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Passing Time: Eye Tracking Slow Cinema

Tessa Dwyer

Tessa Dwyer is Lecturer, Film and Screen Studies at the School of Culture and Communication at Monash University, Caulfield Campus, Australia. Her publications include contributions in the edited collections Locating the Voice in Film, Contemporary Publics, State of Post-Cinema, and journals across the disciplines of Screen Studies, Translation Studies and Cultural Studies. Her most recent publication appeared in A Reader in International Media Piracy. Author affiliation details are correct at time of print publication.

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book

3

... of eye-tracking data? This approach developed from earlier slow cinema video essay work (see Fowler, Perkins and Rassell 2017). We decided to pay closer attention to the individual, raw data. Our aim was to consider the idiosyncrasies...

Film Journals in Britain and France

Rogue Reels: Oppositional Film in Britain, 1945–90

British Film Institute, 1999

Book

2

... whom they regaled as ‘right-wing’ in their formalist preoccupations and their interest in ‘second-rate’ directors like Hitchcock and ‘fifty-third rate’ directors like Fuller. The Movie writers (primarily Ian Cameron, Victor Perkins and Robin...

Freak Show Femininities: Emilie Autumn

Claire Nally

Claire Nally is Senior Lecturer in Twentieth-Century English Literature at the University of Northumbria at Newcastle, UK. Her first book was Envisioning Ireland: W. B. Yeats’s Occult Nationalism (2009). Author affiliation details are correct at time of print publication.

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Steampunk : Gender, Subculture and the Neo-Victorian

Bloomsbury Academic, 2019

Book

1

... Perkins Gilman’s ‘The Yellow Wallpaper’ (1892) is especially useful here, reading the story as a ‘protest against the rest cure … the sexual violence that some nineteenth-century American feminists saw reproduced in the relations of male...

Introduction: The Blackest and Whitest of Swans

Tessa Dwyer

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Tessa Dwyer is Lecturer, Film and Screen Studies at the School of Culture and Communication at Monash University, Caulfield Campus, Australia. Her publications include contributions in the edited collections Locating the Voice in Film, Contemporary Publics, State of Post-Cinema, and journals across the disciplines of Screen Studies, Translation Studies and Cultural Studies. Her most recent publication appeared in A Reader in International Media Piracy. Author affiliation details are correct at time of print publication.

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book

4

... that uncovers both limitations and new possibilities within eye-tracking research. Atkinson foregrounds themes echoed in following chapters within this book, especially those by Tessa Dwyer and Claire Perkins, Sean Redmond and Jodi Sita, and Lauren...

Seeing Animated Worlds

Craig Batty

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Adrian Dyer

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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Jodi Sita

Jodi Sita is Senior Lecturer in Anatomy and Neurosciences in the School of Allied Health at Australian Catholic University, Australia. She is a neuroscientist, health scientist, and eye-tracking expert, heading the eye-tracking laboratory at Australian Catholic University.. Author affiliation details are correct at time of print publication.

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Making Sense of Cinema : Empirical Studies into Film Spectators and Spectatorship

Bloomsbury Academic, 2016

Book

2

...Introduction Whether from the point of view of history, production, reception or philosophy, screen scholarship aims to enlighten us about how film and television texts work on audiences. But how much does screen scholarship actually...