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Conclusion

Barry Jordan

Barry Jordan is Professor of European Cinema and Culture at De Montfort University, Leicester. Author affiliation details are correct at time of print publication.

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Mark Allinson

Mark Allinson is Professor of Spanish, University of Leicester. Author affiliation details are correct at time of print publication.

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Spanish Cinema: A Student's Guide

Bloomsbury Academic, 2010

Book chapter

...In Tesis (1996), Alejandro Amenábar's debut feature, Professor Castro announces to a Film Studies class that a colleague, the asthmatic Professor Figueroa (thesis supervisor of female lead, Angela, played by Ana Torrent), has had a heart...

From Cine Social to Heritage Cinema in Films of the 2000s

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

...As the new millennium began, José María Aznar’s PP remained in office in Spain, winning in 2000 a second term that was marked by the president’s unpopular support for the post-9/11 war in Iraq. In 2004, political power changed hands...

Introduction

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

...This book is a history of Spanish cinema that brings the question of class mobility to the fore. The key term here is ‘mobility’. Its opposite, stasis, is the explicit or implicit object of critique of much political film. From Luis...

Miró Films and Middlebrow Cinema in the 1980s

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

...Accounts of 1980s Spain may emphasize continuity or change, depending on the point being made. The rhetoric of change voiced by the champions of Spain’s new democracy is difficult to resist. Franco was dead, the dictatorship over, the PSOE...

Charting Upward Social Mobility

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

...Spanish cinema of the 1950s is populated with metaphors for frustrated social stasis, from the circular big wheel on which the protagonist-couple get stranded in That Happy Couple* (Esa pareja feliz Bardem and Berlanga 1951), to the name...

Middlebrow Cinema of the 1990s

Sally Faulkner

Sally Faulkner is Professor of Hispanic Studies and Film Studies at the University of Exeter, UK. She is the author of Literary Adaptations in Spanish Cinema (2004) and A Cinema of Contradiction: Spanish Film of the 1960s (2006) and was awarded a Fellowship from the British Arts and Humanities Research Council for 2011. Author affiliation details are correct at time of print publication.

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A History of Spanish Film : Cinema and Society 1910–2010

Bloomsbury Academic, 2013

Book chapter

...In the 1990s, democratic Spain, member of North Atlantic Treaty Organization (from 1982) and the European Community (from 1986), saw the PSOE (Partido Socialist Obrero Español), in power since 1982, lose the elections in 1996 to José María...

Of Compactness: Life with Media Façade Screens

Compact Cinematics : The Moving Image in the Age of Bit-Sized Media

Bloomsbury Academic, 2017

Book chapter

...This chapter engages with the issue of compact cinematics by analyzing Niejo Sobejano’s Contemporary Art Centre, the C4 building in Córdoba, Spain (see Figure 18.1 below). This building and its creative invention of a media façade...

Representation

Barry Jordan

Barry Jordan is Professor of European Cinema and Culture at De Montfort University, Leicester. Author affiliation details are correct at time of print publication.

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and

Mark Allinson

Mark Allinson is Professor of Spanish, University of Leicester. Author affiliation details are correct at time of print publication.

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Spanish Cinema: A Student's Guide

Bloomsbury Academic, 2010

Book chapter

...Why is Representation Important? The films seen by the largest number of people across the world come from the entertainment industry based in Hollywood, Los Angeles. Typically (in fact, overwhelmingly), they are produced by rich, white...

What can genres teach us about nations?

Rick Altman

Rick Altman is a professor of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa, USA. His many books include ‘Film/Genre’ (BFI 1999) and ‘Silent Film Sound’ (2007). Author affiliation details are correct at time of print publication.

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Film/Genre

British Film Institute, 1999

Book chapter

...My first memory of ‘The Star-Spangled Banner’ embellished, and thereby diminished, is Jimi Hendrix’s famous riff at Woodstock. Did anyone at the time see his performance as anything but protest? True, it was both effective and timely...

Transatlantic Academia

Nuria Triana-Toribio

Professor of Hispanic Studies at the University of Kent, UK. Her research interests include Spanish film and film cultures, cultural studies, and popular cinema and culture. She is the author of Spanish National Cinema (2003), co-author of The Cinema of Álex de la Iglesia (2007) and co-editor of the Spanish and Latin Filmmakers series for Manchester University Press. Author affiliation details are correct at time of print publication.

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Spanish Film Cultures : The Making and Unmaking of Spanish Cinema

British Film Institute, 2016

Book chapter

...This chapter focuses on the Academia’s transnational strategies. Between 1986 and 2011, the Spanish Film Academy was mostly concerned with its own formation as a national institution, and with the creation and support of national awards...