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HERE—Locating the Cinematic

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...Walking into a modern museum exhibition running a show where many sounds and images are projected can now be an overwhelming experience. This is particularly the case when these sounds and images are not separated but overlap, so...

Coda—Flash Forward

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

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Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...In this book I have made a case for analyzing the chronotopes of the cinematic as affective encounters in space-time. I have argued that, while the site of cinema is on the move, the extent to which technologically mediated sounds...

Introduction

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

Search for publications

Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...In 2009 Philips released an online advertisement entitled Carousel for their 21:9 “cinema proportioned” LCD television, directed by Adam Berg in collaboration with Stink Digital. A single continuous tracking shot, the advertisement takes...

Me—Situating Cinematic Presence

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

Search for publications

Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...A large black shadow dances on a highly illuminated surface, a building façade consisting of one square plane and two more or less triangular planes. In the shadow a reflection, not of the person casting the shadow but rather a residue...

NOW—Navigating Cinematic Time

Pepita Hesselberth

Pepita Hesselberth is associate professor in cultural theory and film at the Department of Film and Literary Studies, Leiden University, the Netherlands. With Thomas Elsaesser she edited the textbook Hollywood op Straat: Film en Televisie Binnen de Hedendaagse Audiovisuele Cultuur (2000). Author affiliation details are correct at time of print publication.

Search for publications

Cinematic Chronotopes : Here, Now, Me

Bloomsbury Academic, 2014

Book chapter

...Thus begins Robert Jan Westdijk’s film Zusje (NL, Little Sister 1995—Figures 2.1–2.6). The film is seemingly shot from the perspective of Martijn’s home video camera, with which he travels from London to Amsterdam to make a film about his...

Introduction

William G. Doty

William G. Doty is a retired Professor of Humanities and Religious Studies at the University of Alabama. He has published 16 books and over 70 essays in a wide range of academic journals. Author affiliation details are correct at time of print publication.

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Jacking In to the Matrix Franchise : Cultural Reception and Interpretation

Continuum, 2004

Book chapter

...The Matrix changed the way we see things.Welcome to a series of discussions of one of the most widely viewed entertainment-culture productions of our decade: the Matrix franchise. The year 1999 saw the first episode, then 2003 brought both...

Is Neo White? Reading Race, Watching the Trilogy

Jacking In to the Matrix Franchise : Cultural Reception and Interpretation

Continuum, 2004

Book chapter

...African American philosopher, Tommy Lott, author of The Invention of Race, has recently termed the Matrix trilogy the greatest contribution to contemporary Black cinema. Lott’s comments strike us as odd, if not misplaced. Although the films...

Religion, Community, and Revitalization: Why Cinematic Myth Resonates

Jacking In to the Matrix Franchise : Cultural Reception and Interpretation

Continuum, 2004

Book chapter

...In 1999, four professors, including myself, from a small, Christian, liberal arts university in eastern Tennessee, sneaked out of our hotel rooms one evening, piled into one car, and hurriedly drove several miles to see The Matrix. We were...

Strange Volutions: The Matrix Franchise as a Post-Human Memento Mori

Jacking In to the Matrix Franchise : Cultural Reception and Interpretation

Continuum, 2004

Book chapter

...You had poked your head or what you thought was your head out of dreams or clouds unable to sustain such a steadfast belief in a mirror of mercy and were witness to the implacable spectacle of the diaspora of entire nations, thousands upon...

Stopping Bullets: Constructions of Bliss and Problems of Violence

Jacking In to the Matrix Franchise : Cultural Reception and Interpretation

Continuum, 2004

Book chapter

...In the film The Matrix (1999), a hacker named Neo finds that the world in which he has been living—an urban landscape of office buildings, rave clubs, and restaurants with good noodles—is actually a neural net interactive software program...