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Hark, Hark, the (dis)Enchanted Kantian, or Tarantino’s “Evil” and Its Anti-Cathartic Resonance

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

2

...“Okay,” he said, “listen to this.” He started to pace between the drawing tables, looking down at his feet, declaiming in a sharp, barking tenor that Joe recognized from the announcers on American radio. “To, uh, to all those who, uh, toil...

(Self as) modèle environments

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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New Nonfiction Film : Art, Poetics, and Documentary Theory

Bloomsbury Academic, 2018

Book chapter

0

...We cannot (and should not wish to) determine how a new generation will address the contradictions of documentary; but the least we can ask is that they should be aware the contradictions exist Ben Rivers...

“In my mind, my dreams are real”

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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New Nonfiction Film : Art, Poetics, and Documentary Theory

Bloomsbury Academic, 2018

Book chapter

0

...Art sees things in close-up, focusing our attention, teaching us to not cast blame so freely. Art doesn’t make judgments, it informs and teaches. The camera allows truth to circulate in places it wouldn’t normally go...

Introduction

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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New Nonfiction Film : Art, Poetics, and Documentary Theory

Bloomsbury Academic, 2018

Book chapter

0

...New nonfiction film In April of 2014 I sat on a panel that was given over to discussing the subject of “hybrid documentary” as part of Darklight Festival...

The utopian promise:

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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New Nonfiction Film : Art, Poetics, and Documentary Theory

Bloomsbury Academic, 2018

Book chapter

0

...The archive, especially the moving image archive, comes to us with a set of Janus-faced possibilities. It says, “I existed at one point and it’s possible that I could exist differently.” But in order to find that you need something else...

The poetic mode, depiction, and nonfiction:

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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New Nonfiction Film : Art, Poetics, and Documentary Theory

Bloomsbury Academic, 2018

Book chapter

0

...Documentary as a method of filmmaking has intrigued film theorists since the genre’s inception in the 1920s. Debates about documentary as an anti-aesthetic form—qua Grierson—or definitively creative—qua Grierson also—are well-rehearsed. We...

Nonfiction as a speculative mode of inquiry

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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New Nonfiction Film : Art, Poetics, and Documentary Theory

Bloomsbury Academic, 2018

Book chapter

0

...It could be that contemporary philosophers have lost the great outdoors, the absolute outside Ben Russell and Ben Rivers are self-described itinerant filmmakers. They are also, in this sense...

After Kiarostami:

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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New Nonfiction Film : Art, Poetics, and Documentary Theory

Bloomsbury Academic, 2018

Book chapter

1

... for these critics, a distinctly ethical stance. (Waldron, 2014, 207) By focusing in on Wittgenstein’s position vis-a-vis “silence” in the Tractatus, I was really attempting to relay the affinity between the position he holds with the moral...

Conclusion

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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New Nonfiction Film : Art, Poetics, and Documentary Theory

Bloomsbury Academic, 2018

Book chapter

0

...Cinema will save us The decline of art-house cinemas across Europe (and I assume the United States as well) in the last twenty years has—thankfully—coincided with a turn toward the cinematic set in other...

Nonfiction, the cognitive turn, and Chantal Akerman’s D’Est (1993)

Dara Waldron

Dara Waldron is a Lecturer in Critical and Contextual Studies at the Limerick Institute of Technology, Republic of Ireland, with a particular focus on Lens-Based media (differing forms of moving image practices). He is the author of Cinema and Evil: Moral Complexities and the “Dangerous” Film (2013). Author affiliation details are correct at time of print publication.

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New Nonfiction Film : Art, Poetics, and Documentary Theory

Bloomsbury Academic, 2018

Book chapter

0

...The discipline of Film Studies, until the 1990s at least, was dominated by criticism derived from structuralism and psychoanalysis, journals such as Screen and Film Quarterly evolving what is known today as Film Studies in its earliest...