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Swords and Hearts

The Griffith Project, Volume 5 : Films Produced in 1911

British Film Institute, 2001

Book

2

... 1911Director: D.W. GriffithAuthor: Emmett Campbell HallSource: none knownCamera: G.W. BitzerCast: Wilfred Lucas (Hugh Frazier); Claire McDowell (Irene Lambert); Dorothy West (Jennie Baker); William J. Butler (Old Ben); Charles H. West (Suitor); Francis...

Corrections and Additions to Volumes 1–11

The Griffith Project Volume 12 : Essays on D.W. Griffith

British Film Institute, 2008

Book

2

...361 The Revenue and the Girl Archival sources: Andreas Benz Collection (Neckarsulm, Germany), 8mm acetate positive, Killiam Collection/Blackhawk Films (generation undetermined) The 8mm print was viewed by David Mayer, who identified some...

On the Aesthetics of Amateur Filmmaking in Narrative Cinema: Negotiating Home Movies after Adam’s Rib

David LaRocca

David LaRocca edited Stanley Cavell’s Emerson’s Transcendental Etudes, and later edited The Philosophy of Charlie Kaufman (2019), The Philosophy of War Films (2014), and The Philosophy of Documentary Film: Image, Sound, Fiction, Truth (2017), and is the author or editor of another handful of volumes. He has taught philosophy and cinema, and held visiting research and teaching positions at Vanderbilt University, Harvard University, Ithaca College, State University of New York at Cortland, Binghamton University, and Cornell University. More details at davidlarocca.org. Author affiliation details are correct at time of print publication.

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The Thought of Stanley Cavell and Cinema : Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Bloomsbury Academic, 2020

Book

3

... to bolster what might be called the reality credentials of the fictional world. David LaRocca, “Introduction: Representative Qualities and Questions of Documentary Film,” The Philosophy of Documentary Film: Image, Sound, Fiction, Truth, ed. David...

Bowie’s Covers: The Artist as Modernist

Enchanting David Bowie : Space/Time/Body/Memory

Bloomsbury Academic, 2015

Book

3

...Introduction: Hunky Dory Hunky Dory (1971), David Bowie’s highly regarded third album, may perhaps best be viewed as a kind of ground-clearing operation, the opening up and making available of the space for Bowie’s extraordinary...

David Siegel and Scott McGehee

Projections 4½ : In association with Positif: Film-makers on Film-making

Faber & Faber Limited, 1995

Book

4

... but also allows much of the movie to progress while the more absurd aspects of the plot remain thankfully 'forgotten'. The background story, which we don't learn completely until the film's final scene, goes something like this: David Stillwell...

Waltzes and the dance of death

David Schroeder

David Schroeder holds a PhD from Cambridge University, and is Professor Emeritus at Dalhousie University, Canada. His books include Haydn and the Enlightenment (Oxford UP, 1990), Mozart in Revolt (Yale UP, 1999), Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film (Continuum, 2002/Bloomsbury, 2016), and Our Schubert: His Enduring Legacy (Scarecrow, 2008). Author affiliation details are correct at time of print publication.

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Hitchcock’s Ear : Music and the Director’s Art

Continuum, 2012

Book

1

... built into it, as inspiration comes in fits and starts from Rasi, the Countess, the rhythm of a baker throwing sticks of bread into another’s apron, or the tempo of the dough-mixing machine; in the end this may be cute but certainly...

Ephemerality between Fantasy and Reality: Sexploitation, Fan Magazines, and the Adults-Only Film and Publishing Industries

David Church

David Church is a film historian specializing in genre studies, taste cultures, and histories of film exhibition and distribution. He is a Lecturer in Comparative Cultural Studies at Northern Arizona University, USA, and is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (2015). Author affiliation details are correct at time of print publication.

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Disposable Passions : Vintage Pornography and the Material Legacies of Adult Cinema

Bloomsbury Academic, 2016

Book

1

... (almost instantly disintegrating) paper,” with their ephemeral materiality thereby helping frame their cultural disrepute in similar ways as the magazines under consideration in this chapter.David M. Earle, Re-covering Modernism: Pulps,...

The Australian Screen Producer in Transition

Beyond the Bottom Line : The Producer in Film and Television Studies

Bloomsbury Academic, 2014

Book

3

... Oaks, CA: Sage, 2011), 249–62; David Hesmondhalgh and Sarah Baker, Creative Labour: Media Work in Three Cultural Industries (London: Routledge, 2011); Vincent Mosco and Catherine McKercher, The Laboring of Communication: Will Knowledge...

Magnetic Connections: Terminator Genisys

David Greven

David Greven is Professor of English at the University of South Carolina, USA, and the author of many books, including Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin and Manhood in Hollywood from Bush to Bush. Author affiliation details are correct at time of print publication.

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Queering The Terminator : Sexuality and Cyborg cinema

Bloomsbury Academic, 2017

Book

1

... is America’s hero first. Making fresh use of cultural theorists like Gore Vidal, Brian Baker argues that hegemonic masculinity figures, at once, the “nation-state, the ideological construction of the ideal citizen and object, the imperatives...

Expanded Cinema and Video Art

David Curtis

David Curtis is Senior Research Fellow at Central Saint Martins, University of the Arts London. From 1977 to 2000 he was responsible for artists’ film at the Arts Council of Great Britain and in 2003-4 he curated Tate Britain’s ‘A Century of Artists’ Film in Britain’. Author affiliation details are correct at time of print publication.

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A History of Artists’ Film and Video in Britain

British Film Institute, 2007

Book

2

... for suggesting this: ‘A week or two later I took Room… to the open screening at David Curtis’s Arts Lab film night ... As there were two copies on one reel, and I had no equipment, I asked David what to do to get them separated, and he said “Why...