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Using Eye Tracking and Raiders of the Lost Ark (1981) to Investigate Stardom

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

...Acknowledging the impossibility for a viewer to maintain focus on a whole screen at any one time, an emerging body of work uses eye-tracking experiments to investigate viewer responses to film texts by determining where traditional filmic...

Woman as Caprice

Catherine Constable

Catherine Constable is Senior Lecturer in Film Studies at Sheffield Hallam University, UK. Author affiliation details are correct at time of print publication.

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Thinking in Images : Film Theory, Feminist Philosophy and Marlene Dietrich

British Film Institute, 2005

Book chapter

...The first section of this chapter will examine Mary-Ann Doane’s take-up of Nietzsche and Derrida in order to analyse the gendered nature of cinematic representation.M-A Doane, Femmes Fatales: Feminism, Film Theory, Psychoanalysis (New York...

The Mirror of Woman

Catherine Constable

Catherine Constable is Senior Lecturer in Film Studies at Sheffield Hallam University, UK. Author affiliation details are correct at time of print publication.

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Thinking in Images : Film Theory, Feminist Philosophy and Marlene Dietrich

British Film Institute, 2005

Book chapter

...This chapter will examine the work of Michèle Le Doeuff and Luce Irigaray in order to draw out their specific conceptions of theory and theorising. I have chosen to combine Le Doeuff and Irigaray because their different analyses...

Introduction

Julie Lobalzo Wright

Julie Lobalzo Wright is a Teaching Fellow in Film and Television Studies at the University of Warwick. She has published several articles and book chapters on film stardom and popular music and film. She is the co-editor, along with Lucy Bolton, of the BAFTSS winning Best Edited Collection, Lasting Screen Stars: Images that Fade and Personas that Endure (2016). Author affiliation details are correct at time of print publication.

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Crossover Stardom : Popular Male Music Stars in American Cinema

Bloomsbury Academic, 2018

Book chapter

...The cover image of this book was taken outside the Paramount Theatre in New York City in October of 1956, weeks before Elvis Presley’s first film, Love Me Tender (Robert D. Webb), was released. The enormous crowds watched as the forty-foot...

Acting in Cinema

James Naremore

James Naremore is Emeritus Chancellors’ Professor at Indiana University. He is the author of a number of books, including Acting in the Cinema (1988), The Films of Vincente Minnelli (1993), More than Night: Film Noir in its Contexts (1998; 2008) and On Kubrick (2007). Author affiliation details are correct at time of print publication.

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The Cinema Book

British Film Institute, 2007

Book chapter

...Even a moment’s observation should make it obvious that the art of acting is extremely important to most films, and yet the critical literature on the subject is relatively sparse. In one sense, of course, movie actors are merely agents...

Artists’ biographies in film as popular art history

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

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Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...Art can be disseminated in many ways: by means of exhibitions, books, guided tours, as well as by articles or documentaries. Editorials and photo essays in literary biographies, coffee table books, comics, children’s books, movies...

Basquiat and celebrity culture

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

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Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...In contrast to Pollock, the completion of the biopic BasquiatBasquiat aka Build a Fort, Set It on Fire, D: Julian Schnabel, USA 1996, 108 mins; Script: Lech Majewski, John F. Bowe, Michael Holman, Julian Schnabel; Cast: Jeffrey Wright...

The Seductress

Catherine Constable

Catherine Constable is Senior Lecturer in Film Studies at Sheffield Hallam University, UK. Author affiliation details are correct at time of print publication.

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Thinking in Images : Film Theory, Feminist Philosophy and Marlene Dietrich

British Film Institute, 2005

Book chapter

...This chapter will address a third commentary on Nietzsche, Baudrillard’s Seduction, in which he offers another account of the relation between the loss of absolute truth and the creation of meaning. I will trace the ways in which it both...

Hollywood’s art histories

Doris Berger

Doris Berger is a curator at the Skirball Cultural Center in Los Angeles, USA. She was a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art. Author affiliation details are correct at time of print publication.

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Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art

Bloomsbury Academic, 2014

Book chapter

...This book has concentrated on a segment of popular art history, taking into consideration its intertextuality, intermediality, historicity, and functionality. It has demonstrated that this segment is an important factor in producing...

Theorizing Asian Cinema(s)

Contemporary Asian Cinema : Popular Culture in a Global Frame

Berg, 2006

Book chapter

...As illustrated in the introduction to this book, the characters of Hock in Forever Fever and Sameer and Pooja in Dil Chahta Hai represent moments and positions of spectatorial identification with the screen image. Identification occurs...