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Chinese Cinema

Chris Berry

Chris Berry is Professor of Film and Television Studies at Goldsmiths College, University of London. He is the author of Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution (Routledge, 2004); the co-author, with Mary Farquhar, of Cinema and the National: China on Screen (forthcoming 2006), the editor of Chinese Films in Focus: 25 New Takes (BFI, 2003); and the co-editor, with Feii Lu, of Island on the Edge: Taiwan New Cinema and After (Hong Kong University Press, 2005). Author affiliation details are correct at time of print publication.

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The Cinema Book

British Film Institute, 2007

Book

4

... are on the newest filmmakers, who no one has designated as a ‘generation’ yet. Selected Reading Chris Berry and Mary Farquhar, China on Screen: Cinema and Nation, New York, Columbia University Press, 2005. Feii Lü, Taiwan Dianying 1994–1999:...

Danish Cinema

Chris Berry

Chris Berry is Professor of Film and Television Studies at Goldsmiths College, University of London. He is the author of Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution (Routledge, 2004); the co-author, with Mary Farquhar, of Cinema and the National: China on Screen (forthcoming 2006), the editor of Chinese Films in Focus: 25 New Takes (BFI, 2003); and the co-editor, with Feii Lu, of Island on the Edge: Taiwan New Cinema and After (Hong Kong University Press, 2005). Author affiliation details are correct at time of print publication.

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The Cinema Book

British Film Institute, 2007

Book

2

...Dogme 95 Richard T Kelly All revolutions in art, the playwright David Hare argues (see Kelly, 2000, p. 10), are a return to realism. Abstract painters and sculptors might beg to differ, but for cinema the claim clearly has integrity...

Transnational Chinese Cinema Studies

Chris Berry

Chris Berry is Professor of Film and Television Studies at Goldsmiths College, University of London. He is the author of Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution (Routledge, 2004); the co-author, with Mary Farquhar, of Cinema and the National: China on Screen (forthcoming 2006), the editor of Chinese Films in Focus: 25 New Takes (BFI, 2003); and the co-editor, with Feii Lu, of Island on the Edge: Taiwan New Cinema and After (Hong Kong University Press, 2005). Author affiliation details are correct at time of print publication.

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The Chinese Cinema Book

British Film Institute, 2011

Book

2

...This chapter examines a doubled object. The term, ‘transnational Chinese cinema studies’, designates both a type of cinema and a field of study. The watershed moment in the emergence of the field was the publication in 1997 of Sheldon...

From National Cinema to Cinema and the National

Chris Berry

Chris Berry is Professor of Film and Television Studies at Goldsmiths College, University of London. He is the author of Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution (Routledge, 2004); the co-author, with Mary Farquhar, of Cinema and the National: China on Screen (forthcoming 2006), the editor of Chinese Films in Focus: 25 New Takes (BFI, 2003); and the co-editor, with Feii Lu, of Island on the Edge: Taiwan New Cinema and After (Hong Kong University Press, 2005). Author affiliation details are correct at time of print publication.

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Theorising National Cinema

British Film Institute, 2006

Book

3

... to question nationalist orthodoxies and trace the complex affiliations produced by post-colonial experience. I asked whether a ‘postnational’ cinema might be emerging (Berry, 1992, 1992/3, 1993). As I will discuss further below, instead...

Production

Genevieve Jolliffe

Andrew Zinnes has worked in development at Paramount Pictures and at USA Networks. He left to become a script analyst, and worked for Morgan Creek Productions, Artisan and several script analyst companies. Using his documentary filmmaking experience, Andrew was the perfect co-author for The Documentary Film Makers Handbook. He has taught documentary at the NY Film Academy and has lectured on filmmaking at schools and colleges around the US. He is a founding partner of the film company Crazee Pictures. Author affiliation details are correct at time of print publication.

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Chris Jones

Chris Jones has been making micro-budget features since he and Genevieve Jolliffe made The Runner in 1992. In 2009, his short film “Gone Fishing” was Oscars shortlisted, won the prestigious Producers Guild of America’s Best Short Film and collected over 40 international awards. He co-authored the bestselling Guerilla Film Makers Handbook in 1996, and also wrote the hugely successful Guerilla Film Makers Movie Blueprint. On top of writing and making films, Chris teachers new filmmakers and runs his business from the historic Ealing Film Studios in London. Author affiliation details are correct at time of print publication.

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The Guerilla Filmmakers Handbook: US Edition

Continuum, 2004

Book

1

... a Christopher Guest movie called A Mighty Wind. Chris is very concerned about sound, because his movies are all ad libbed and there really is no possibility for looping so the production sound is the sound without question. On A Mighty Wind...