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Cinemas, exhibition practices and topographical memories

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

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Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

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Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

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Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

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and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

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Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...The Italian Cinema Audiences (ICA) project has aligned itself with other projects of similar kinds in its findings that memories of cinema venues are stronger and more vivid when compared to memories of films, stars, plots or sets...

A girl’s-eye view of post-war Italian cinema

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

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Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

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Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

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Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

1

... have greater access to outdoor spaces (Hipkins et al. 2016). We might also consider that in Italy, according to Forgacs and Gundle, ‘the emphasis on the display of the female body in the post-war years was not the result only of commercial...

Conclusions

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

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Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...In 1948, director Dino Risi made a short film entitled Buio in sala (Darkness in the Cinema, Italy), which shows a depressed man going into a cinema in post-war Milan, sitting down to watch a Western surrounded by courting couples...

Only entertainment?: Memories inside and outside the cinema

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...In Richard Dyer’s (1992) book Only Entertainment, the emphasis on the primacy of pleasure sets the cinema experience apart from other forms of art. ‘Entertainment’ is a synonym for pleasure but equally for concepts as capacious...

Introduction

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

1

... 387) describes as the ‘fragmented and uneven spread of moviegoing in 1950s Italy’. We have already used our questionnaire and video-interview data to examine the urban/rural divide of the time (Hipkins et al. 2018), revealing...

Audiences and film genre

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

1

... on the comparison between rural and urban cinemagoing experiences, which indicate that ‘differences are a matter of degree, rather than being absolute’ (Hipkins et al. 2016: 224). Remarkable differences in responses have emerged...

Narrative imaginings of masculinity through cinema

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

2

...A part of this chapter was previously published in D. Treveri Gennari, S. Dibeltulo, D. Hipkins, C. O’Rawe, ‘Analysing Memories Through Video-Interviews: A Case Study of Post-War Italian Cinema-going’, in The Routledge Companion to New...

Beyond ‘belle e brave’: Female stars and Italian cinema audiences

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...Some film scholars have turned to ethnographic studies as a way of restoring complexity and contradiction in flesh-and-blood people in contrast to the abstract and often politically dismal pronouncements of apparatus theory.Writing...

‘Back then I believed in the nation – I don’t anymore’: Revisiting the national film canon through audience memories of neorealism

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...‘Did you like neorealist films?’ – ‘Yes and no. They seemed too similar to daily life.’‘The knowledge of great loss and destruction was for us the first knowledge.’( Introduction In this chapterThis chapter is based upon a paper first...