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... at a film studio. Neil Walker David Selznick, the son of immigrants, married Jennifer Jones, from Oklahoma, America’s sweetheart. That just goes to show you that in America, the ordinary meets the extraordinary every single day. Anything...
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... don’t you call some of your friends? Ray I don’t have any friends around here. Susan Of course you do. What about Nicky and those guys? Ray I don’t feel like calling them. She keeps applying cream to her face. Susan How about Mara O...
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... to talk to you about that. Tina Why, are you having second thoughts? An old Waiter hovers over the table. Waiter Another herbal tea, sir? Tina Herbal tea? It’s after five o’clock, isn’t it? I’ll have a vodka Martini up with a twist. Mel I...

Introduction: David O. Russell Flying Under the Radar

in Flirting with Disaster & Spanking the Monkey (1996)

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David O. Russell

Projections 4½ : In association with Positif: Film-makers on Film-making

Faber & Faber Limited, 1995

Book

8

...When I was making Spanking the Monkey, I had favourite films like The Graduate, The 400 Blows and Knife in the Water in the back of my mind – strangely unloving families in the first two, and unpredictable, subtly-played sexual triangles...

On the Aesthetics of Amateur Filmmaking in Narrative Cinema: Negotiating Home Movies after Adam’s Rib

David LaRocca

David LaRocca edited Stanley Cavell’s Emerson’s Transcendental Etudes, and later edited The Philosophy of Charlie Kaufman (2019), The Philosophy of War Films (2014), and The Philosophy of Documentary Film: Image, Sound, Fiction, Truth (2017), and is the author or editor of another handful of volumes. He has taught philosophy and cinema, and held visiting research and teaching positions at Vanderbilt University, Harvard University, Ithaca College, State University of New York at Cortland, Binghamton University, and Cornell University. More details at davidlarocca.org. Author affiliation details are correct at time of print publication.

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The Thought of Stanley Cavell and Cinema : Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Bloomsbury Academic, 2020

Book

2

... (Berkeley: University of California Press, 2008); and Amateur Filmmaking: The Home Movie, the Archive, the Web, ed. Laura Rascaroli, Gwenda Young, and Barry Monahan (New York: Bloomsbury, 2014). Also, at the outset, I wish t o express...

Going popular

David Schroeder

David Schroeder holds a PhD from Cambridge University, and is Professor Emeritus at Dalhousie University, Canada. His books include Haydn and the Enlightenment (Oxford UP, 1990), Mozart in Revolt (Yale UP, 1999), Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film (Continuum, 2002/Bloomsbury, 2016), and Our Schubert: His Enduring Legacy (Scarecrow, 2008). Author affiliation details are correct at time of print publication.

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Hitchcock’s Ear : Music and the Director’s Art

Continuum, 2012

Book

2

... Duke University Press., 56. At various points in Hitchcock’s career, and especially when David O. Selznick and Lew Wasserman had controlling interests in his productions, the issue of providing a hit song for a film arose, and then for one...

The sway of America and Europe

David Schroeder

David Schroeder holds a PhD from Cambridge University, and is Professor Emeritus at Dalhousie University, Canada. His books include Haydn and the Enlightenment (Oxford UP, 1990), Mozart in Revolt (Yale UP, 1999), Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film (Continuum, 2002/Bloomsbury, 2016), and Our Schubert: His Enduring Legacy (Scarecrow, 2008). Author affiliation details are correct at time of print publication.

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Hitchcock’s Ear : Music and the Director’s Art

Continuum, 2012

Book

2

... productions are planned to the point that, as Hitchcock himself said, ‘I can hear [the audience] screaming when I’m making the picture.’”Perry, “Imps,” 395. In later years Hitchcock would drive producers such as David O. Selznick...

Narrative: Fiction, Documentary, Polemic

David Curtis

David Curtis is Senior Research Fellow at Central Saint Martins, University of the Arts London. From 1977 to 2000 he was responsible for artists’ film at the Arts Council of Great Britain and in 2003-4 he curated Tate Britain’s ‘A Century of Artists’ Film in Britain’. Author affiliation details are correct at time of print publication.

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A History of Artists’ Film and Video in Britain

British Film Institute, 2007

Book

2

... far as joining her at 7 o’clock on Sunday morning and the following Monday making dummies and masks and finding properties for the cast. When the film was shown the following Thursday at 41 Gordon Square it was a big success; Bunny [David...

Film and Fine Art

David Curtis

David Curtis is Senior Research Fellow at Central Saint Martins, University of the Arts London. From 1977 to 2000 he was responsible for artists’ film at the Arts Council of Great Britain and in 2003-4 he curated Tate Britain’s ‘A Century of Artists’ Film in Britain’. Author affiliation details are correct at time of print publication.

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A History of Artists’ Film and Video in Britain

British Film Institute, 2007

Book

2

... with Clive Hodgson, Film, July 1973). Scott’s collaborations with artists also included Love’s Presentation (1966) with David Hockney (financed by Alan Power) and Antoni Tapies (1974) made with Roland Penrose and the artist.. Ken Russell’s Pop...