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Conclusion: In the gallery and on the air

A. L. Rees

A.L. Rees was Head of the Time-Based Media course at Maidstone College of Art from 1988 - 1995 and then Research Tutor at the Royal College of Art until 2014. Author affiliation details are correct at time of print publication.

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A History of Experimental Film and Video : From the Canonical Avant-Garde to Contemporary British Practice

British Film Institute, 2011

Book chapter

1

... graphic cinema. In Passage á l’acte (1993), a domestic scene round the family table – culled from To Kill a Mocking Bird (1962) – becomes a psycho-sexual drama of single-frame repetition-compulsion, with patriarchal and sibling rivalry...

Part One: The canonical avant-garde

A. L. Rees

A.L. Rees was Head of the Time-Based Media course at Maidstone College of Art from 1988 - 1995 and then Research Tutor at the Royal College of Art until 2014. Author affiliation details are correct at time of print publication.

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A History of Experimental Film and Video : From the Canonical Avant-Garde to Contemporary British Practice

British Film Institute, 2011

Book chapter

3

... no. 55, but they are discussed in many books about the period, partly because Eisenstein was present at the first congress. See ‘Introduction’ by A. L. Rees to Hans Richter, The Struggle for the Film. Others were pioneering trade shows...

Introduction

A. L. Rees

A.L. Rees was Head of the Time-Based Media course at Maidstone College of Art from 1988 - 1995 and then Research Tutor at the Royal College of Art until 2014. Author affiliation details are correct at time of print publication.

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A History of Experimental Film and Video : From the Canonical Avant-Garde to Contemporary British Practice

British Film Institute, 2011

Book chapter

1

... with contributions by Krauss, Jacqueline Rose and Jonathan Crary. A full historical survey is Martin Jay’s excellent Downcast Eyes, supplemented by Modernity and the Hegemony of Vision ed. Michael L. Levin. Immanent meaning is substituted...

Part Two: Britain, 1966–98

A. L. Rees

A.L. Rees was Head of the Time-Based Media course at Maidstone College of Art from 1988 - 1995 and then Research Tutor at the Royal College of Art until 2014. Author affiliation details are correct at time of print publication.

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A History of Experimental Film and Video : From the Canonical Avant-Garde to Contemporary British Practice

British Film Institute, 2011

Book chapter

3

... by Andrew Cameron, Grahame Weinbren, Richard Wright and Malcolm Le Grice. For other views on electronics, film and art, see essays by A. L. Rees (‘Digital Daze’), Joan Key (‘Painting and Cyberspace’) and others in ACT (Art, Criticism...

The European Avant-Garde Experimentation, 1922–1929

Betsy A. McLane

Betsy A. McLane is the Director Emerita of the International Documentary Association. She holds degrees in cinema: a BFA from Ithaca College, MA and Ph.D. from The University of Southern California School of Media Arts. She has taught courses on film and documentary at Loyola Marymount University, The University of Vermont, Emerson College, The University of Southern California and California State University, San Bernadino, Palm Desert Campus. She is a Past President of the University Film and Video Association, and most recently served as the Project Director for The American Documentary Showcase, a program of the Bureau of Educational and Cultural Affairs of the US Department of State. Author affiliation details are correct at time of print publication.

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A New History of Documentary Film

Continuum, 2012

Book chapter

3

... 1969. Roger Manvell, ed., Experiment in the Film. London: Grey Walls Press, 1949. A. L. Rees, A History of Experimental Film and Video. London: British Film Institute, 1999....