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Using Eye Tracking and Raiders of the Lost Ark (1981) to Investigate Stardom

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Acknowledging the impossibility for a viewer to maintain focus on a whole screen at any one time, an emerging body of work uses eye-tracking experiments to investigate viewer responses to film texts by determining where traditional filmic...

In Order to See, You Must Look Away: Thinking About the Eye

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Eye-tracking studies of film (as well as eye-tracking studies in general) focus on seeing. In this chapter, I shall propose that the human visual system relies not just on seeing, but also on moments of not seeing. That is, I shall argue...

Shaping Abstractions: Eye Tracking Experimental Film

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Jodi Sita

Jodi Sita is Senior Lecturer in Anatomy and Neurosciences in the School of Allied Health at Australian Catholic University, Australia. She is a neuroscientist, health scientist, and eye-tracking expert, heading the eye-tracking laboratory at Australian Catholic University.. Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Introduction It can be argued that a great deal of eye tracking the moving-image research has concentrated on examining mainstream, narrative-driven film and television texts. As William Brown observes, eye-tracking research has up until...

Eye Tracking, Subtitling and Accessible Filmmaking

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Introduction Film and translation have not always been divorced from one another. They once lived happily together when the translation of intertitles was carried out as part of the post-production process in silent films, and even more...

Discordant Faces, Duplicitous Feelings: The Eye’s Affective Lures of Drive

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Silence is like gold. In terms of cinema from a story perspective, silence forces the audience to engage more, because if they’re not being told what to think, then they have to put in the subliminal elements. I love that personally and I...
...Introduction In this chapter, we explore whether eyeblinks can be used as a measurement of spectators’ narrative transportation into a cinematic narrative. In our experiment, we show that spectators’ eyeblinks increase when watching film...

Invisible Rhythms: Tracking Aesthetic Perception in Film and the Visual Arts

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Eye tracking has proved particularly valuable in highlighting the micromovements that underpin visual perception and in doing so can provide insight into the fine-grained structures of aesthetic perception in both film and the visual arts....

Looking at Sound: Sound Design and the Audiovisual Influences on Gaze

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Watching a film extends beyond simply viewing a visual sequence, it is an immersive audiovisual experience that engages both senses (and may invoke others; Sobchack 2000) in order to entertain, inform and transport its audience to narrative...

A Proposed Workflow for the Creation of Integrated Titles Based on Eye-Tracking Data

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Introduction Abusive, creative, hybrid and integrated are just some of the many terms that have emerged in past years to describe new kinds of subtitles – titles that appear all over the screen, that imitate or contrast with the film...

Introduction: The Blackest and Whitest of Swans

Tessa Dwyer

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Tessa Dwyer is Lecturer, Film and Screen Studies at the School of Culture and Communication at Monash University, Caulfield Campus, Australia. Her publications include contributions in the edited collections Locating the Voice in Film, Contemporary Publics, State of Post-Cinema, and journals across the disciplines of Screen Studies, Translation Studies and Cultural Studies. Her most recent publication appeared in A Reader in International Media Piracy. Author affiliation details are correct at time of print publication.

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Prologue We would like to begin this introduction to Seeing into Screens: Eye Tracking the Moving Image with a brief reading of the preliminary research we have conducted on the opening six minutes to Black Swan (Darren Aronofsky 2010)....