Adventures of the Luckiest Bastard You Ever Saw

Faber & Faber, 2011

Book

...The ‘author’ is in the habit of assuming the reader shares his exact experiences, interests, and knowledge. We will try to minimize the irritation this would induce in real life (if you shared a meal or a plane trip with the author...

The Women Who Killed Too Many

Women Who Kill : Gender and Sexuality in Film and Series of the Post-feminist Era

Bloomsbury Academic, 2020

Book

...As opposed to their male counterparts, female murderers in the cinema tend to be portrayed and classified attending to the psychological drive and intentionality of their crimes. I would like to thank the two blind reviewers for offering...

Introduction, Part Two

Steven Soderbergh

Steven Soderbergh won the prestigious Palme d'or at the Cannes Film Festival for his first full-length film, sex, lies and videotape in 1989, thus inaugurating a decade of American Independent cinema. He won a Best Director Oscar in 2000 for Traffic. His recent films include Haywire and Contagion. Author affiliation details are correct at time of print publication.

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Getting Away With It : Or: The Further Adventures of the Luckiest Bastard You Ever Saw

Faber & Faber, 2011

Book

...Can’t get there until 9.30. Start without me...

‘It’s All Downhill from Here’: How Soderbergh, Sundance and Miramax Broke Through

Rona Murray

Rona Murray is a tutor in film and media studies at Holy Cross College, U.K. Author affiliation details are correct at time of print publication.

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Studying American Independent Cinema

Auteur, 2011

Book

...sex, lies, and videotape (1989) is credited as the film that kick-started the new American independent cinema movement at the beginning of the 1990s, and, like all great originals, appears to stand on its own, separate from its influences...