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Getting Down to Business

The SHORT! Guide to Producing : The Practical Essentials of Producing Short Films

Routledge, 2018

Book

... Getting Down to Business Financing Your Film B efore you start worrying about how you are going to pay for your movie, do yourself a favor: read the rest of this book. By the end of it, you will have a detailed understanding...

Job Search Strategies

Eve Light Honthaner

Eve Light Honthaner is the Deputy Director of the California Film Commission. Having previously come from a background in production management, she worked in various staff positions and in every freelance capacity from PA to line producer. She worked for companies such as DreamWorks and Legendary Pictures and on films such as Titanic, Just Married and Tropic Thunder. Since 1999, she has been teaching a popular summer course at USC’s School of Cinematic Arts called Breaking Into the Film Industry. She’s the author of The Complete Film Production Handbook, now in its 4th edition, and is a member of the Producers Guild of America. Author affiliation details are correct at time of print publication.

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Hollywood Drive : What it Takes to Break in, Hang in & Make it in the Entertainment Industry

Routledge, 2018

Book

... Job Search Strategies All our dreams can come true—if we have the courage to pursue them —Walt Disney LOOKING FOR WORK IS UNCOMFORTABLE I don’t know anyone who likes looking for work and having to sell them- selves. Besides being hard...

The Plan: Pre-production

Cathrine Kellison

,

Cathrine Kellison's career as a writer/producer spanned two decades, and included an eclectic range of projects – from a CBS special to a PBS documentary, from corporate image pieces for IBM to behind-the-scenes celebrity interviews for MGM, from a kids’ piece on recycling to educational films for teachers. She produced, wrote, and/or directed hundreds of hours of broadcast and non-broadcast programming for television and various avenues of new media. Author affiliation details are correct at time of print publication.

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Dustin Morrow

Dustin Morrow is a filmmaker, photographer, writer, and media artist. He is an Assistant Professor at Portland State University in Portland, Oregon, where he teaches courses in digital cinema production and film studies. His short films have won numerous awards and been shown in venues around the world. He has written about film, pop culture, and pedagogy for a host of publications, and his photographs have been featured in a number of art and culture magazines, as well as public exhibition spaces. Author affiliation details are correct at time of print publication.

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Kacey Morrow

Kacey Morrow is a media artist, scholar, and Assistant Professor of New Media Design at Western Washington University, teaching in the Design Department with a focus on motion graphics, digital video, web and interaction design. Prior to moving to Western Washington University, she was a lecturer at Ringling College of Art and Design in Sarasota, FL, teaching in the Graphic and Interactive Communications Department. Author affiliation details are correct at time of print publication.

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Producing for TV and New Media

Focal Press, 2013

Book

... 7 T he Plan: Pre-production T he producer is like the conductor of an orchestra. Maybe he can’t play every instrument, but he knows what every instrument should sound like. Richard Zanuck T HIS CHAPTER’S TALKING POINTS I ....

Shameless Self-Promotion

Eve Light Honthaner

Eve Light Honthaner is the Deputy Director of the California Film Commission. Having previously come from a background in production management, she worked in various staff positions and in every freelance capacity from PA to line producer. She worked for companies such as DreamWorks and Legendary Pictures and on films such as Titanic, Just Married and Tropic Thunder. Since 1999, she has been teaching a popular summer course at USC’s School of Cinematic Arts called Breaking Into the Film Industry. She’s the author of The Complete Film Production Handbook, now in its 4th edition, and is a member of the Producers Guild of America. Author affiliation details are correct at time of print publication.

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Hollywood Drive : What it Takes to Break in, Hang in & Make it in the Entertainment Industry

Routledge, 2018

Book

... Shameless Self-Promotion Becoming Your Own Marketing Manager You’ve gotta be original, because if you’re like someone else, what do they need you for? —Bernadette Peters THE PERSONAL PITCH—LEARNING HOW TO SELL YOURSELF If you’re going...

