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Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Richard Nowell teaches American Cinema at the American Studies Department of Charles University in Prague, Czech Republic. He has served as a guest editor of the journal Iluminace, and he has published articles in several journals including the New Review of Film & Television Studies, Post Script, the Journal of Film and Video, InMedia , and Cinema Journal. Author affiliation details are correct at time of print publication.

Samantha Colling is Lecturer in Film and Media at Manchester School of Art and Research Degrees Development Tutor in the Arts and Humanities Graduate School, Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

Steve Neale

Samantha Colling is Lecturer in Film and Media at Manchester School of Art and Research Degrees Development Tutor in the Arts and Humanities Graduate School, Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

Andrew Osmond is a freelance journalist based in Berkshire, UK. He writes for a range of high-profile film magazines including Sight and Sound, Empire and SFX. Author affiliation details are correct at time of print publication.

Jim Hillier, who died in 2014, was Visiting Lecturer in the Department of Film and Television Studies at the University of Reading, UK. He was a pioneer of film education in the UK. His publications include, as co-author, 100 Documentary Films and 100 Film Noirs in the BFI Screen Guides series (2008); American Independent Cinema (2001), The Film Studies Dictionary (2000) and Howard Hawks: American Artist (1996). Author affiliation details are correct at time of print publication.

Rachel Dwyer is Professor of Indian Cultures and Cinema at SOAS, University of London, UK. Her many publications include Bollywood’s India: Hindi cinema as a guide to contemporary India (2014); What do Hindus believe? (2008) Filming the Gods: Religion and Indian Cinema (2006); the BFI Screen Guide 100 Bollywood Films (2005) and a volume on Yash Chopra in the BFI’s ‘World Directors’ series (2002). Author affiliation details are correct at time of print publication.

Samantha Colling is Lecturer in Film and Media at Manchester School of Art and Research Degrees Development Tutor in the Arts and Humanities Graduate School, Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

Barbara Jane Brickman is an Associate Professor of English and Film Studies at the University of West Georgia, where she is developing a Film Studies program. She has previously published articles on the pathologization of female teens, fantasy and the teen spectator, and the queering of fandom. Her current project focuses on the depiction of adolescents in the films of the 1970s. Author affiliation details are correct at time of print publication.