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Rikke Schubart

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.

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Mastering Fear : Women, Emotions, and Contemporary Horror

Bloomsbury Academic, 2018

Book chapter

...The aim with Mastering Fear has been to explore horror as edgework and show how it can be a play experience. Horror is not nice princess play. It can be upsetting, revolting, disgusting, and traumatizing, and this is the value of entering...

The Maternal Myth

Rikke Schubart

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.

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Mastering Fear : Women, Emotions, and Contemporary Horror

Bloomsbury Academic, 2018

Book chapter

...Marlene Zuk, Sexual Selections: What We Can and Can’t Learn About Sex From Animals (Berkeley: University of California Press, 2002), Kindle edition, 50.The maternal instinct, as a behavior that arises absolute and predetermined from its...

Age Anxiety and Chills

Rikke Schubart

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart’s publications include Bloomsbury’s recent Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements (2016, co-edited with Anne Gjelsvik), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (2007). Author affiliation details are correct at time of print publication.

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Mastering Fear : Women, Emotions, and Contemporary Horror

Bloomsbury Academic, 2018

Book chapter

...Mihaly Csikszentmihalyi, Creativity: Flow and the Psychology of Discovery and Invention (New York, HarperCollins Publishers, 1996), Kindle edition, 346.So, the first step toward a more creative life is the cultivation of curiosity...

“The Nation Wants to Know!”: Documenting Sexual Violence on Indian Prime-Time Television News

Documenting Gendered Violence : Representations, Collaborations, and Movements

Bloomsbury Academic, 2015

Book chapter

...In a heated moment on the Indian prime-time English-language television news show The Newshour, its anchor Arnab Goswami confronts his guest Vinay Singh, the general secretary of the Hindu vigilante group Sri Ram Sene (Army of Lord Rama)....

It's About Time: A Brief History of Women in Space

Marie Lathers

Marie Lathers is Treuhaft Professor of French and Humanities at Case Western Reserve University in Cleveland, Ohio. She has published books and articles in the areas of feminist theory and popular culture, 19th-century French studies, and the relationship among women, art, and literature. Author affiliation details are correct at time of print publication.

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Space Oddities : Women and Outer Space in Popular Film and Culture, 1960–2000

Continuum, 2010

Book chapter

...It's about two astronauts; it's about their fate; It's about a woman and her prehistoric mate.I’m sorry to have gone female on you, Major.At this writing, we are still waiting. I. Arrows of Time (Jerrie Cobb)Stephen Hawking's 1988...

When Solidarity Melts into Air: Philippines-Born Women Migrants in Australia

Documenting Gendered Violence : Representations, Collaborations, and Movements

Bloomsbury Academic, 2015

Book chapter

...Netty, “Fighting Domestic Violence,” 44.My friend’s husband told me that he had a friend back in Australia who was interested to have a long-term relationship with a Filipina and that he wanted one who could sew and cook. I thought...

Sound Rewrites Silents: Alice Guy and The Gaumont Chronophone

Alison McMahan

Alison McMahan is an award-winning screenwriter, author, and filmmaker. She is the president of Homunculus Productions, LLC. Author affiliation details are correct at time of print publication.

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Alice Guy Blaché : Lost Visionary of the Cinema

Bloomsbury Academic, 2003

Book chapter

...The second most commonly asked question about Alice Guy’s life and career is: why did Alice Guy’s film manufacturing concern, the Solax Company, cease producing in 1914? The usual assumption is that Solax went bankrupt at that time....

Designing Cukor Gene Allen interviewed by Phillip Williams

Isabella Weibrecht

,

Isabella Weibrecht

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John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 13 : Women Film-makers on Film-making

Faber & Faber Limited, 2004

Book chapter

...During the course of a long and prolific career, George Cukor collaborated with many exceptional artists and craftsmen who made contributions both in front of and behind the camera. Few people worked with the director as long...

Anna Karina interviewed by Graham Fuller

Isabella Weibrecht

,

Isabella Weibrecht

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John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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and

Walter Donohue

Walter Donohue

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Projections 13 : Women Film-makers on Film-making

Faber & Faber Limited, 2004

Book chapter

...Even the most cerebral director of them all couldn’t keep rhapsody out of his rigorous cinema of ideas when he turned his camera on the woman he loved. Anna Karina, born in Copenhagen on 22 September 1940, illuminated seven features...

Mea maxima vulva: Appreciation and aesthetics of chance in Nymphomaniac

Tarja Laine

Tarja Laine is Assistant Professor of Film Studies at the University of Amsterdam in the Netherlands. She is the author of Shame and Desire: Emotion, Intersubjectivity, Cinema (2007). Author affiliation details are correct at time of print publication.

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Lars von Trier’s Women

Bloomsbury Academic, 2017

Book chapter

...This paper considers Lars von Trier's Nymphomaniac as an allegory for a ‘polyphonic’ cinematic event that creates an unusual relationship between the film and the spectator. The two films revolve around Joe (Charlotte Gainsbourg) narrating...