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Afterword: The Unattainable Chronotope: Exile in Global Cinema

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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Cinematic Homecomings : Exile and Return in Transnational Cinema

Bloomsbury Academic, 2015

Book

2

...A Turkish poet in exile restlessly walks the wintry dunes of Eastern Frisia on Germany's North Sea coast. With him is the free-spirited German woman who loves him. Yet he cannot open up for her, he cannot be here and now. He always carries...

Transnational Film Studies

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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The Cinema Book

British Film Institute, 2007

Book

3

... and Iordanova, 2006; Larkin, 1997), and looked at films that reflected the narrative of diasporic existence (Desai, 2004). Pioneering work was done in the area of Chinese transnational cinemas, encompassing the cinematic cultures of Taiwan, Hong Kong,...

Aftermath? Fragmentary Notes

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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Cinema of Flames : Balkan Film, Culture and the Media

British Film Institute, 2001

Book

0

...If taken as a coherent body of works, the films I have discussed here represent a comprehensive picture of the region and its people. Internationally, however, they were received within the context of a versatile international film-making...

Visions of Sarajevo: The World Comes to the Balkans

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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Cinema of Flames : Balkan Film, Culture and the Media

British Film Institute, 2001

Book

0

...As Sarajevo was systematically destroyed, the suffering of the city was systematically re-created in all conceivable art forms. Film-makers and visual artists played a major part in the project of keeping Sarajevo alive. Like Beirut...

War in the Balkans – Moving Images

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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Cinema of Flames : Balkan Film, Culture and the Media

British Film Institute, 2001

Book

0

...This book surveys the wide range and variety of films that were made in response to the 1990s crisis in the Balkans, and in particular the Bosnian war. It tries to compensate for the insufficient attention paid to the ambiguous roles...

Taking Sides

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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Cinema of Flames : Balkan Film, Culture and the Media

British Film Institute, 2001

Book

0

...Aleksandar, the protagonist of Before the Rain, returned from the West to his Macedonian village and found everybody there in the powerful grip of frightful intolerance. He was above irrational ethnic rivalries and opposed the obsessive...

Violence: ‘Violated Trust’, Indoctrination, Self-Destruction

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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Cinema of Flames : Balkan Film, Culture and the Media

British Film Institute, 2001

Book

1

... on Bulgaria. See my work in Iordanova (1995, pp. 223–54). The sense of growing international marginalisation, contrasting with the international attention for domestic minorities, strengthens and deepens the sense of betrayal and treachery,...

Narrative and Putative History

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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Cinema of Flames : Balkan Film, Culture and the Media

British Film Institute, 2001

Book

0

...Back in 1992 two media scholars, Canadian Gina Stoiciu and Israeli Dov Shinar, highlighted a phenomenon which they called a ‘reality-construction’ and which they had encountered when analysing the Western media coverage of the 1989 Romanian...

Balkan Film and History: The Politics of Historical Collage

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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Cinema of Flames : Balkan Film, Culture and the Media

British Film Institute, 2001

Book

0

...While historians claim they work with a firm set of criteria to secure objectivity, film-makers have no illusions that in historical reconstruction there is an intricate selectivity as to what is remembered when, and what aspects...

Narrating the Balkans

Dina Iordanova

Dina Iordanova is the author of Cinema of Flames (2001) and co-editor of The BFI Companion to Eastern European and Russian Cinema (2000). She teaches in communication at the University of Leicester, UK. Author affiliation details are correct at time of print publication.

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Cinema of Flames : Balkan Film, Culture and the Media

British Film Institute, 2001

Book

0

...The modern-day post-colonial discourse which revealed ‘that “East” like “West” is much more of a project than a place’, and which originally seemed a theory only remotely relevant to the Balkans, is reinforced by a small but growing number...