Tools

The Hair Stylist Handbook : Techniques for Film and Television

Focal Press, 2016

Book

... Tools You need the right tools to create the best hairdo. As hair styles have changed over the decades, many hair stylists have come to rely heavily on their equipment. Hot irons, which made the Marcel wave so popular in the past, can...

Public Access Television

Randy Hansen

Randy Hansen is an award-winning photographer and editor and is photo chief of a major market TV News station. Author affiliation details are correct at time of print publication.

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The Videomaker Guide to Video Production

Focal Press, 2013

Book

... P ublic Access Television R andy Hansen Figure 59-1 H ow to produce video productions with someone else’s gear and get them broadcast—for free! I t’s a federal mandate to local cable broadcast your fi nished masterpiece...

Approach to a Scene

Steve Hullfish

Steve Hullfish is a feature film and TV editor with credits including, Courageous, War Room, Champion and the theatrically-released feature documentary, Clinton Inc. Hullfish is the author of five other books, including The Art and Technique of Digital Color Correction and Avid Uncut. Hullfish also trains editors and colorists around the world. Author affiliation details are correct at time of print publication.

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Art of the Cut : Conversations with Film and TV Editors

Routledge, 2017

Book

... A PPROACH TO A SCENE Even for experienced editors, one of the most diffi cult aspects of the edit is simply starting a new scene. The process has to start by watching dailies, but many editors even have different approaches for doing...

Connecting the Dots: Breakdowns, Budgets, and Finance

Cathrine Kellison

,

Cathrine Kellison's career as a writer/producer spanned two decades, and included an eclectic range of projects – from a CBS special to a PBS documentary, from corporate image pieces for IBM to behind-the-scenes celebrity interviews for MGM, from a kids’ piece on recycling to educational films for teachers. She produced, wrote, and/or directed hundreds of hours of broadcast and non-broadcast programming for television and various avenues of new media. Author affiliation details are correct at time of print publication.

Search for publications

Dustin Morrow

Dustin Morrow is a filmmaker, photographer, writer, and media artist. He is an Assistant Professor at Portland State University in Portland, Oregon, where he teaches courses in digital cinema production and film studies. His short films have won numerous awards and been shown in venues around the world. He has written about film, pop culture, and pedagogy for a host of publications, and his photographs have been featured in a number of art and culture magazines, as well as public exhibition spaces. Author affiliation details are correct at time of print publication.

Search for publications
and

Kacey Morrow

Kacey Morrow is a media artist, scholar, and Assistant Professor of New Media Design at Western Washington University, teaching in the Design Department with a focus on motion graphics, digital video, web and interaction design. Prior to moving to Western Washington University, she was a lecturer at Ringling College of Art and Design in Sarasota, FL, teaching in the Graphic and Interactive Communications Department. Author affiliation details are correct at time of print publication.

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Producing for TV and New Media

Focal Press, 2013

Book

... C onnecting the Dots: 4 Breakdowns, Budgets, and Finance The TV business … is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. Dr. Hunter S. Thompson...

Colour

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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Production Design for Screen : Visual Storytelling in Film and Television

Bloomsbury Visual Arts, 2017

Book

...PD Jim Bissell says the visual concept for E.T. the Extra-Terrestrial was the transition from magical thought to rational thinking, reflecting Elliott’s development in the narrative. The children’s magical world is contrast with the adult...

The Visual Concept

Jane Barnwell

Jane Barnwell is Senior Lecturer in Contemporary Media Practice at University of Westminster, UK - where she teaches practice and theory. Graduating from Leeds University and the Northern School of Film & Television she began her career at the BBC, before working as a freelance production designer. Recent production design projects include the British feature Axed (2012, R Driscoll, Lionsgate). Author affiliation details are correct at time of print publication.

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Production Design for Screen : Visual Storytelling in Film and Television

Bloomsbury Visual Arts, 2017

Book

...Black Narcissus,1947, Powell and Pressburger, PD Alfred Junge.The Visual Concept of the film is contained in the contrasting settings that drive narrative and emotion.The designer interprets the script, identifying a concept and drawing...