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The Author Never Dies

Pam Cook

PAM COOK is Professor Emerita in Film at the University of Southampton, UK. She is the editor of The Cinema Book (3rd Edition, 2007) and Gainsborough Pictures (BFI, 1997), and the author of Fashioning the Nation: Costume and Identity in British Cinema (1996), the BFI Film Classic on ‘I Know Where I’m Going!; (2002), Screening the Past: Memory and Nostalgia in Cinema (2005), and Baz Luhrmann in the BFI World Directors series (2010). Author affiliation details are correct at time of print publication.

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The Cinema Book

British Film Institute, 2007

Book chapter

...By the mid- to late 1970s, cinematic authorship had undergone radical revision, from a polemical intervention that insisted on the primary role of certain directors in producing style and meaning (seeThe politique des auteurs, p. 390...

Forms 1980-present

Michael Witt

Michael Witt is Professor of Cinema and Co-Director of the Centre for Research in Film and Audiovisual Cultures at the University of Roehampton, London, UK. He has published widely on French film history in journals such as Screen, Trafic and New Left Review and co-curated seasons of French experimental cinema, documentary, and the work of Jean-Luc Godard for institutions such as Tate Modern and BFI Southbank. He is the co-editor of For Ever Godard (2004) and Jean-Luc Godard: Documents (2006), and the author of Jean-Luc Godard, Cinema Historian (2013). Author affiliation details are correct at time of print publication.

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The French Cinema Book

British Film Institute, 2018

Book chapter

...In the late 1980s and 90s developments in French television gave rise to a phase of remarkable growth and renewal in documentary film-making. These decades saw the continuation of many of France’s leading documentarists (e.g. Georges...

Beyond the Flâneuse: The Uniqueness of Cléo de 5 à 7

Paris in the Cinema: Beyond the Flâneur : Locations, Characters, History

British Film Institute, 2018

Book chapter

...Agnès Varda’s New Wave film Cléo de 5 à 7/Cleo from 5 to 7 (1962) tells the story of 90 minutes in the life of a Parisian pop singer, Cléo (Corinne Marchand), who is anxiously awaiting the results of a medical test on the longest day...

Feminism and Cléo from 5 to 7

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...The roles of women Released in 1962, Agnès Varda’s Cléo de 5 à 7 (Cléo from 5 to 7) appeared before the majority of the developments of feminist theory that I’ve discussed in the previous chapter. As we will see in the following filmic...

Exotic Objects

Elizabeth Ezra

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

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The Cinema of Things : Globalization and the Posthuman Object

Bloomsbury Academic, 2017

Book chapter

...In the climax of Micmacs, the homeless band hoodwinks the arms dealers into thinking they are in the Middle East, when in fact they have never left the outskirts of Paris. A similar play of distance and proximity is at work...

Representations 1980-present

The French Cinema Book

British Film Institute, 2018

Book chapter

...Any account of French cinema’s relationship to the political needs to take stock of the shifting contexts in which political film must operate. The period from 1980 to the present was one when the political landscape shifted in a dramatic...

Conclusion

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...Wandering through the streets of Paris, Agnès Varda reveals to the spectator her own questions about being a woman. In Cléo from 5 to 7, she situates Cléo (Corinne Marchand) in spaces filled with possibility and restriction, asking us...

Feminist Film Theory

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...Feminism and identification There is, of course, neither one type of feminism nor one type of feminist film theory. Most major ideas within feminist film theory inspire various competing positions. Nonetheless, it is this very struggle...

Introduction

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

...In 2015, the Cannes Film Festival awarded French filmmaker Agnès Varda an honorary Palme d’Or, the highest honor at the festival. Cannes gives the honorary Palme d’Or as a lifetime achievement award, and Varda was the first female filmmaker...

The Spirit of ’36

Charles Drazin

Charles Drazin is a biographer and film historian who lectures on the cinema at Queen Mary, University of London. His previous books include In Search of The Third Man, Korda: Britain's Only Movie Mogul and The Man Who Outshone the Sun King. He is also the editor of two volumes of journals of the novelist John Fowles Author affiliation details are correct at time of print publication.

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The Faber Book of French Cinema

Faber & Faber, 2011

Book chapter

...As an industry, the French cinema of the 1930s led an against-the-odds existence of continuous crises. After the collapse of Gaumont in 1934, a government report reached the conclusion that film production in France was deplorably...