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Afterword: The Poignancy of Place

Charlotte Brunsdon

Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick, UK. Her books include London in Cinema (2007) and a study of G. F. Newman's controversial 1978 television series Law and Order (BFI TV Classics, 2010). Author affiliation details are correct at time of print publication.

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London in Cinema : The Cinematic City Since 1945

British Film Institute, 2007

Book

1

... After they have reached the roof of the building, what they see is both a wonder to Mrs Bender, but also a moment in which, in Geoffrey Nowell-Smith’s terms, the film yields up a sense of place that would have been impossible without...

Local London

Charlotte Brunsdon

Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick, UK. Her books include London in Cinema (2007) and a study of G. F. Newman's controversial 1978 television series Law and Order (BFI TV Classics, 2010). Author affiliation details are correct at time of print publication.

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London in Cinema : The Cinematic City Since 1945

British Film Institute, 2007

Book

1

... television serial Dixon of Dock Green as the film that first introduced and then killed off Jack Warner as George Dixon, has sometimes obscured its considerable success on first release.Susan Sydney Smith discusses the relationship between...

The London Underground

Charlotte Brunsdon

Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick, UK. Her books include London in Cinema (2007) and a study of G. F. Newman's controversial 1978 television series Law and Order (BFI TV Classics, 2010). Author affiliation details are correct at time of print publication.

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London in Cinema : The Cinematic City Since 1945

British Film Institute, 2007

Book

1

... that would support the suggestion that London, as a cinematic city, may be significantly shaped by this genre. Christopher Smith, the director of Creep, made this point explicitly when he refers to the Underground as ‘the veins...

Introduction: Impossible Geographies

Charlotte Brunsdon

Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick, UK. Her books include London in Cinema (2007) and a study of G. F. Newman's controversial 1978 television series Law and Order (BFI TV Classics, 2010). Author affiliation details are correct at time of print publication.

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London in Cinema : The Cinematic City Since 1945

British Film Institute, 2007

Book

2

... the studio, I have been drawn increasingly to films that, through location shooting, yield up what Geoffrey Nowell-Smith has called ‘a sense of place’, issues that I discuss in more detail in Chapter 6.Geoffrey Nowell-Smith, ‘Cities real...

Going Up West

Charlotte Brunsdon

Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick, UK. Her books include London in Cinema (2007) and a study of G. F. Newman's controversial 1978 television series Law and Order (BFI TV Classics, 2010). Author affiliation details are correct at time of print publication.

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London in Cinema : The Cinematic City Since 1945

British Film Institute, 2007

Book

1

... Journal of Popular British Cinema no. 5, 2002, p. 104. See also Grahame Smith, Dickens and the Dream of Cinema (Manchester: Manchester University Press, 2003). Certainly, in Dirty Pretty Things, there is a Manichean simplicity of virtue...

Thames Tales

Charlotte Brunsdon

Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick, UK. Her books include London in Cinema (2007) and a study of G. F. Newman's controversial 1978 television series Law and Order (BFI TV Classics, 2010). Author affiliation details are correct at time of print publication.

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London in Cinema : The Cinematic City Since 1945

British Film Institute, 2007

Book

1

... about Britain’s imperial decline and her reinvention as a different kind of global player under the Thatcher government. Geoffrey Nowell-Smith, writing about the city and the cinema, proposes that some films ‘yield up a sense of place...

Landmark London

Charlotte Brunsdon

Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick, UK. Her books include London in Cinema (2007) and a study of G. F. Newman's controversial 1978 television series Law and Order (BFI TV Classics, 2010). Author affiliation details are correct at time of print publication.

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London in Cinema : The Cinematic City Since 1945

British Film Institute, 2007

Book

1

... as the more honourable profession. Murray Smith uses an opposition very similar to Shonfield’s distinction between ‘objectified museum London’ and ‘rubbish London’ when he points out that after Renton’s arrival most of the London action...

O Século do Cinema/The Century of Cinema

Glauber Rocha

,

Glauber Rocha

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Lúcia Nagib

,

Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima’s Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (Estação-Liberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990). Author affiliation details are correct at time of print publication.

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Cecília Mello

,

Cecília Mello is Lecturer in Film Studies at the University of São Paulo, Brazil. She has written previously on Jia Zhangke in book chapters and articles, and she is the co-editor, with Lúcia Nagib, of Realism and the Audiovisual Media (2009; paperback 2013). Author affiliation details are correct at time of print publication.

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Stephanie Dennison

Stephanie Dennison

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Charlotte Smith

Charlotte Smith

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On Cinema

I.B. Tauris, 2019

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0

...Chaplin [1] The first incarnation of Charles Chaplin, a phase that began with him filming in Hollywood in 1914 and ended with The Immigrant and The Adventurer in 1917, is the revolutionary antithesis of Griffith. Chaplin played...

Revisão Crítica do Cinema Brasileiro/Critical Review of Brazilian Cinema

Glauber Rocha

,

Glauber Rocha

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Lúcia Nagib

,

Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima’s Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (Estação-Liberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990). Author affiliation details are correct at time of print publication.

Search for publications

Cecília Mello

,

Cecília Mello is Lecturer in Film Studies at the University of São Paulo, Brazil. She has written previously on Jia Zhangke in book chapters and articles, and she is the co-editor, with Lúcia Nagib, of Realism and the Audiovisual Media (2009; paperback 2013). Author affiliation details are correct at time of print publication.

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Stephanie Dennison

Stephanie Dennison

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and

Charlotte Smith

Charlotte Smith

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On Cinema

I.B. Tauris, 2019

Book

0

...Introduction Brazilian film culture is precarious and marginal: we have film clubs and two film archives, but we do not have a publication of either informational, critical or theoretical importance. When it comes to bibliography, apart...

Introduction

On Cinema

I.B. Tauris, 2019

Book

0

...This collection brings together articles that reflect Glauber Rocha’s thoughts at different stages of his life and career. Rocha’s development as a filmmaker coincides with the rise and apogee of modern cinema, which found in the Brazilian...