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  • Three Colours: Red Close
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On the Dialectics of Filmic Colours (in general) and Red (in particular)

Paul Coates

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. He is the author of The Story of the Lost Reflection (1985), The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror (1991) and Cinema, Religion and the Romantic Legacy (2003). Author affiliation details are correct at time of print publication.

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Cinema and Colour : The Saturated Image

British Film Institute, 2010

Book chapter

...Introduction: In the Shadow of Eisenstein I wanted there to be red drops of blood in the black-and-white part, after the murder of Vladimir Andreyevich; but Fira Tobak would not have it; saying that would be Formalism. (Eisenstein...

Looking at Film

The Cinema Book

British Film Institute, 2007

Book chapter

...The options currently available to the film critic provide a wide and varied spectrum of approaches that may seem both daunting and cumbersome to the novice film student. However, as this section shows, most modes of analysis share many...

‘Europe’

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University, USA. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema that began with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema - Face to Face with Hollywood (2005) and was given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

...The real must be fictionalized in order to be thought. Political Europe as a philosophical issue In the introductory chapter I argued that, viewed from a certain perspective, European politics and European cinema can be understood...

The ‘Three Colours’ Trilogy

Geoff Andrew

Geoff Andrew is Programmer-at-Large at BFI Southbank, a regular contributor to Sight & Sound, and was previously Film Editor of Time Out London, UK. Author affiliation details are correct at time of print publication.

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British Film Institute, 1998

BFI Film Classics

Image
...The ‘Three Colours’ Trilogy...