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Thomas Leitch is Professor of English at the University of Delaware, USA. His most recent books are Wikipedia U: Knowledge, Authority, and Liberal Education in the Digital Age (2014) and The Oxford Handbook of Adaptation Studies (2017). Author affiliation details are correct at time of print publication.

Kyle Meikle is Assistant Professor of Communication and English at the University of Baltimore, USA, and Film Reviews Editor for Adaptation. Author affiliation details are correct at time of print publication.

Nick Jones

Marie Lathers is Treuhaft Professor of French and Humanities at Case Western Reserve University in Cleveland, Ohio. She has published books and articles in the areas of feminist theory and popular culture, 19th-century French studies, and the relationship among women, art, and literature. Author affiliation details are correct at time of print publication.

Joan Ormrod is Senior Lecturer in the Department of English at Manchester Metropolitan University, UK. She is the editor of the Journal of Graphic Novels and Comics, co-author of Superheroes and Identities (2014) and has an extensive journals publication record. Author affiliation details are correct at time of print publication.

Joan Ormrod is Senior Lecturer in the Department of English at Manchester Metropolitan University, UK. She is the editor of the Journal of Graphic Novels and Comics, co-author of Superheroes and Identities (2014) and has an extensive journals publication record. Author affiliation details are correct at time of print publication.

Grahame Weinbren

Martin Flanagan is Lecturer in Film Studies at the University of Salford, UK. His work studies the forms of contemporary Hollywood entertainment. As an author he has contributed to the New Review of Film and Television Studies and Scope, and the edited collections Web-Spinning Heroics (2012) and Film and Comic Books (2007). His monograph, Bakhtin and the Movies: New Ways of Understanding Hollywood Film (2009), explores and situates superheroic narratives within wider Hollywood generic traditions. Author affiliation details are correct at time of print publication.

Mike McKenny has covered the UK festival sector and provided feature articles for Film and Festivals. As a film programmer, he led community cinema Miniciné to win the national (UK) award for Best Film Programming in 2012. His academic training in Film and Business Studies has fostered a keen focus and understanding of business environments as they specifically pertain to modern entertainment organisations. Author affiliation details are correct at time of print publication.

Andy Livingstone is a writer for Cinema 22 magazine and neophyte documentary filmmaker, working in Manchester’s independent cinema scene. Areas of focus in his academic program included transmedia and the marketing and genre placement of comic book adaptations, both of which subjects he considered in extended projects. Author affiliation details are correct at time of print publication.

Eric R. Williams has written professionally for American Movie Classics, Workshop Productions, Universal Studios, Grateful Films, and Fox Interactive. His screenplays have been workshopped at the Film Independent Producers Lab in Los Angeles, and have won three prestigious awards: Best New Work from the Writers Guild of America, Award for Individual Excellence in Screenwriting from the Ohio Arts Council, and an Emmy Award for Interactive Media. Eric is the author of the Routledge Focus book The Screenwriters Taxonomy. He is also an award-winning educator and the inaugural director of the MFA in Communication Media Arts program at Ohio University where he teaches screenwriting and virtual reality production. Eric earned his undergraduate degree from Northwestern University in Chicago, and his MFA from Columbia University in New York City. You can learn more by visiting his website: www.WilliamsOnStory.com. Author affiliation details are correct at time of print publication.

Marie Lathers is Treuhaft Professor of French and Humanities at Case Western Reserve University in Cleveland, Ohio. She has published books and articles in the areas of feminist theory and popular culture, 19th-century French studies, and the relationship among women, art, and literature. Author affiliation details are correct at time of print publication.