Loading
Loading

Results

Sort By:  1-10 of 14 (2 pages)
Results per page:
         

Second World War

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

Search for publications

British Cinema : A Critical History

British Film Institute, 2005

Book chapter

4

... campaigns throughout the war.See Amy Sargeant, ‘Do We Need Another Hero?’, in Claire Monk and Amy Sargeant (eds), British Historical Cinema (London: Routledge, 2002). Robert Donat (as Pitt) appeared also in celebratory radio broadcasts,...

The Servant

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

Search for publications

British Film Institute, 2011

BFI Film Classics

4

Image
...Amy Sargeant's illuminating study of Joseph Losey's The Servant (1963) provides a detailed discussion of the film's production and reception history, as well as a textual analysis that focuses on Harold Pinter's adaptation of Maugham's novella; the film's use of architecture and interior design to establish character and relationships....

Teens

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

Search for publications

British Cinema : A Critical History

British Film Institute, 2005

Book chapter

2

... Anderson Collection Box 25, BFI Special Materials; ‘The stage of 1863 . . . recalled by the Pinero stage play of 1898 . . . and by the Hepworth Pinero Picture Play 1916’; also Ioulia Pipinia and Amy Sargeant, ‘Performing and Being:...

First World War

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

Search for publications

British Cinema : A Critical History

British Film Institute, 2005

Book chapter

2

... 1928 Guns of Loos) survived the war and produced acts which were filmed in peacetime.See Amy Sargeant, ‘Funny Peculiar and Funny Ha-Ha’, in Laraine Porter and Alan Burton (eds), Pimple, Pranks and Pratfalls (Trowbridge: Flicks Books, 2000),...

On Land, at Sea and in the Air

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

Search for publications

The Projection of Britain : A History of the GPO Film Unit

British Film Institute, 2011

Book chapter

4

... bullock tied to the stern.Harry Watt, Don’t Look at the Camera (London: Elek, 1974), pp. 57–8; for more regarding ‘Balcon’s Folly’, see also Amy Sargeant, British Cinema: A Critical History (London: BFI, 2005), pp. 137–40.Harry Watt, Don’t Look...

1960s

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

Search for publications

British Cinema : A Critical History

British Film Institute, 2005

Book chapter

0

...Spymaster Major Dalby (Nigel Green) keeping an eye on the ‘shrewd little cockney’ Harry Palmer (Michael Caine) in Sidney J. Furie’s 1965 The Ipcress FileVivian Nicholson’s memories of her upbringing in Castleford match the familiar...

1920s

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

Search for publications

British Cinema : A Critical History

British Film Institute, 2005

Book chapter

2

... See also Amy Sargeant, ‘Elsa Lanchester and Chaplinism’, in Laraine Porter and Alan Burton (eds), Crossing the Pond (Trowbridge: Flicks Books, 2002), pp. 92–9. In Labels and Vile Bodies (1930) he commented disparagingly on the advent...

1970s

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

Search for publications

British Cinema : A Critical History

British Film Institute, 2005

Book chapter

2

... in Claire Monk and Amy Sargeant (eds), British Historical Cinema (London: Routledge, 2002), pp. 92–109. Again, there are topical (and anachronistic) references in the costuming and make-up, sets and dialogue (bingo, fishfingers, inflation,...

1990s and the New Millennium

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

Search for publications

British Cinema : A Critical History

British Film Institute, 2005

Book chapter

2

... differentiating the product from its 1980s precursors.For further discussion of the stylistic aspects of Elizabeth, see Amy Sargeant, ‘Making and Selling Heritage Culture’, in Justine Ashby and Andrew Higson (eds), British Cinema: Past and Present...

1980s

Amy Sargeant

Amy Sargeant is Reader in Film at the University of Warwick, UK. Her publications include British Cinema, British Historical Cinema and Adventures in Motion Pictures. Author affiliation details are correct at time of print publication.

Search for publications

British Cinema : A Critical History

British Film Institute, 2005

Book chapter

4

... Time, Another Place and Scandal see Amy Sargeant, ‘The Content and the Form’, in Claire Monk and Amy Sargeant (eds), British Historical Cinema (London: Routledge: 2002), pp. 199–216. Meanwhile, a neighbour, Jesse, receives news of the death...