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Ethics in Narrative Form and Content

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book chapter

...This chapter uses Tim Robbins’ 1995 film Dead Man Walking to illustrate connections between narrative and ethics, beginning with an appraisal of the ethical content of narratives, considering the different ways in which stories can...

Resistance and Responsiveness: Emotion and Character Engagement

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book chapter

...Narrative is implicated in ethical life by virtue of its content, form, and structure. In addition, the kinds of interpretive resources stories call into play and the responses they give rise to can also be of ethical significance....

Conclusion: Ethical Transformation

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book chapter

...As Stanley Cavell's work attests, the most powerful aspect of cinematic experience is what we take with us when we walk out of the movies: the enduring memories, ideas, and insights that we draw from film, which go on to figure in our own...

Imagination: Inner Sight and Silent Voices

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book chapter

...Imagination has a significant place in ethical understanding and ethical deliberation in terms of the construction of and engagement with narratives. We require a theory of imagination that is generous enough to encompass the term's rich...

Under the Influence: Vice, Violence, and Villainy

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book chapter

...Debates about media ethics and the negative influence of screen texts are frequently staged in terms of representation (often in the context of mis-representation, stereotyping, and identity politics), or in terms of the perception...

Seeing in the Dark: Attentive Engagement

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book chapter

...This chapter proposes a way of approaching ethical understanding through sensitive, intentionally directed perception. In order to establish the value of attentive engagement in the cinema, the discussion moves from arguing for the ethical...

Intersubjective Perception: Phenomenology, Embodiment, and Evaluation

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book chapter

...Beginning by building an appreciation of the place of cinematic narratives into the work on narrative and ethics dealt with above, this chapter moves on to address film from a phenomenological perspective. Drawing on existential...

Losing the Plot: Narrative Structure and Ethical Identity

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book chapter

...This chapter questions the role of narration in understanding ourselves and our interactions with others. Like its sister Mulholland Drive (2001), the film Lost Highway (David Lynch, 1997) raises questions of personal identity...

Introduction

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book chapter

...Eternal Sunshine of the Spotless Mind: Closing image of Joel and Clementine on Montauk beach.The closing image of Eternal Sunshine of the Spotless Mind (Gondry, 2004) shows Joel and Clementine running along the frosty Montauk beach, playing...

Affect and the Ethics of Snuff in Extreme Art Cinema

Snuff : Real Death and Screen Media

Bloomsbury Academic, 2016

Book chapter

...This chapter considers the cultural mythology of the snuff film in relation to the paradigm of the “new extremism” in global art cinema. It will locate the trope of snuff —defined here as a fictional narrative device that features...