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Chris Berry is Professor of Film and Television Studies at Goldsmiths College, University of London. He is the author of Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution (Routledge, 2004); the co-author, with Mary Farquhar, of Cinema and the National: China on Screen (forthcoming 2006), the editor of Chinese Films in Focus: 25 New Takes (BFI, 2003); and the co-editor, with Feii Lu, of Island on the Edge: Taiwan New Cinema and After (Hong Kong University Press, 2005). Author affiliation details are correct at time of print publication.

Chris Berry is Professor of Film and Television Studies at Goldsmiths College, University of London. He is the author of Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution (Routledge, 2004); the co-author, with Mary Farquhar, of Cinema and the National: China on Screen (forthcoming 2006), the editor of Chinese Films in Focus: 25 New Takes (BFI, 2003); and the co-editor, with Feii Lu, of Island on the Edge: Taiwan New Cinema and After (Hong Kong University Press, 2005). Author affiliation details are correct at time of print publication.

Chris Berry is Professor of Film and Television Studies at Goldsmiths College, University of London. He is the author of Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution (Routledge, 2004); the co-author, with Mary Farquhar, of Cinema and the National: China on Screen (forthcoming 2006), the editor of Chinese Films in Focus: 25 New Takes (BFI, 2003); and the co-editor, with Feii Lu, of Island on the Edge: Taiwan New Cinema and After (Hong Kong University Press, 2005). Author affiliation details are correct at time of print publication.

Chris Berry is Professor of Film and Television Studies at Goldsmiths College, University of London. He is the author of Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution (Routledge, 2004); the co-author, with Mary Farquhar, of Cinema and the National: China on Screen (forthcoming 2006), the editor of Chinese Films in Focus: 25 New Takes (BFI, 2003); and the co-editor, with Feii Lu, of Island on the Edge: Taiwan New Cinema and After (Hong Kong University Press, 2005). Author affiliation details are correct at time of print publication.

Andrew Zinnes has worked in development at Paramount Pictures and at USA Networks. He left to become a script analyst, and worked for Morgan Creek Productions, Artisan and several script analyst companies. Using his documentary filmmaking experience, Andrew was the perfect co-author for The Documentary Film Makers Handbook. He has taught documentary at the NY Film Academy and has lectured on filmmaking at schools and colleges around the US. He is a founding partner of the film company Crazee Pictures. Author affiliation details are correct at time of print publication.

Chris Jones has been making micro-budget features since he and Genevieve Jolliffe made The Runner in 1992. In 2009, his short film “Gone Fishing” was Oscars shortlisted, won the prestigious Producers Guild of America’s Best Short Film and collected over 40 international awards. He co-authored the bestselling Guerilla Film Makers Handbook in 1996, and also wrote the hugely successful Guerilla Film Makers Movie Blueprint. On top of writing and making films, Chris teachers new filmmakers and runs his business from the historic Ealing Film Studios in London. Author affiliation details are correct at time of print publication.