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Women in Disney’s Animated Features 1989–2005

The Animation Studies Reader

Bloomsbury Academic, 2019

Book chapter

2

... Mermaid’, in Bell, Haas and Sells (eds), From Mouse to Mermaid, p. 177. For feminist interpretations of the film, such a comparison between the tale’s older class associations and the film’s gender-based interpretations are important....

1990s and the New Millennium

Amy Sargeant

Douglas Gomery is Resident Scholar at the Library of American Broadcasting and Film at the University of Maryland, USA. Author affiliation details are correct at time of print publication.

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British Cinema : A Critical History

British Film Institute, 2005

Book chapter

2

... Wanamaker), warns her against forming a ‘foolish’ attachment to Janko: the reason for the family’s rejection of her, it transpires, is her mother’s own fear and sense of guilt, Amy’s natural father being the father of Isaac (Tom Bell...

1980s

Amy Sargeant

Douglas Gomery is Resident Scholar at the Library of American Broadcasting and Film at the University of Maryland, USA. Author affiliation details are correct at time of print publication.

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British Cinema : A Critical History

British Film Institute, 2005

Book chapter

1

... provided her with a rehearsal role for her star billing as Christine Keeler in Scandal. Tom Bell performed sterling service in Granada Television’s series Holmes and Watson, appearing also in sinister guise in Granada Films’ adaptation...

Using Eye Tracking and Raiders of the Lost Ark (1981) to Investigate Stardom

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

2

...Acknowledging the impossibility for a viewer to maintain focus on a whole screen at any one time, an emerging body of work uses eye-tracking experiments to investigate viewer responses to film texts by determining where traditional filmic...

Frankenstein (2011)

Amy Raphael

Amy Raphael was born in London in 1967. She has worked on The Face, NME, Elle and Esquire and now freelances for the Guardian, the Observer and The Times. Her first book, Never Mind the Bollocks: Women Rewrite Rock, was published by Virago in 1995. She conducted the conversations and edited Mike Leigh on Mike Leigh, which was published by Faber in 2008. She has also contributed to the The Rolling Stone Book of Women in Rock and Perfect Pitch, a series of books about football. Author affiliation details are correct at time of print publication.

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Danny Boyle : Creating Wonder

Faber & Faber, 2013

Book chapter

1

... into the distance.* * *amy raphael: You had already signed up to direct Frankenstein at the National Theatre when you were approached to do the opening ceremony of the London Olympics, so you decided to use the play as a dry run.danny boyle:...

1960s

Amy Sargeant

Douglas Gomery is Resident Scholar at the Library of American Broadcasting and Film at the University of Maryland, USA. Author affiliation details are correct at time of print publication.

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British Cinema : A Critical History

British Film Institute, 2005

Book chapter

1

... Night and Sunday Morning), whose comforting warmth and spontaneity is set against Marler’s wife’s game-playing: Rosemary (Anne Bell) and Marler argue and fight, she calls him ‘a drunken Irish peasant’ but it’s obvious that a bit of rough...

The Opening Ceremony of the 2012 London Olympics

Amy Raphael

Amy Raphael was born in London in 1967. She has worked on The Face, NME, Elle and Esquire and now freelances for the Guardian, the Observer and The Times. Her first book, Never Mind the Bollocks: Women Rewrite Rock, was published by Virago in 1995. She conducted the conversations and edited Mike Leigh on Mike Leigh, which was published by Faber in 2008. She has also contributed to the The Rolling Stone Book of Women in Rock and Perfect Pitch, a series of books about football. Author affiliation details are correct at time of print publication.

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Danny Boyle : Creating Wonder

Faber & Faber, 2013

Book chapter

1

...amy raphael: Let’s go back to August 2010, when we were standing at the bar after an early screening of 127 Hours. I started to tease you about the rumours that were swirling around: you were going to be involved in the opening ceremony...

1930s

Amy Sargeant

Douglas Gomery is Resident Scholar at the Library of American Broadcasting and Film at the University of Maryland, USA. Author affiliation details are correct at time of print publication.

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British Cinema : A Critical History

British Film Institute, 2005

Book chapter

1

... of her dresser, Hawkie. As Harriet removes her engagement ring, the lights go out at the Tivoli. The action now moves emphatically to the present, the dialogue spattered with contemporary references: ‘I don’t know you from Amy Johnson,’ says...

1950s

Amy Sargeant

Douglas Gomery is Resident Scholar at the Library of American Broadcasting and Film at the University of Maryland, USA. Author affiliation details are correct at time of print publication.

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British Cinema : A Critical History

British Film Institute, 2005

Book chapter

1

... and there is a very Fast Show breathy sales assistant who fits Sparrow with his first stethoscope in John Bell and Croydon. Sadly, James Robertson Justice as the consultant Sir Laurence Spratt, informing a patient that his illness is ‘nothing...

Naked (1993)

Mike Leigh

Born in Salford, Manchester, in 1943, Mike Leigh has developed a unique method of creating films through controlled improvisations. After his debut Bleak Moments (1971) he made a succession of admired TV plays, including Abigail's Party and Nuts in May. He then returned to feature films: High Hopes (1988), Life is Sweet (1990), Naked (1993). Secrets and Lies won the Palme d'Or at Cannes in 1996. Topsy-Turvy (1999) won two Oscars. All or Nothing followed in 2002. Since then he has made the Oscar-nominated Vera Drake (2004), which won the Golden Lion at the Venice Film Festival, Happy-Go-Lucky (2008) and Another Year (2010). He also did Two Thousand Years for the National Theatre in 2005. Author affiliation details are correct at time of print publication.

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and

Amy Raphael

Amy Raphael was born in London in 1967. She has worked on The Face, NME, Elle and Esquire and now freelances for the Guardian, the Observer and The Times. Her first book, Never Mind the Bollocks: Women Rewrite Rock, was published by Virago in 1995. She conducted the conversations and edited Mike Leigh on Mike Leigh, which was published by Faber in 2008. She has also contributed to the The Rolling Stone Book of Women in Rock and Perfect Pitch, a series of books about football. Author affiliation details are correct at time of print publication.

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Mike Leigh on Mike Leigh

Faber and Faber, 2008

Book chapter

1

... bell that is dark grey because she’d had it painted. When we did a shot in the street, there was a red car and no one could locate a driver; the guys finally had to bounce it out of the way.Just to dwell on the subject of Alison Chitty...