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Jeff Foster has been producing traditional and digital images, animation, motion graphics, and visual effects for digital video and film for over 25 years. Some of his clients include Tribune Broadcasting, Deluxe Digital, Nestlé, USAF, FAA, FOX Television, Spike TV, Discovery/TLC, Universal Studios, and Disney. He has also written and contributed to several After Effects and Photoshop books, conducted training seminars, and been a featured speaker at several national conferences such as Macworld, Photoshop World, AdobeMAX, and NAB. Author affiliation details are correct at time of print publication.

Jeff Foster has been producing traditional and digital images, animation, motion graphics, and visual effects for digital video and film for over 25 years. Some of his clients include Tribune Broadcasting, Deluxe Digital, Nestlé, USAF, FAA, FOX Television, Spike TV, Discovery/TLC, Universal Studios, and Disney. He has also written and contributed to several After Effects and Photoshop books, conducted training seminars, and been a featured speaker at several national conferences such as Macworld, Photoshop World, AdobeMAX, and NAB. Author affiliation details are correct at time of print publication.

Jeff Foster has been producing traditional and digital images, animation, motion graphics, and visual effects for digital video and film for over 25 years. Some of his clients include Tribune Broadcasting, Deluxe Digital, Nestlé, USAF, FAA, FOX Television, Spike TV, Discovery/TLC, Universal Studios, and Disney. He has also written and contributed to several After Effects and Photoshop books, conducted training seminars, and been a featured speaker at several national conferences such as Macworld, Photoshop World, AdobeMAX, and NAB. Author affiliation details are correct at time of print publication.

Jeff Foster has been producing traditional and digital images, animation, motion graphics, and visual effects for digital video and film for over 25 years. Some of his clients include Tribune Broadcasting, Deluxe Digital, Nestlé, USAF, FAA, FOX Television, Spike TV, Discovery/TLC, Universal Studios, and Disney. He has also written and contributed to several After Effects and Photoshop books, conducted training seminars, and been a featured speaker at several national conferences such as Macworld, Photoshop World, AdobeMAX, and NAB. Author affiliation details are correct at time of print publication.

Murray Pomerance is an independent scholar living in Toronto, Canada. He is the editor of the Techniques of the Moving Image series and the Horizons of Cinema series, and co-editor, with Lester D. Friedman and Adrienne L. McLean respectively, of the Screen Decades and Star Decades series. Pomerance has written, edited and co-edited several books, including Virtuoso: Film Performance and the Actor’s Magic (2019), A Dream of Hitchcock (2019), Cinema, If You Please (2018), Moment of Action (2016), Alfred Hitchcock's America (2013), The Horse who Drank the Sky: Film Experience beyond Narrative and Theory (2008), and two BFI Classics on Marnie (2014) and The Man Who Knew Too Much (2016). Author affiliation details are correct at time of print publication.

Jeff Foster has been producing traditional and digital images, animation, motion graphics, and visual effects for digital video and film for over 25 years. Some of his clients include Tribune Broadcasting, Deluxe Digital, Nestlé, USAF, FAA, FOX Television, Spike TV, Discovery/TLC, Universal Studios, and Disney. He has also written and contributed to several After Effects and Photoshop books, conducted training seminars, and been a featured speaker at several national conferences such as Macworld, Photoshop World, AdobeMAX, and NAB. Author affiliation details are correct at time of print publication.

Jeff Foster has been producing traditional and digital images, animation, motion graphics, and visual effects for digital video and film for over 25 years. Some of his clients include Tribune Broadcasting, Deluxe Digital, Nestlé, USAF, FAA, FOX Television, Spike TV, Discovery/TLC, Universal Studios, and Disney. He has also written and contributed to several After Effects and Photoshop books, conducted training seminars, and been a featured speaker at several national conferences such as Macworld, Photoshop World, AdobeMAX, and NAB. Author affiliation details are correct at time of print publication.

Jeff Foster has been producing traditional and digital images, animation, motion graphics, and visual effects for digital video and film for over 25 years. Some of his clients include Tribune Broadcasting, Deluxe Digital, Nestlé, USAF, FAA, FOX Television, Spike TV, Discovery/TLC, Universal Studios, and Disney. He has also written and contributed to several After Effects and Photoshop books, conducted training seminars, and been a featured speaker at several national conferences such as Macworld, Photoshop World, AdobeMAX, and NAB. Author affiliation details are correct at time of print publication.

Jeff Foster has been producing traditional and digital images, animation, motion graphics, and visual effects for digital video and film for over 25 years. Some of his clients include Tribune Broadcasting, Deluxe Digital, Nestlé, USAF, FAA, FOX Television, Spike TV, Discovery/TLC, Universal Studios, and Disney. He has also written and contributed to several After Effects and Photoshop books, conducted training seminars, and been a featured speaker at several national conferences such as Macworld, Photoshop World, AdobeMAX, and NAB. Author affiliation details are correct at time of print publication.

Jeff Foster has been producing traditional and digital images, animation, motion graphics, and visual effects for digital video and film for over 25 years. Some of his clients include Tribune Broadcasting, Deluxe Digital, Nestlé, USAF, FAA, FOX Television, Spike TV, Discovery/TLC, Universal Studios, and Disney. He has also written and contributed to several After Effects and Photoshop books, conducted training seminars, and been a featured speaker at several national conferences such as Macworld, Photoshop World, AdobeMAX, and NAB. Author affiliation details are correct at time of print publication.