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  • Wenders, Wim
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Multitrack and Transcultural Narratives in Wim Wenders’s Works

Simone Malaguti

Simone Malaguti

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Wim Wenders : Making Films that Matter

Bloomsbury Academic, 2020

Book

...“Ah, if I could be all the people in all the places.” “Triumphal Ode” by Álvaro de Campos (Fernando Pessoa’s heteronym) quoted in Lisbon Story (1994).“Triumphal Ode” by Álvaro de Campos (Fernando Pessoa’s heteronym) quoted in Lisbon Story...

Wenders–Salgado: Space, Time, and Transformation in Salt of the Earth

Darrell Varga

Darrell Varga

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Wim Wenders : Making Films that Matter

Bloomsbury Academic, 2020

Book

...Wim Wenders’s documentaries have always been opportunities to explore the artistic process and the idea of image-making; that is to say, the form, materiality, and ontological nature of cinema. These concerns are also present throughout his...

“I Can Imagine Anything”: The European Project in Wim Wenders’s Wings of Desire

Mine Eren

Mine Eren

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Wim Wenders : Making Films that Matter

Bloomsbury Academic, 2020

Book

...Before stepping into time, Wim Wenders’s angel Damiel in Wings of Desire (1987) reveals to his companion angel Cassiel how he imagines the first day of his worldly Dasein. “First I’ll take a bath,” he says, “Then I’ll get a shave from...

The Window-View and the Romantic Vision of the World: Notes on a Visual Leitmotif in the Films of Wim Wenders

Philipp Scheid

Philipp Scheid

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Wim Wenders : Making Films that Matter

Bloomsbury Academic, 2020

Book

...Windows and the art of seeing In E. T. A. Hoffmann’s My Cousin’s Corner Window (published between April and May 1822 as a serial) an invalid poet, sitting in a wheelchair and suffering from severe illness, teaches his cousin the art...

Kings of the Road (Im Lauf der Zeit)

Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

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100 Road Movies : BFI Screen Guides

British Film Institute, 2007

Book

...Beginning as a self-funded itinerary of small towns with ailing movie theatres on the border of East and West Germany, Wenders took to the road with a handful of actors, a small crew and a few completed script pages. He worked...

Introduction: New Perspectives on Wim Wenders as Filmmaker and Visual Artist

Olivier Delers

Olivier Delers is Associate Professor of French and Chair of the Department of Languages, Literatures, and Cultures at the University of Richmond, USA. He is the author of The Other Rise of the Novel in Eighteenth-Century French Fiction (2015). Author affiliation details are correct at time of print publication.

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Martin Sulzer-Reichel

Martin Sulzer-Reichel is Director of Arabic at the University of Richmond, USA. He is the author of A Change in Perception: The Arab Reception of Emperor Frederick II and Other Protagonists of the Crusades from the 13th Century Until Today (2015). Author affiliation details are correct at time of print publication.

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Wim Wenders : Making Films that Matter

Bloomsbury Academic, 2020

Book

...In a career that spans more than forty-five years, Wim Wenders is still busy adding to his extensive body of work: in the past two years alone, he has released two full-length feature films, exhibited his large-scale landscape photography...

Writing in the Blood of the Past: Wrong Move and the Search for a Contemporary German Identity

Kristin Eichhorn

Kristin Eichhorn

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Wim Wenders : Making Films that Matter

Bloomsbury Academic, 2020

Book

...Wrong Move (1975) is one of Wim Wenders’s most acclaimed early films. As the middle piece of his Road Trilogy, along with Alice in the Cities (1974) and Kings of the Road (1976), and one of the many collaborations with the writer Peter...

The Goalkeeper’s Fear of the Penalty Kick (Die Angst des Tormanns beim Elfmeter)

Jason Wood

Jason Wood is a writer, film programmer and filmmaker. He is Artistic Director of Film at HOME, Visiting Professor at MMU and Visiting Professor at University of Salford, UK, and the author of a number of books including The Faber Book of Mexican Cinema (2006), Nick Broomfield: Documenting Icons (2005), 100 Road Movies (BFI 2007) and Talking Movies: Contemporary World Directors in Interview (2006). He contributes to a range of publications including Sight & Sound, The Guardian, Vertigo and Little White Lies. Author affiliation details are correct at time of print publication.

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100 Road Movies : BFI Screen Guides

British Film Institute, 2007

Book

...In terms of contemporary European film-makers, Wim Wenders is perhaps the one most closely aligned with the road movie. Many of Wenders’ films reflect a fascination with the genre, and with American culture in general, while also seeking...

Performing Arts: The Best Seat in the House

Adrian Pennington

Adrian Pennington is managing editor of The IBC Daily. Author affiliation details are correct at time of print publication.

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Carolyn Giardina

Carolyn Giardina is contributing editor, Tech, at The Hollywood Reporter. Author affiliation details are correct at time of print publication.

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Exploring 3D : The New Grammar of Stereoscopic Filmmaking

Focal Press, 2013

Book

... PERFORMING ARTS: opera is about the tangible nature in which the performers can connect with an audience. Two-dimensional recordings of such shows have struggled to recreate that feeling but filmmakers have begun to show...

Pina: A Cinematic Homage to Pina Bausch

Peter Beicken

Peter Beicken

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Wim Wenders : Making Films that Matter

Bloomsbury Academic, 2020

Book

...Pina: Dance, Dance, Otherwise We Are Lost (2011) is a remarkable cinematic homage to the late Pina Bausch (1940–2009) and the Wuppertal Dance Theater. As a resourceful experiment in the 3-D technique and as a methodological departure in Wim...