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Sound Advice: Interview with Emmy Award-Winning Post Rerecording Mixer Eric Lalicata

Jay Holben

Jay Holben spent more than a decade working as a director of photography. As a technical journalist, Holben has been a lead contributing writer for American Cinematographer magazine for nearly two decades. For seven years, he served as technical editor for Digital Video magazine, he is the current lighting columnist for TV Technology magazine, and has been a contributor to Videography and The Hollywood Reporter. As the author of the highly-lauded independent lighting manual: A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben was been able to bring his on-set experiences to new filmmakers. In addition to frequent speaking engagements, he holds a faculty position at the Global Cinematography Institute. With Behind the Lens, Holben strives to influence and inform today’s entrenched production technicians with regaling stories from the front-lines. He is currently an independent producer and director living in Los Angeles. Author affiliation details are correct at time of print publication.

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Behind the Lens : Dispatches from the Cinematographic Trenches

Focal Press, 2016

Book

... Sound Advice: Interview with Emmy Award-Winning Post Rerecording Mixer Eric Lalicata I grew up on the visual side of things. In the theater, although I held many jobs, lighting was a primary vocation for me—electrician, master electrician,...

The Right Mic for the Job

Hal Robertson

Hal Robertson is a digital media producer and technology consultant. Author affiliation details are correct at time of print publication.

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The Videomaker Guide to Video Production

Focal Press, 2013

Book

... T he Right Mic for the Job Hal Robertson Figure 10-1 E very shoot is different and while a single camera can work in just about any situation, microphones have more specifi c roles. Whether it’s recording-studio micro- E...

Looking at Sound: Sound Design and the Audiovisual Influences on Gaze

Jonathan P. Batten

Jonathan P. Batten

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and

Tim J. Smith

Tim J. Smith

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book

...Watching a film extends beyond simply viewing a visual sequence, it is an immersive audiovisual experience that engages both senses (and may invoke others; Sobchack 2000) in order to entertain, inform and transport its audience to narrative...

Sync Sound

Hal Robertson

Hal Robertson is a digital media producer and technology consultant. Author affiliation details are correct at time of print publication.

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The Videomaker Guide to Video Production

Focal Press, 2013

Book

... Sync Sound Hal Robertson F igure 56-1 What do you do if your camera doesn’t record good audio? With the increased use of DSLRs and cell phone for video shooting, audio syncing skills are a necessity. We’ve always advocated...

Postproduction Audio

Filmmaking : Direct Your Movie from Script to Screen Using Proven Hollywood Techniques

Focal Press, 2011

Book

... Postproduction Audio 453 i. The sound editor viii. Add compression imports the unmixed audio iii. ADR poorly and a limiter then from the locked picture recorded on set v. Lay in ambience and export the final edit of the movie. dialog...

Fixing Audio in Post

Hal Robertson

Hal Robertson is a digital media producer and technology consultant. Author affiliation details are correct at time of print publication.

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The Videomaker Guide to Video Production

Focal Press, 2013

Book

... Fixing Audio in Post H al Robertson Figure 54-1 M ost editors grind their teeth when someone says,“don’t worry we’ll fi x it in post,” but fi xing it in post are where audio tricks shine. W e’ve lectured for years on the benefi ts...

The DSLR Story

Barry Braverman

Barry Braverman is a cinematographer with over thirty years experience in television documentaries and feature films. His credits include Wes Anderson's Moonrise Kingdom (2012), The Darjeeling Limited (2007), as well as National Geographic TV Specials, HBO's 'First Look' and CBS News' Sunday Morning. Braverman is a member of the Hollywood Cinematographer Guild and conducts regular 2D and 3D camera workshops around the world. He lives in Studio City, California. Author affiliation details are correct at time of print publication.

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Video Shooter : Mastering Storytelling Techniques

Focal Press, 2014

Book

... T he DSLR Story 5 It came as a surprise to nearly everyone that DSLRs might be used for serious work. It wasn’t sup- posed to happen like this—not by a long shot. The DSLR only came about because the news wire services no longer wanted...

Audio Levels

Hal Robertson

Hal Robertson is a digital media producer and technology consultant. Author affiliation details are correct at time of print publication.

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The Videomaker Guide to Video Production

Focal Press, 2013

Book

... A udio Levels Hal Robertson Figure 38-1 T he popularity of HDSLRs, GoPros and other compact video cameras come with a new surge of interest in audio recording. Since many of these cameras record meager audio at best, it’s become...

Cut the Cord

Hal Robertson

Hal Robertson is a digital media producer and technology consultant. Author affiliation details are correct at time of print publication.

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The Videomaker Guide to Video Production

Focal Press, 2013

Book

... C ut the Cord Hal R obertson F igure 11-1 A good wired microphone is perfect for reliable high quality audio, but sometimes the wires get in the way. W ireless mics have been around for The Basics ages, but many video creators...

Listening to Your Story

Barry Braverman

Barry Braverman is a cinematographer with over thirty years experience in television documentaries and feature films. His credits include Wes Anderson's Moonrise Kingdom (2012), The Darjeeling Limited (2007), as well as National Geographic TV Specials, HBO's 'First Look' and CBS News' Sunday Morning. Braverman is a member of the Hollywood Cinematographer Guild and conducts regular 2D and 3D camera workshops around the world. He lives in Studio City, California. Author affiliation details are correct at time of print publication.

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Video Shooter : Mastering Storytelling Techniques

Focal Press, 2014

Book

... L istening to Your Story 12 I ’m a shooter. That’s what I do. Like breathing. And listening to Neil Diamond. Now after three de- cades of crashing a viewfi nder to my face, I’ve developed an intimate relationship with my craft, one built...