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Post-Imperial Co-Producers: Emile Sherman, Iain Canning and Contemporary Anglo-Australian Cinema

Christopher Meir

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies. Author affiliation details are correct at time of print publication.

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Beyond the Bottom Line : The Producer in Film and Television Studies

Bloomsbury Academic, 2014

Book

2

...The runaway success of The King’s Speech (Tom Hooper, 2010), which culminated with the Best Picture Oscar at the 2011 Academy Awards, was hailed by many as the latest revival of British cinema and another triumph of the heritage genre...

The Industry and/of the Auteur

Christopher Meir

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies. Author affiliation details are correct at time of print publication.

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Devised and Directed by Mike Leigh

Bloomsbury Academic, 2013

Book

2

...The paradigm of the auteur has always been one that is implicitly and sometimes explicitly Romantic in nature, tending to see the auteur director as one that stands apart and in isolation from all worldly concerns and contexts. Among other...

The Bones that Litter the Shore: A Brief History of Integrated, Pan-European Studios

Christopher Meir

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies. Author affiliation details are correct at time of print publication.

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Mass Producing European Cinema : Studiocanal and Its Works

Bloomsbury Academic, 2019

Book

1

... and television, the most fundamental of which has been what I have elsewhere described as the “inversion” of the international markets for film and television (Meir 2016a, 54). This phenomenon has seen the US market come to represent a smaller...

Once More into the Breach: International Expansion, 2006 Onwards

Christopher Meir

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies. Author affiliation details are correct at time of print publication.

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Mass Producing European Cinema : Studiocanal and Its Works

Bloomsbury Academic, 2019

Book

0

...The acquisition of Optimum Releasing in the UK in 2006 marked a great turning point in the history of Studiocanal as this move into international distribution was quickly complemented with the beginnings of internationally oriented...

Studiocanal and Popular Genre Cinema and Television

Christopher Meir

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies. Author affiliation details are correct at time of print publication.

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Mass Producing European Cinema : Studiocanal and Its Works

Bloomsbury Academic, 2019

Book

0

...Middlebrow cinema may have been an important part of Studiocanal’s output during the last decade, but it has been popular genre films and series that have been the more numerous in terms of overall output and more lucrative in terms...

Studiocanal’s Mining of the Middlebrow

Christopher Meir

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies. Author affiliation details are correct at time of print publication.

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Mass Producing European Cinema : Studiocanal and Its Works

Bloomsbury Academic, 2019

Book

1

... drama to proclaim that the company is “writer-driven” (e.g., Meir 2016b). As the company’s first series hit the international market in 2017, the showrunners were front and center, with Price leading the promotional efforts for Rides upon...

Le Studio Canal Plus as “Dumb Money”: Working within Hollywood and Building a Library, 1990–99

Christopher Meir

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies. Author affiliation details are correct at time of print publication.

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Mass Producing European Cinema : Studiocanal and Its Works

Bloomsbury Academic, 2019

Book

1

... Films) is remarkable for its expertise in reboots and franchises, having made The Fast and the Furious films as well as reboots such as 21 Jump Street (Phil Lord and Christopher M iller, 2012), the recent relaunch of the television series...

Introduction: Studiocanal and an Era of Studio Building in Contemporary European Cinema

Christopher Meir

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies. Author affiliation details are correct at time of print publication.

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Mass Producing European Cinema : Studiocanal and Its Works

Bloomsbury Academic, 2019

Book

1

... and EuropaCorp were not the only contemporary companies attempting such vertical integration with a multinational distribution network, a strategic drive I have elsewhere termed “confederating” distribution territories (Meir 2016a, 55). Indeed,...

Conclusions: Studiocanal and European Studios Then, Now, and in the Future

Christopher Meir

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies. Author affiliation details are correct at time of print publication.

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Mass Producing European Cinema : Studiocanal and Its Works

Bloomsbury Academic, 2019

Book

1

... in development (Meir 2016b, 48). Moreover, Studiocanal has been involved in other series in French, Danish, Italian, and Icelandic, broadly targeting such series at the middlebrow market, as shown in Chapter 5, whereas Spanish-language...

The European Studio as Creative Force: Defining and Analyzing Studiocanal’s Output

Christopher Meir

Christopher Meir is a UC3M CONEX Fellow in the Department of Journalism and Audiovisual Communication at the University of Carlos III Madrid, Spain. He is the author of Scottish Cinema: Texts and Contexts (2014) and co-editor of Beyond the Bottom Line: The Producer in Film and Television Studies (2014). He has also published numerous articles and book chapters on industrial issues in Film and Television Studies. Author affiliation details are correct at time of print publication.

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Mass Producing European Cinema : Studiocanal and Its Works

Bloomsbury Academic, 2019

Book

1

... retain Australia and New Zealand distribution rights on their films. For more details on this production company and its integration with Transmission, see Meir 2014. Further speaking to the permeability between the two categories...