Skip to main content
Loading
Loading

Results

Sort By:  1-10 of 16 (2 pages)
Results per page:
         

Stereoscopic Basis and Techniques

Celine Tricart

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Search for publications

3D Filmmaking : Techniques and Best Practices for Stereoscopic Filmmakers

Routledge, 2017

Book

1

... axis the shapes will be. Interview by C. Tricart In addition, the positioning of objects in space depends on the viewer’s lateral position in the theater. In short, Unfortunately, the maximum background disparity is the 3D experience...

Make a Film in 3D

Celine Tricart

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Search for publications

3D Filmmaking : Techniques and Best Practices for Stereoscopic Filmmakers

Routledge, 2017

Book

1

... of Interview by C. Tricart view, frame, movement, editing . . . Today we can’t create new levels like these, but we can still innovate within them, or by combining them. The general audi- Screenwriting for 3D ence can still be caught...

Game Engines and Interactive VR

Celine Tricart

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Search for publications

Virtual Reality Filmmaking : Techniques & Best Practices for VR Filmmakers

Focal Press, 2018

Book

0

... Game Engines and Interactive VR Game engines play an important role in the VR indus- following pages describe how the two worlds of live try, not only for games, architecture, or education capture and game engines can meet and improve...

Introduction and Definitions

Celine Tricart

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Search for publications

Virtual Reality Filmmaking : Techniques & Best Practices for VR Filmmakers

Focal Press, 2018

Book

0

... For most people, virtual reality (VR) is first and find there a summary of VR history, an in-depth foremost a gaming medium. Is it true that numerous exploration of the current technologies for both live- studies show how massive...

Key Concepts

Celine Tricart

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Search for publications

3D Filmmaking : Techniques and Best Practices for Stereoscopic Filmmakers

Routledge, 2017

Book

0

... Key Concepts You have arrived at the end of this book on 3D film- Remember that the perception of depth is proportional making. Below is a summary of the most important to the degree of sharpness. points you might find useful. The list...

Stereoscopic Vision

Celine Tricart

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Search for publications

3D Filmmaking : Techniques and Best Practices for Stereoscopic Filmmakers

Routledge, 2017

Book

1

... as “reality.” ings. These “scans” are then stored in our brain, which Interview by C. Tricart combines them and then adds the information coming from the monocular cues. By doing this, the brain is actually drawing a “sketch” of the depth and shapes...

History of 3D Cinema

Celine Tricart

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Search for publications

3D Filmmaking : Techniques and Best Practices for Stereoscopic Filmmakers

Routledge, 2017

Book

1

... significant given today’s box- studios are now looking for movies that play well in 3D office receipts! and are enhanced by it instead of just making everything Interview by C. Tricart in 3D. For example, directors such as Gareth Edwards...

History of VR

Celine Tricart

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Search for publications

Virtual Reality Filmmaking : Techniques & Best Practices for VR Filmmakers

Focal Press, 2018

Book

0

... History of VR with ERIC KURLAND Eric Kurland is an award-winning independent film- director on several music videos for the band OK maker, past president of the LA 3-D Club, Director Go, including the Grammy Award-nominated “All...

3D as a Storytelling Tool

Celine Tricart

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Search for publications

3D Filmmaking : Techniques and Best Practices for Stereoscopic Filmmakers

Routledge, 2017

Book

1

... it was an adventure- film. some family movie. Scorsese has also made reference Interview by C. Tricart Figure 6.4 Hugo by M. Scorsese © Paramount Pictures The Scenic Box IMAX 3D is a new language for film, where the director creates...

Stereoscopy

Celine Tricart

Celine Tricart is an independent filmmaker and stereographer (aka 3D specialist) who is particularly interested in storytelling for stereoscopic cinema. Author affiliation details are correct at time of print publication.

Search for publications

3D Filmmaking : Techniques and Best Practices for Stereoscopic Filmmakers

Routledge, 2017

Book

1

... Tricart being too conservative with an almost nonexistent 3D volume or poorly converted from 2D to 3D have also been an issue. The audience faces a dilemmaas to whether or Another avenue could be auto-stereoscopy, that is, not they should pay...