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  • Varda, Agnès
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A Cinema of Abjection?

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book

...Two films from Cannes Two films that prompted much discussion at the 2016 Cannes Festival were the Palme d’Or winner, Ken Loach’s I, Daniel Blake, and the surprise of the festival...

The Author Never Dies

Pam Cook

PAM COOK is Professor Emerita in Film at the University of Southampton, UK. She is the editor of The Cinema Book (3rd Edition, 2007) and Gainsborough Pictures (BFI, 1997), and the author of Fashioning the Nation: Costume and Identity in British Cinema (1996), the BFI Film Classic on ‘I Know Where I’m Going!; (2002), Screening the Past: Memory and Nostalgia in Cinema (2005), and Baz Luhrmann in the BFI World Directors series (2010). Author affiliation details are correct at time of print publication.

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The Cinema Book

British Film Institute, 2007

Book

...By the mid- to late 1970s, cinematic authorship had undergone radical revision, from a polemical intervention that insisted on the primary role of certain directors in producing style and meaning (seeThe politique des auteurs, p. 390...

Agnès Varda and Ydessa: Engaging Personal and Cultural Histories

On Women’s Films : Across Worlds and Generations

Bloomsbury Academic, 2019

Book

...In 2004, Agnès Varda created Ydessa, the Bears, and etc. (Ydessa, les ours et etc.), a documentary film on a 2003 art installation by the Toronto-based artist and curator Ydessa Hendeles at the Haus der Kunst, Munich. Ydessa Hendeles ran...

Cinéphiles to Cinéastes: France in Transition

Peter Cowie

Peter Cowie began writing about the cinema at Cambridge University in 1960. He has since published more than twenty books, including critical biographies of Bergman, Welles and Coppola. In 1963 he founded the annual International Film Guide, which he edited for forty years. Cowie has also provided commentaries for several DVDs of classic films in the Criterion Collection. He has served on the jury at numerous festivals and is a member of the board of the European Film College. Cowie was International Publishing Director of Variety from 1993 to 2000, and now lives in Switzerland. Author affiliation details are correct at time of print publication.

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Revolution! : The Explosion of World Cinema in the 60s

Faber and Faber, 2004

Book

...All of us at Cahiers thought of ourselves as future directors. Frequenting ciné-clubs and the Cinémathèque was already a way of thinking cinema and thinking about cinema.‘All of us at Cahiers,’ Tom Milne (ed.), Godard on Godard (London...

Exotic Objects

Elizabeth Ezra

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

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The Cinema of Things : Globalization and the Posthuman Object

Bloomsbury Academic, 2017

Book

...In the climax of Micmacs, the homeless band hoodwinks the arms dealers into thinking they are in the Middle East, when in fact they have never left the outskirts of Paris. A similar play of distance and proximity is at work...

Forms 1980-present

Michael Witt

Michael Witt is Professor of Cinema and Co-Director of the Centre for Research in Film and Audiovisual Cultures at the University of Roehampton, London, UK. He has published widely on French film history in journals such as Screen, Trafic and New Left Review and co-curated seasons of French experimental cinema, documentary, and the work of Jean-Luc Godard for institutions such as Tate Modern and BFI Southbank. He is the co-editor of For Ever Godard (2004) and Jean-Luc Godard: Documents (2006), and the author of Jean-Luc Godard, Cinema Historian (2013). Author affiliation details are correct at time of print publication.

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The French Cinema Book

British Film Institute, 2018

Book

...In the late 1980s and 90s developments in French television gave rise to a phase of remarkable growth and renewal in documentary film-making. These decades saw the continuation of many of France’s leading documentarists (e.g. Georges...

Beyond the Flâneuse: The Uniqueness of Cléo de 5 à 7

Paris in the Cinema: Beyond the Flâneur : Locations, Characters, History

British Film Institute, 2018

Book

...Agnès Varda’s New Wave film Cléo de 5 à 7/Cleo from 5 to 7 (1962) tells the story of 90 minutes in the life of a Parisian pop singer, Cléo (Corinne Marchand), who is anxiously awaiting the results of a medical test on the longest day...

The Old New Wave

Douglas Morrey

Douglas Morrey is Reader in French Studies at the University of Warwick, UK, where he researches and teaches French cinema and contemporary French literature. He is the author of Jean-Luc Godard (2005) and Michel Houellebecq: Humanity and its Aftermath (2013), and is the co-author of Jacques Rivette (2009). Author affiliation details are correct at time of print publication.

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The Legacy of the New Wave in French Cinema

Bloomsbury Academic, 2020

Book

...Introduction In the mid-1990s, both Agnès Varda and Jean-Luc Godard released films to commemorate the centenary of cinema that was celebrated in France in 1995. Coincidentally, both films starred Michel Piccoli, who had also worked...

Peace and Love, True and False: Agnès Varda in Los Angeles

On Women’s Films : Across Worlds and Generations

Bloomsbury Academic, 2019

Book

...Agnès Varda’s 1969 film Lions Love . . . (and Lies) begins in the midst of a theatrical performance. On a small, bare stage, encircled by mannequins dressed as flappers and cowboys, a couple locks horns in a verbal relay of invective...

Conclusion

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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and

Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book

...Women’s filmmaking in France is clearly thriving, thanks primarily to the specificity of the French national context which privileges (non-gendered) auteur cinema and, particularly in the 1990s, encourages young directors to make...