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Conclusion

Max Sexton

Max Sexton is a lecturer at the University of Surrey, where he currently teaches film and television theory, and an independent scholar. After working in British television, he completed an MA History of Film and Visual Media and a PhD. He is currently interested in the links between aesthetics and technology, the de-stabilization of genre and inter-medial areas between film and television, including debates about the use of live performance and special effects. He co-authored Adapting Science Fiction to Television: Small Screen, Expanded Universe (2015) with Malcolm Cook. Author affiliation details are correct at time of print publication.

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Secular Magic and the Moving Image : Mediated Forms and Modes of Reception

Bloomsbury Academic, 2017

Book chapter

...This book has shown that secular magic and its use on television and film can heighten an awareness of the difficulties of definition and interpretation of particular types of texts. It is possible to analyse them texturally...

Streaming Adaptations

Kyle Meikle

Kyle Meikle is Assistant Professor of Communication and English at the University of Baltimore, USA, and Film Reviews Editor for Adaptation. Author affiliation details are correct at time of print publication.

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Adaptations in the Franchise Era : 2001–16

Bloomsbury Academic, 2019

Book chapter

...When Phoebe Waller-Bridge’s acerbic comedy Fleabag arrived on US shores in September 2016, it did so as an Amazon Original Series, joining the likes of Mozart in the Jungle (2014–), Bosch (2014–), and, a few short months...

Age Anxiety and Chills

Rikke Schubart

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.

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Mastering Fear : Women, Emotions, and Contemporary Horror

Bloomsbury Academic, 2018

Book chapter

...Mihaly Csikszentmihalyi, Creativity: Flow and the Psychology of Discovery and Invention (New York, HarperCollins Publishers, 1996), Kindle edition, 346.So, the first step toward a more creative life is the cultivation of curiosity...

Our Man, Lupin

Raz Greenberg

Raz Greenberg is a teaching fellow at the Hebrew University of Jerusalem, Israel. He has published both academic and popular articles on animation, including Literature Film Quarterly, The Journal of Film and Video, Animated Views and ASIFA, among others. Author affiliation details are correct at time of print publication.

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Hayao Miyazaki : Exploring the Early Work of Japan’s Greatest Animator

Bloomsbury Academic, 2018

Book chapter

...While Miyazaki was making his first steps in the anime industry in the mid-1960s, just as this industry was beginning to grow and find a larger audience in Japan and abroad, the manga industry was already booming and finding its way to new...

American Science Fiction Post-9/11

Lincoln Geraghty

Lincoln Geraghty is Principal Lecturer in Film Studies and Subject Leader for Media Studies in the School of Creative Arts, Film and Media at the University of Portsmouth. He is author of Living with Star Trek: American Culture and the Star Trek Universe, editor of The Influence of Star Trek on Television, Film and Culture, and co-editor of The Shifting Definitions of Genre: Essays on Labelling Films, Television Shows and Media. Author affiliation details are correct at time of print publication.

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American Science Fiction Film and Television

Berg, 2009

Book chapter

...The events of September 11, 2001, are now part of history, yet the images of that day are indelibly etched on the minds of millions of people around the world. So dramatic was the effect of this one day on the American psyche that many...

Materiality, Practices, Problematizations: What Kind of Dispositif Are Media?

Materializing Memories : Dispositifs, Generations, Amateurs

Bloomsbury Academic, 2018

Book chapter

...Abe Geil, Toni Pape, and Jan Teurlings read earlier versions of this chapter and gave essential feedback, including relevant references and core arguments. Johan Fornäs gave me the opportunity to discuss an earlier version of the paper...

Introduction

Rikke Schubart

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.

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Mastering Fear : Women, Emotions, and Contemporary Horror

Bloomsbury Academic, 2018

Book chapter

...This book analyses contemporary horror as a playground which offers negative and positive emotions to the player who is willing to engage with the genre’s painful and potentially traumatizing scenarios. It asks why this play is attractive...

Abyss and Peak

Rikke Schubart

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.

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Mastering Fear : Women, Emotions, and Contemporary Horror

Bloomsbury Academic, 2018

Book chapter

...With this chapter, we come to the old woman in horror. There may be old horror heroines who are protagonists, however, I have not met them.It can be argued that the medium in Insidious 3 (2015, Leigh Whannell) functions as the protagonist...

Socialist Night Fever

Popular Music and the Moving Image in Eastern Europe

Bloomsbury Academic, 2019

Book chapter

...I remember a party at my friend’s flat, an opera singer. Some 500 people showed up. It was winter. The hall was full, outside 100 more waiting. Some held the elevator doors and made their own party there. The police arrived and tried...

A Certain Compatibility: The British Digital Wave

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book chapter

...In the last chapter, we explored how non-cinema provides a useful framework through which to understand the suppression of issues of race and sexual violence in the context of French cinema and society more generally, ending...