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“The Nation Wants to Know!”: Documenting Sexual Violence on Indian Prime-Time Television News

Documenting Gendered Violence : Representations, Collaborations, and Movements

Bloomsbury Academic, 2015

Book chapter

...In a heated moment on the Indian prime-time English-language television news show The Newshour, its anchor Arnab Goswami confronts his guest Vinay Singh, the general secretary of the Hindu vigilante group Sri Ram Sene (Army of Lord Rama)....

It's About Time: A Brief History of Women in Space

Marie Lathers

Marie Lathers is Treuhaft Professor of French and Humanities at Case Western Reserve University in Cleveland, Ohio. She has published books and articles in the areas of feminist theory and popular culture, 19th-century French studies, and the relationship among women, art, and literature. Author affiliation details are correct at time of print publication.

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Space Oddities : Women and Outer Space in Popular Film and Culture, 1960–2000

Continuum, 2010

Book chapter

...It's about two astronauts; it's about their fate; It's about a woman and her prehistoric mate.I’m sorry to have gone female on you, Major.At this writing, we are still waiting. I. Arrows of Time (Jerrie Cobb)Stephen Hawking's 1988...

Musical Address: Expansion, Confinement and Kinaesthetic Contagion

Samantha Colling

Samantha Colling is Lecturer in Film and Media at Manchester School of Art and Research Degrees Development Tutor in the Arts and Humanities Graduate School, Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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The Aesthetic Pleasures of Girl Teen Film

Bloomsbury Academic, 2017

Book chapter

...Introduction In the previous chapter I explored how the spectacle of the body in sports performances invites particular kinaesthetic pleasures. The musical numbers in girl teen films rely on similar pleasures that bring the body in action...

Music Video Aesthetics: The Affects of Spectacle

Samantha Colling

Samantha Colling is Lecturer in Film and Media at Manchester School of Art and Research Degrees Development Tutor in the Arts and Humanities Graduate School, Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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The Aesthetic Pleasures of Girl Teen Film

Bloomsbury Academic, 2017

Book chapter

...Introduction In the previous chapter I explored the ways that musical address offers a unique form of enchantment: unbound by the confines of expression and perception found in classical continuity, musical address draws on the affective...

When Solidarity Melts into Air: Philippines-Born Women Migrants in Australia

Documenting Gendered Violence : Representations, Collaborations, and Movements

Bloomsbury Academic, 2015

Book chapter

...Netty, “Fighting Domestic Violence,” 44.My friend’s husband told me that he had a friend back in Australia who was interested to have a long-term relationship with a Filipina and that he wanted one who could sew and cook. I thought...

Sound Rewrites Silents: Alice Guy and The Gaumont Chronophone

Alison McMahan

Alison McMahan is an award-winning screenwriter, author, and filmmaker. She is the president of Homunculus Productions, LLC. Author affiliation details are correct at time of print publication.

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Alice Guy Blaché : Lost Visionary of the Cinema

Bloomsbury Academic, 2003

Book chapter

...The second most commonly asked question about Alice Guy’s life and career is: why did Alice Guy’s film manufacturing concern, the Solax Company, cease producing in 1914? The usual assumption is that Solax went bankrupt at that time....

Mea maxima vulva: Appreciation and aesthetics of chance in Nymphomaniac

Tarja Laine

Tarja Laine is Assistant Professor of Film Studies at the University of Amsterdam in the Netherlands. She is the author of Shame and Desire: Emotion, Intersubjectivity, Cinema (2007). Author affiliation details are correct at time of print publication.

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Lars von Trier’s Women

Bloomsbury Academic, 2017

Book chapter

...This paper considers Lars von Trier's Nymphomaniac as an allegory for a ‘polyphonic’ cinematic event that creates an unusual relationship between the film and the spectator. The two films revolve around Joe (Charlotte Gainsbourg) narrating...

Work, Art and Citizenship

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

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Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

...The women’s films discussed so far privilege the experiences of girls and women (and occasionally boys and men) at key stages in their personal lives, particularly in relation to the family, the couple or, in the case of young people...

A tráves de mis ojos: Fototestimonios with Children Growing Up in Immigrant and Migrant Communities in Northern California

Documenting Gendered Violence : Representations, Collaborations, and Movements

Bloomsbury Academic, 2015

Book chapter

...Introduction Children at photography class In a period of intensified anti-Mexican sentiment in the United States and increased deportations that disproportionately targeted Mexican working-class menGolash-Boza...

Comedy

Carrie Tarr

Carrie Tarr, Senior Research Fellow at Thames Valley University, UK with Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK Carrie Tarr, Senior Research Fellow at Thames Valley University, UK Author affiliation details are correct at time of print publication.

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and

Brigitte Rollet

Brigitte Rollet, Lecturer in French Cinema and Literature at Portsmouth University, UK --This text refers to the Paperback edition. Author affiliation details are correct at time of print publication.

Search for publications

Cinema and the Second Sex : Women's Filmmaking in France in the 1980s and 1990s

Bloomsbury Academic, 2016

Book chapter

...Comedy has been the most popular French film genre since the early days of cinema (Denat and Guingamp, 1993) but, despite Alice Guy’s early silent comedies, the canon has consisted primarily of male directors and performers...