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... Of A Car Joy jerks back as car takes off; her father and Peggy sit on either side of her. Suddenly she is in a beautiful church with light streaming in the windows and choir singing, as – Soap Opera Cathedral Joy walks with her family...
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... Auxilius, coadjutor to St. Patrick. The Cill - or church - of the same. Thus you have: Cill Auxuli. Or Killashee. Imogen Fancy that. Otto I must get...

War

The Griffith Project Volume 11 : Selected Writings of D.W. Griffith: Indexes and Corrections to Volumes 1–10

British Film Institute, 2007

Book

2

... their painful estrangement. War A dramatic composition in four acts by David Wark Griffith Persons in the play Jackson White, – a bondman Silas Jones; Caleb Sawyer; John Berry; Samuel Snowfall; Willie Beerbug; Farmer […]ills and [f]amily 1st...

A Fool and a Girl

The Griffith Project Volume 11 : Selected Writings of D.W. Griffith: Indexes and Corrections to Volumes 1–10

British Film Institute, 2007

Book

2

... most conspicuously the West Coast plays of David Belasco and the regional melodramas of Augustus Thomas, loom in Griffith’s mind, and there are hints that he was experimenting with theatrical Naturalism but lacked the knowledge, dexterity,...

A Drunkard’s Reformation

The Griffith Project Volume 2 : Films Produced in January–June 1909

British Film Institute, 1999

Book

2

... knownCamera: G.W. BitzerCast: Arthur Johnson (John Wharton); Linda Arvidson (His wife); Adele De Garde (Daughter); Robert Harron (Theater usher); Florence Lawrence, David Miles, Mack Sennett, Marion Leonard, Anita Hendrie, Owen Moore, Harry Solter,...

Way Down East

The Griffith Project Volume 10 : Films Produced in 1919–46

British Film Institute, 2006

Book

3

... process) and D.W. Griffith (1924) in The D.W. Griffith PapersTechnical director: Frank WortmanCast: Lillian Gish (Anna Moore); Richard Barthelmess (David Bartlett); Mrs. David Landau (Anne’s mother); Lowell Sherman (Lennox Sanderson); Burr...

Orphans of the Storm

The Griffith Project Volume 10 : Films Produced in 1919–46

British Film Institute, 2006

Book

3

... but not jointly, with David Mayer: since David and I were asked to address two different facets of Orphans of the Storm he and I felt we could write our parts separately, and then exchange notes. The result of the process is a sort of antiphony. I...

Corrections and Additions to Volumes 1–11

The Griffith Project Volume 12 : Essays on D.W. Griffith

British Film Institute, 2008

Book

2

...361 The Revenue and the Girl Archival sources: Andreas Benz Collection (Neckarsulm, Germany), 8mm acetate positive, Killiam Collection/Blackhawk Films (generation undetermined) The 8mm print was viewed by David Mayer, who identified some...

The Wild and the Cute

Kidding Around : The Child in Film and Media

Bloomsbury Academic, 2014

Book

2

... for the ritual space of the funeral service, perhaps. The musical accompaniment of church organ music and the conventional linking of rain with tears complete this chain of associations. While, in one sense, this poetic use of natural imagery could...

Red Power, White Movies: Billy Jack, Johnny Firecloud, and the Cultural Politics of the “Indiansploitation” Cycle

David Church

David Church is a film historian specializing in genre studies, taste cultures, and histories of film exhibition and distribution. He is a Lecturer in Comparative Cultural Studies at Northern Arizona University, USA, and is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (2015). Author affiliation details are correct at time of print publication.

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Grindhouse : Cultural Exchange on 42nd Street, and Beyond

Bloomsbury Academic, 2016

Book

3

... in a nearby church where a Wounded Knee-style shootout ensues—ending once Jean convinces Billy to surrender and, by standing trial, bring attention to Red Power issues. As in The Born Losers, Billy fits the popular 1970s trope of the male...