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Colour and/as Monochrome

Paul Coates

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

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Cinema and Colour : The Saturated Image

British Film Institute, 2010

Book chapter

...The Dialectic of Colour and Black and White The terms ‘colour’ and ‘black and white’ enact a dialectic of simultaneous opposition and prickly supplementation, as white and black may also be seen as ‘colours’ and their supposed ‘opposition’...

Balkan Film and History: The Politics of Historical Collage

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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Cinema of Flames : Balkan Film, Culture and the Media

British Film Institute, 2001

Book chapter

...While historians claim they work with a firm set of criteria to secure objectivity, film-makers have no illusions that in historical reconstruction there is an intricate selectivity as to what is remembered when, and what aspects...

Declensions Along One Side of the Colour Circle: from Yellow to Green to Blue

Paul Coates

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

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Cinema and Colour : The Saturated Image

British Film Institute, 2010

Book chapter

...If yellow and blue, which we consider as the most fundamental and simple colours, are united as they first appear, in the first state of their action, the colour which we call green is their result. (Goethe, Theory of Colours, 801)Johan...

Solaris

Mark Bould

MARK BOULD is Reader in Film and Literature at the University of the West of England, UK. He is the author of Science Fiction: The Routledge Film Guidebook (2012), The Cinema of John Sayles: Lone Star (2009), Film Noir: From Berlin to Sin City (2005), co-author of The Routledge Concise History of Science Fiction (2011), and co-editor of the Science Fiction Film and Television journal. Author affiliation details are correct at time of print publication.

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British Film Institute, 2014

BFI Film Classics

Image
...Despite being one of Andrei Tarkovsky’s most successful films, Solaris (1972) was the one he most disliked. This dismissal of his most generically marked film has often been accepted by those quick to embrace the image of Tarkovsky...